Chaotic SAG Predictions. You ready?

by Nathaniel R

BABYLON

Beyond the Golden Globes, the most unpredictable of the major awards historically, in terms of nominations, has been the Screen Actors Guild. Their nominations will be announced on January 11th which is just a few days away. The nominating committee rotates each year so it's never the same group of people doing the judging. Sometimes they'll spring for a performance no one (at all) saw coming ("Naomi Watts in St Vincent" / "Sarah Silverman in I Smile Back") and sometimes they'll stump for a major star and give us false hopes that their delicious work won't be too outré for Oscar voters (hello, "Nicole Kidman in The Paperboy"). Sometimes they seem a month or two behind the general Oscar buzz or contrarian and other times they fall right in line like they've been studying prediction charts from pundits. In short, which kind of year will it be for them?

You won't want to hear this but our crystal ball keeps saying "Babylon" despite its harsh reviews and tepid box office. Is this thing broken? Anyway, ON TO THE PREDICTIONS...

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A hard push for "80 For Brady". Will you see it?

by Nathaniel R

Photo by Phillip Faraone / Getty Images for Paramount Pictures

Though the talk this time of year is mostly around Oscar, the new comedy 80 For Brady claimed some space of its own this week in the media as it gears up to open in theaters. The movie "inspired by the true story offour best friends living life to the fullest when they take a wild trip to the 2017 Super Bowl LI to see their hero Tom Brady play"  premiered at the Palm Springs International Film Festival. It's gorgeous quartet of superstars (pictured above) were there "FONDA! MORENO! TOMLIN! FIELD!" Between them they have 12 Emmys, 8 Golden Globes, 5 Oscars, 2 Grammys, 2 Tonys, and numerous other awards, nominations, special honors, and lifetime achievement prizes.  But that's not all in 80 for Brady news...

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Split Decision: “Everything Everywhere All at Once”

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Abe Friedtanzer and Baby Clyde talking about Everything Everywhere All at Once.

ABE: Baby Clyde, I hope all is well! I'm eager to start talking about a film that I absolutely loved, Everything Everywhere All at Once. I actually am very late to the party on this one. I wasn't seeing films in theaters yet back when it was originally released. I finally caught it about two months ago in early November and was impressed that it more than lived up to the hype. The performances are all phenomenal, and it's just drowning in creativity in a way that so few films are these days. But, if I'm to understand correctly, you don't agree. Before I get in to what else I loved about it, can you tell me what you didn't?

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"All Quiet on the Western Front" dominates the BAFTA longlists

by Cláudio Alves

"All Quiet on the Western Front" | © Netflix

After the Academy announced its shortlists in ten categories, some questions loomed over prognosticators' heads. Does a better-than-expected performance at this phase of the race indicate broad industry support? Moreover, is All Quiet in the Western Front – featured in 5 of AMPAS' rosters – the non-English-language film to beat and Netflix's best bet at a Best Picture nod? What were once mere suspicions feel like near certainties in the face of the BAFTA longlists. While we should always take these things with a grain of salt, it's hard to ignore how well the war movie did. Out of 15 possible categories, it features in all 15 shortlists, including such surprising places as Best Costume Design.

Come discover the full longlists, after the jump…

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Split Decision: "The Fabelmans"

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Ben Miller and Eurocheese to argue over The Fabelmans

EUROCHEESE: Ben, I've never been a huge Spielberg defender, so here's my chance! I was bound to see The Fabelmans through rose-colored glasses because I saw its glowing reception with Steven Spielberg and John Williams in person at the AFI Festival.  Even so, scene after scene landed with me and I left the theater smiling ear-to-ear. I'm curious to hear what didn't land with you...

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