come with me if you want to link

Huffpo The story of the first trans Oscar nominee, Angela Morley in the 1970s
Gothamist This will be such a sad day in Manhattan. The last remaining gala premiere type single screen movie theater in Manhattan is closing in a couple of weeks for good. Goodbye Ziegfeld Theater where I first saw Michelle Pfeiffer in the pflesh, where I first laid eyes on Moulin Rouge!, where so many filmmakers and actors premiered their films.
The Film Stage Taylor Sheridan who wrote Sicario is looking to make his directorial debut with his new screenplay Wind River 

Variety Ettore Scola, the Italian director has died at 84 years of age. Among his best known films were three Foreign Language Film Oscar nominees: A Special Day (1977), The Family (1987) and Le Bal (1983) 
Coming Soon Jennifer Lawrence will star in Marita about Fidel Castro's young lover who became involved in an assassination attempt on his life. (Finally a role she's basically the right age for!)
AV Club Kevin Spacey to play JD Salinger's mentor in a Rebel in the Rye (what a title, eh)
MNPP David Lynch's surreal use of animals in his work - damn my favorite one is missing. The talking bird from Twin Peaks. "Leo, no!" 
BuzzFeed The Hateful Eight as the meanest film in Tarantino's filmography. I haven't actually read this piece -- I'm so tired of this movie -- but people keep tell me it's the best piece on the film. 
/Film The polar bear cartoon Norm of the North is our first 0% of 2016 on Rotten Tomatoes. Everyone hates it!
Guardian Kenya thinks Netflix will lead to 'declining moral values'. (I mean... tif you bingewatch bad tv and movies then, sure, yes)

Franchise Watch
Guardian Terminator Genysis sequels have been cancelled. Be grateful for small miracles. That franchise's first two films were amazements but diminishing returns with all the xeroxing
Decider can Margot Robbie's Harley Quinn save the DC film universe from its self? (That's a lot to place on one ensemble player, even if she does carry a baseball bat) 
/Film Christmas 2017 showdown: Avatar 2 and Star Wars VIII now scheduled to open on the exact same day. But the hilarious thing about this article is they call Avatar 2 an "unmovable force" even though James Cameron never makes his release dates. LOL. Expect that one to movie for sure. 

Today's Watch
The Sky in Sicario. Do we think there's any chance Emmanuel Lubezki doesn't win for The Revenant (which would be his third consecutive win -- which has never happened before -- and if so) 

Sky in "Sicario" from Ordog on Vimeo.

Retro Sundance: 1986 Special Jury Prize Winner, Desert Hearts

Team Film Experience isn't at Sundance this year, so instead we're going back through the years to discover and revisit some Sundance classics. Here is Glenn with the 1986 winner of the Special Jury Prize, Donna Deitch's Desert Hearts.

It was a happy accident that on a whim I picked the 1985 drama Desert Hearts to write about today given we’re still very much wrapped up in the warm bosom of Carol. I had not seen Donna Deitch’s film before and had no idea prior to sitting down to watch it that it shared so much in common with Carol, 30 years its senior. I was aware of course that it was a lesbian romance, and I was also aware that the film is (famously) regarded as the first film to allow a lesbian romance to end without tragedy. Still, there were moments where beat-for-beat the films are almost identical. I would be interested to read the novels side by side and see if they’re as alike as their adaptations.

Adapted from Jane Rule’s novel Desert of the Heart, this Sundance Special Jury Prize winner is also set in the 1950s with two women (Helen Shaver and Independent Spirit Award nominee Patricia Charbonneau) of a significant age difference, the eldest of whom is currently in the process of a divorce, who come together much to the surprise of at least one of the pair – although this time it is the younger of the two who finds herself attempting to coax the older woman out from behind her guard. Most striking is how both end not just on similarly optimistic notes, but with almost identical build. Of course, Desert Hearts differs in the way its romance blossoms under the heat of a Reno sun, Shaver’s impractical clothing choices and sever hairstyle slowly becoming more free and loose as her worldview expands thanks to the frank openness of Charbonneau’s younger casino floor-girl a neat costume-oriented touch among the film's mise-en-scene.

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Oscar in Panic Mode. This Rarely Ends Well...

Readers I'm getting nervous. I love the Oscars. Ever since I saw the shiny gold man on a TV guide cover as a little boy and was all "what is that?" I've been hooked. So their history means a lot to me.

It's actually because of that history that it's fun as well as uplifting to chart their progress over the years in dealing with diversity -- and there has been a lot of progress no matter what the current cultural rage would imply. It's been a thrill to see the "first this" and "first that" over the years. 

But this year things are getting ugly. The Academy often makes terrible mistakes when they're criticized (note all the 'we can't make up our minds' volatility with the rules following The Dark Knight year) and now they'll be meeting on possible rules changes including returning to 10 Picture nominees. President Cheryl Boone Isaacs promises "big changes". Some people are even floating acting fields as big as 10 nominees. This is probably the worst idea I've ever heard in relation to the Oscars. [More...]

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Throwback Thursday: Still ended up in outer space...

Lynn Lee here, with a little "before they were in Star Wars" trip down memory lane...
Remember when Poe Dameron and Kylo Ren did a novelty song with Justin Timberlake?

Does this mean JT will be joining them at some point in our favorite outer space saga?  Maybe there can be a truce trio - or even a quartet with Daisy Ridley...

Inside Llewyn Davis (2013) is one of those films that I didn't love when I first saw it but gradually burrowed its way into my soul.  I now think it's one of the Coen brothers' best.  Of course, a lot of credit goes to the gorgeous musical performances, especially Oscar Isaac's solo turns, even if they're continually punctuated (and punctured) by the complete lack of on-screen audience appreciation.  Or maybe all the more because of that: you feel like you're making a private discovery, whether of the character or the actor, or both.  Definitely worth revisiting, if nothing else as the sad-mask companion piece to "O Brother, Where Art Thou?" or for the always-welcome reminder that Oscar Isaac can sang.

First Look at Best Makeup and Hairstyling

Kieran, here. The three films nominated for Best Makeup and Hairstyling at the Oscars this are an interesting bunch.  The Academy had a lot of options to choose from and it almost feels miraculous that they didn’t default nominate things like The Danish Girl or Black Mass, which (questions of merit aside) are practically begging the viewer to notice the makeup work in both cases.  Even if they’re not yours, it’s a respectable crop of nominees. An aside: if we’re going to get five original song nominees every year no matter what, why only three nominees in this category? Curious…

 Mad Max: Fury Road – Lesley Vanderwalt, Elka Wardega, Damian Martin

Previous Work: A lot of features with both George Miller and Baz Luhrmann, but as supervisors (makeup supervisors don’t get nominated, so they weren’t cited when Moulin Rouge! was nominated in 2001)

How They Got Nominated: It almost feels like a silly thing to ponder when looking at the rich tapestry of character designs populating Mad Max: Fury Road. In a way, it could have all felt very random and directionless, but manages to feel cohesive in an “organized chaos” kind of way. It all feels of a piece, even if the makeup work varies greatly from character-to-character. Lesley Vanderwalt has stated that Miss Giddy was the character who took the longest to create, with her intricate, other-worldly body etchings.

 The 100-Year-Old-Man Who Climbed Out the Window and Disappeared – Love Larson, Eva Von Bahr

Previous Work: Many Swedish films, though they did work on David Fincher’s The Girl With the Dragon Tattoo (not the original Swedish language version, oddly enough).

How They Got Nominated: Our Alone, Yet Not Alone nominee of 2015 in that “Who? For what?” kind of way. Few were predicting this to get in, though we probably should have been.  Old age makeup is to the makeup branch what gunfire is to the sound branch—its mere presence in a film automatically makes it a contender. Not to say that there’s undeserving makeup work at play in The 100 Year-Old-Man Who Climbed Out the Window and Disappeared (it’s on Amazon for anyone who wants to check it out). The old age makeup here is…about as good as old age makeup should look in a major motion picture. It’s not wholly convincing in terms of believability, nor is it Benjamin Button-level absurd in how over-the-top it is. And (just in case you were wondering) this film has not replaced Who is Harry Kellerman and Why is He Saying Those Terrible Things About Me? as the longest title of an Academy Award-nominated film.

 The Revenant – Siân Grigg, Duncan Jarman, Robert A. Pandini

Previous Work: Siân Grigg is basically Leonardo DiCaprio’s J. Roy Helland. He’s been his makeup artist on every film since Titanic. If the campaign is not playing up this angle already, they really should be. And here's hoping Leo thanks him in his speech.

How They Got Nominated: The Academy clearly liked The Revenant a whole lot. But, even setting aside the films massive nomination tally, there is good makeup work going on here. In fact, of all The Revenant’s 37 nominations, this is the one it arguably deserves the most (sorry, Leo). The team is in it to win it, too. They’re already making the rounds about how Leo sat in hair and makeup for an exhausting five hours each day to apply the wounds and gashes, which do look pretty impressive.

 What’s your pick to win among these nominees? What missed out on a nomination that was deserving?