Baker's Dozen: Best Screen Animals of 2022

by Nathaniel R

One of the underdiscussed joys of cinema, at least if you're an animal lover, are the non-human creatures that swim, gallop, slither, hop, and play across the screens. Debates continue about the use of non-human actors onscreen, but animal characters can be as memorable as their human scene partners whether they're computer generated, stop motion puppets, or furry or feathered actors. 2022's cinema gave us the full menagerie. Among the most memorable "real" animals, for better and worse, were Empire of Light's wounded pigeon, A Man Called Otto's feral yet easily domesticated cat, Everything Everywhere All At Once's weaponized pom, the homicidal chimp and lion of Nope and Beast, respectively, and Babylon's diarrhetic elephant. If you prefer fantastical beasties, the titular animated characters from The Sea Beast, My Father's Dragon, and DC League of Super Pets had their charms while "Socks" the robot cat of Lightyear was that misjudged film's MVP.

Speaking of fantastic, the following list is dedicated to Meilin in Turning Red for embracing her inner red panda, even if she isn't technically eligible being an all-too relatable teenage human girl person... 

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Happy New Year! Here's to 2023

As you may have gleaned these past several months, 2022 was a very difficult year for your host here. I was out of comission a few times. Feeling hopeful about 2023, though, so to those of you who are still with us, just know that I appreciate you now more than ever. I'm still trying to climb back onto this long running horse. Considered putting this beautiful beast out to pasture but reconsidered. Would rather go out with a big win than a what-just-happened? disappointing finish. Should we make like Cher and announce a Farewell Tour... that goes on indefinitely? Anyway, the point is: onward. The year is young. Mere hours young!

Coming in January: The Oscar nominations and all the stuff that comes with that, "Split Decisions" where the team debates movies they disagree on, more Year in Review lists plus nominations for the annual Film Bitch Awards. And the return of the Smackdown.

P.S. Can you think of any movies with great New Year's Eve scenes aside from When Harry Met Sally? 

Dozen Best Movie Posters of 2022

Our "Year in Review" continues. Let the List-Mania commence... 

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by Nathaniel R

Movie posters are not what they used to be. This is not an aesthetic  "everything was better in the past" complaint but a fact; they aren't as present an advertising force as they were when one tall rectangular image and tagline would do the bulk of the advertising work to define a film. Now that work is dispersed in multiple shapes and images and visual modes, the old school poster included. Posters aren't quite a lost art but they are in Big Hollywood which prefers to make every poster a hideous inhuman collage of movie stars, think Frankenstein's Monster if Dr Frankenstein, had eschewed body parts and just used hundreds of faces in mismatched sizes to build his undead "man".

But enough complaints. Let's celebrate the posters that did right by their movies this year...

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Review: "Whitney Houston: I Wanna Dance With Somebody" Is a Lovable Mess

By: Christopher James

No one loves their cliches more than the biopic genre. However, no music biopic has blown through every cliche with such quick and reckless abandon as Whitney Houston: I Wanna Dance With Somebody. That’s not necessarily an insult.

Few pop culture icons loom as large as Whitney Houston, “The Voice,” who holds the record for seven consecutive number one singles atop the Billboard Top 100. By virtue of also being a modern celebrity, most people have some concept of Houston. Thus, the biopic spends less time educating people on who Whitney Houston is. In fact, it’s a crash course through her Wikipedia. Unfortunately, it misses out on her soul and motivation - what drove Whitney Houston from the biggest star in the world to death at 48?

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Awards Season Catchup: The Bad Guys

By Abe Friedtanzer

One of this year’s most successful contenders for Best Animated Feature was released way back in April. It hasn't been as present on the awards circuit as its success and generally positive reviews would suggest. Whatever prizes it ultimately wins would only add to the fact that this family-friendly caper comedy, based on Aaron Blabey’s book series, is highly enjoyable and very much worth seeking out.

Wolf introduces audiences to his team of notorious thieves, who commit major heists and other crimes as regularly as possible. They do it partly for the big takes, but also for the specific joy from getting away with it...

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