Equal Opportunity Ogling

- How could you be ogling these white men ???

- It's equal rights. I have the right to see fine in any color!"

We haven't really discussed Hidden Figures! This time of year is so challenging with two dozen good movies (as opposed to the usual two or three) vying for attention simultaneously. This one is such a crowd pleaser, so were you in that crowd these past few days? Were you pleased?

Two more questions: which lady was your favorite - Dorothy (Octavia), Katherine (Taraji), or Mary (Janelle Monae)? And how many Oscar nominations do you think it will receive? This one is such a tough call due to the late blooming -- I can see anywhere from 0 to 6. You?

Happy New Year: "The Apartment" (1960)

by Chris Feil

The week between Christmas and New Year’s can be a disorienting time - an inescapable amount of parties, reflections on the closing year, and hope for the one to come. For the more somber sort, it’s the feeling of being alone in a series of crowded rooms you can’t escape. New Year’s Eve is simply the worst holiday - like “Auld Lang Syne” it proposes joy and companionship, but always comes up feeling solemn.

Such is the emotional terrain of Billy Wilder’s classic romance The Apartment, a very best Best Picture winner. In its indifferent, wintery New York City, it’s easy to feel isolated and cast aside when everyone else goes on about their lives - but the very thing that sets you apart is what will make you feel less alone when you see it reflected in another person. The film is all the more romantic for being a love story for the melancholy, its soaring hope all the more hard won and transformative.

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The Oscar Week: Denzel, Adam, and Issey

 In this weekly feature from Murtada we follow Oscar contender appearances and interviews.

This week was quiet for Oscar buzz. Most of the stars are in hibernation, since the big push comes next week when Oscar balloting opens. Still best actor hopefuls Adam Driver and Denzel Washington and one possible Supporting Actor dark horse were out promoting their late releases.

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A Year with #52FilmsByWomen

Year in Review. Every afternoon, a new wrap-up. Today Glenn on his year with #52FilmsByWomen

The hashtag ‘52FilmsByWomen’ was started by Women in Film as a means of getting people to consciously watch at least one film a week directed by a woman. It seems like a simple mission considering the number of films many of us watch for both work and pleasure, but I have no doubt that of the 10,000+ people who pledged to do it, many didn’t reach the goal. That’s all right, though, because I saw enough for two.

No, really. In 2016, I watched 105 titles including feature films, shorts, and documentaries. They cover classics, new releases, hidden gems, animations, comedy, horror, and from all over the world. Here are...

TEN OBSERVATIONS FROM MY YEAR OF #52FILMSBYWOMEN

Subverting Toxic Masculinity
We don’t just want more women making films for their fine-tuned insights into the lives of women – Kelly Reichardt’s Certain Women and Anna Rose Holmer’s The Fits being perhaps the most obvious examples among this year’s releases that I saw – but also for their unique takes on men and masculinity.

Look no further for Athina Rachel Tsangari’s Chevalier for a film that couldn’t have been made by a man, but which has so much to say in this year of “toxic masculinity”. What a shame it didn't catch fire with arthouse audiences and award voters. I wasn't too taken by Tsangari's Attenberg, but I responded to Chevalier more than any of Yorgos Lanthimos' works so far, so make of that what you will.

I’ll Go Anywhere with Andrea Arnold
From the surveilled streets of Scotland in Red Road, the council estates of Essex in Fish Tank, the moors of Wuthering Heights, and now, apparently, the American Midwest...

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Gosling and Chazelle to Reunite on the Moon

Chris here. It's that time of the Oscar season where we are starting to hear about the major contenders next projects, and here's one that reunites two major forces behind the frontrunner. Ryan Gosling has already danced among the stars for director Damien Chazelle, and now he'll be launched back into them as Neil Armstrong for First Man.

From James Hansen's biography of the same name, the film will be adapted by Spotlight's Oscar winning cowriter Josh Singer and follow the story of the historic moon landing. The project had originally been developed by Clint Eastwood, but Chazelle is an incredibly more interesting and less expected choice for the project. This would be quite the about face from the jazz-focused La La Land and Whiplash, so we'll be curious to see the results whether or not he becomes the youngest ever Oscar-winning director this year.

Will this be one small step for Chazelle or a giant leap for Gosling?