Thoughts I had while looking at the first "20th Century Women" Image

Readers. I do not know where this image originated but I was so excited when I saw it I stopped breathing for a second. Thoughts that came to me while staring at it without editing them...

I already want to inject this movie directly into my veins. 

The Bening is front and center as it should be. Movies that put her off to the side. They're doing it wrong.

Sometimes it disturbs me when Elle Fanning looks directly into the camera. Like, quite possibly, she's not real. Or maybe an alien (I think she is playing one in How To Talk to Girls At Parties but that's just a clever way to throw us off the scent and hide in plain sight)

Remember when Billy Crudup turned down playing the Hulk in the early Aughts? Remember when Billy Crudup left Mary Louise Parker for Claire Danes when MLP was pregnant and everyone hated him? Remember when Billy Crudup was so great in various things throughout his career?

He looks kind of McConaughey Dallas Buyer's ragged in this image and that worries me. Unless it's for the character.

I didn't even recognize Greta Gerwig. WHOA. That's what a change of hair color and cut will do to a person.

When will this movie be in my eyeballs? WHEN? WHEN?!? I have the impatience.

Confrontational hippie boss realness.

I think the boy on the far right is this dude but I'm not sure. (Sometimes I feel like I'm cheating when I click over to IMDb while writing posts. LOL) The movie has something to do with The Bening's relationship to mothering her boy via her other relationships? 

Mike Mills last movie Beginners was so original and amazing and personal and resonant and all of the things movies should aspire to be and if this one is that good I will die of happiness while watching it only not all the way dead because it will also give me life and there will be more movies to see after it and I don't want to die.

Greta Gerwig looking like someone else is weird because even though she's Indie Queen, she's actually old fashioned movie star in that she always plays herself. Superbly.

Will it finally be Annette Bening's year at the Oscars? It wasn't in 1990. Or 1999. Or 2004. Or 2010. Who, me? Bitter? What's that woman got to do to win an Oscar?

Tony Awards Presenters & Broadway Carpool

The Tony Awards hit this weekend with James Corden, former Tony winner and current star of The Late Late Show,  hosting. Sundays ceremony will feature performances from the following musicals: Bright Star, The Color Purple (adapted from the film), Fiddler on the Roof, Hamilton, On Your Feet (the Gloria Estefan musical) School of Rock (adapted from the film), She Loves Me, Shuffle Along, Spring Awakening, and Waitress (adapted from the film).

But which stars of stage and screen will be presenting and which actually belong there?  Since the Tony Awards are televised they tend to give TV & film stars the honors of presenting even though they really ought to pair them with stage giants to make the festivities more attuned to the actual honors being handed out. That minor quibble aside at least the stars chosen to present generally have some sort of Broadway connection.

This year's presenters in the order of how much Broadway stage cred they have after the jump... but first the utter delights of "Broadway Carpool" with James Corden & Lin-Manuel Miranda. Jesse Tyler Ferguson, Audra McDonald and Jane Krakowski absolutely kill it with the singing and comedy in the back seat once they get to Les Miz...

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The Smackdowns Are Coming!

You thought we'd forgotten the Smackdowns. We have not! Here's what's coming this season. You know you want to join in the movie merriment! We're giving you a headstart so you can get to watching these 13 movies for the first time (or revisiting them) over your summer vacations. More details to follow as we get closer to the actual Smackdowns. 

Sunday July 31st
The Best Supporting Actresses of 1977

The Oscar went to the legendary but controversial Vanessa Redgrave for Julia and while she might be impossible to beat, the movies are all juicy in this category. Tuesday Weld co-stars in the provocative Looking for Mr Goodbar, Melinda Dillon was part of the fine cast of Close Encounters of the Third Kind, Quinn Cumming charmed voters in The Goodbye Girl, and Leslie Browne, a dancer, debuted in Oscar's all time biggest loser The Turning Point (nominated for 11 Oscars but it lost every category!).

Sunday August 28th
The Best Supporting Actresses of 1984

Dame Peggy Ashcroft won the Oscar for her penultimate feature film role in A Passage to India. But her category was filled with powerhouse actresses: There was Glenn Close winning her third consecutive nomination for The Natural, Lindsay Crouse in the Best Picture nominee Places in the Heart, and Christine Lahti the scene stealer of Jonathan Demme's Swing Shift. The surprise nominee was actor's actor and Oscar darling Geraldine Page, nominated for a tiny role in The Pope of Greenwich Village. 

Thursday September 30th
The Best Supporting Actresses of 1963  

Only three films to watch for this one since September is always too busy for words: Margaret Rutherford won the Oscar for The VIPs, a Liz & Dick show, Lilia Skalia was also popular in nun mode for Lilies of the Field but it was the Best Picture winning sex comedy Tom Jones that was the informal star of this category with three of Albert Finney's co-stars nominated (the all time record in this category): Diane Cilento, Joyce Redman, and '60s Oscar fixture Dame Edith Evans (nominated shortly thereafter for both The Chalk Garden and The Whisperers) 

What other titles from 1977, 1984. and 1963 would you like us to revisit for extra flavor and context? 

Judy by the Numbers: "A Great Lady Has An Interview"

Anne Marie is tracking Judy Garland's career through musical numbers...

Our time travelling comes to an end this week with a movie that was filmed before The Harvey Girls but, due to expensive reshoots, wasn't released until months later. Ziegfeld Follies (not to be confused with Ziegfeld Girl) is a plotless series of excuses for MGM to throw its considerable stable of talent into a series of comic and musical sketches tailor made to show off the stars - and the studio - at their finest.
 
The Movie: Ziegfeld Follies (1946)
The Songwriters: Kay Thompson (lyrics), Roger Edens (music)
The Players: Judy Garland, Gene Kelly, Fred Astaire, William Powell, Esther Williams, directed by Vincente Minnelli 

The Story: According to rumor, originally this enjoyable little slip of a number was designed for Greer Garson. However, when Garson backed out, it became a number about Garson, lampooning her accent, image, and Oscar-bait dramatic roles. However, the satire was all in good fun, in large part due to the lyrics by Kay Thompson.

Though this was Thompson's first credit on a Judy Garland performance, she had been working with Garland since befriending the young starlet on a radio show in 1939. On top of a successful nightclub career, Thompson would become MGM's top vocal arranger and vocal coach, working with Judy Garland, Fred Astaire, June Allyson, and more. But more than Thompson's vocal control rubbed off on Judy. Watch this clip with Audrey Hepburn, and compare the physicality - from poses to gestures, between Kay and Judy.

While Kay Thompson would remain close friends with Judy Garland, eventually even lending Liza a hand, her own movie career never took off. Instead, Thompson would become world famous for another career: as the creator and writer of the children's series Eloise.

Best Shot: Trevor (1994)

For Pride Month... A great moment in Oscar gayness

This week's Best Shot spotlight shines on an adorable miniature. Since June is Pride Month we're looking at Great Moments in Cinematic Gayness throughout the month. Great Moments in Oscar Gayness are rarer things and usually come with significant caveats. When they award actors for playing LGBT characters it's literally only when they are straight and labelled "brave" for playing the character and the character is either dying or victimized in some way. Their ultimate Best Picture rejection of a universally acclaimed frontrunner in Brokeback Mountain (2005) left another stain on the Academy's rainbow colors.

But in Oscar's gay history, there is a beautiful moment that comes without so many uncomfortable footnotes.

Trevor, a sweet funny short about a boy who realizes his schoolmates have figured out his gayness took home an Oscar in a surprise tie, one of only six in their history, at the 67th ceremony. To make the moment even gayer in retrospect, the late producer and casting director Randy Stone thanked Jodie Foster ("Jodie, I love you") from the stage. (Stone and Foster were frequently each other's dates at film events in the 1990s and he was even rumored to be the biological father of her sons.)

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