Smackdown 1979: Barbara, Candice, Jane, Mariel ...and Meryl Streep!

Presenting the Supporting Actresses of '79. Three divorcées trying to find themselves or build new lives (a white hot character type / movie theme in the late 70s) battled for the statue with a simple suburban mom and a precocious student at the 52nd Annual Academy Awards.

THE NOMINEES

 

Candice Bergen and Mariel Hemingway were first-time Oscar players in 1979, but they shared the interesting distinction of being previous Globe nominees in the long since cancelled category of "Promising Newcomer/Acting Debut" in 1966 (The Sand Pebbles) and 1976 (Lipstick) respectively. Barbara Barrie , the eldest nominee, was no stranger to good reviews having previously won Cannes Best Actress (for the little seen interracial romance One Potato Two Potato in 1964) but was largely considered a TV actress. She returned to the small screen immediately after her most beloved film role  -- in a TV series based on that film no less making her the rare performer (the only one?) to have received both an Emmy nomination and Oscar nomination for the same exact role! But the Kramer vs Kramer ladies were the marquee draws in 1979 and not just because the public response to their divorce drama was so seismic: Jane Alexander and Meryl Streep had been nominated before and would be again. Especially La Streep. No one could have then predicted that she'd continually obliterate Oscar records over the next thirty plus years but everyone knew she was the Next Big Thing. 1979 was the year of her true ascendance, a third consecutive year co-starring in a Best Picture contender (Julia, The Deer Hunter, Kramer vs Kramer) and the small matter of two other much-raved about performances in the same year (Manhattan and The Seduction of Joe Tynan). 

THIS MONTH'S PANELISTS

Here to talk about these five turns are author KM Soehnlein ("The World of Normal Boys") and film bloggers Kristen Sales (Sales on Film), Bill Chambers (Film Freak Central), Brian Herrera (StinkyLulu), and your host Nathaniel R (The Film Experience). There's also a must-listen Podcast companion conversation to the Smackdown where we flesh out some of these thoughts and expound on the movies themselves.

Without further ado, the Smackdown...

1979
SUPPORTING ACTRESS SMACKDOWN 
An in-depth discussion after the jump... 

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Are you playing along at home?

Look at this cute portrait a reader made for me. You know him as "Seisgrados" in the comments!It's my birthday and I don't ask for much from y'all. Only that you obsess over actresses with us and constantly readjust your instant watch and DVD queues to play along with our many series! To maximize your enjoyment this week make sure to catch Spy (2015), "The Knick" Season 1 (2015), Oscar favorite Amadeus (1984), Agnes Varda's highly watchable masterpiece Cleo from 5 to 7 (1962), The Tony Awards, seminal miniseries "And the Band Played On" (HBO, 1993), and any film starring Cara Seymour!

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Rose Byrne in "Spy"

Let's make this happen universe.

Or we'll all be as sad as Bulgarian clowns. 

FYC: "The Americans" For Best Drama Series

Team Experience is sharing their personal Emmy dream picks daily around noon. Here's Lynn Lee...

Even after three brilliant seasons, FX's “The Americans” remains criminally ignored by both the Emmys and the viewing public, and I for the life of me can’t figure out why.  Set in Reagan-era D.C., the series about undercover KGB agents posing as the ideal American family-next-door works like gangbusters as a pure espionage thriller, brimming with nailbiting old-school spycraft, graphic close-quarters fight sequences, titillating sex scenes, doomed romances, double agents, and an endless supply of amazing costumes and wigs. 

But it’s even more effective as a psychological portrait of relationships in which truth and lies, work and love, family and country, are inextricably intertwined.  At the center of this web are super agents Philip and Elizabeth Jennings (Matthew Rhys and Keri Russell, both spectacular), whose fake marriage has only recently evolved into a real attachment.  It’s this bond that moves us to root for them even as they do terrible things for a cause that we know will end up on the wrong side of history.  It also, however, complicates their already-complicated attitudes towards their mission. 

Season 3 ratchets this emotional tension up to an even higher level and takes the show into some of the darkest territory it's ever explored, as Philip and Elizabeth are forced not only to push their moral boundaries to the breaking point but to confront the growing suspicions of their teenage daughter, Paige.  That’s a storyline that could have gone wrong in so many ways, yet “The Americans” succeeds where a show like “Homeland” failed, in making Paige not an annoying distraction but a particularly poignant embodiment of the show’s central dilemma: can you sustain the trust that’s required to keep a family, a marriage, any meaningful relationship, together when the very foundation is built on lies?  

Related
The Americans is not quite entirely ignored. It recently won Best Drama Series at the "Critics Choice Awards" after 12 nominations (3rd consecutive for drama series). It has won no other prizes from that group. 

Previously on our FYC series
Lisa Kudrow, Best Actress | Jon Hamm, Best Actor | 20+ Contenders in Supporting Actress in a Drama Series

Random List-Mania: 40 Best Original Movie Songs of the 1990s

I can't let Dick Tracy go quite yet! All that discussion and no tremulous ode to Stephen Sondheim's brilliant song score? It won't stand! Every moment when Breathless Mahoney (Madonna) and 88 Keys (Mandy Patinkin) are in frame together is gold. 

(Eagle-eyed early 90s obsessiveness will know that Mandy Patinkin also pops up briefly in a celebrity-filled party scene in the Madonna documentary "Truth or Dare")

BEST ORIGINAL MOVIE SONGS OF THE 1990s
Beautiful Song Craft and/or Cheesy Epic Ballads For the Wins
* Oscar nominee ** Oscar winner 

1. "Wise Up" -Magnolia (Aimee Mann)
   technically this song first showed up on the Jerry Maguire soundtrack which is why it wasn't eligible for the Oscars for Magnolia but let's make an exception
2. "Sooner or Later"** - Dick Tracy (Stephen Sondheim)
   
   
   
   
3. "Gangsta's Paradise" - Dangerous Minds (Coolio)
   deemed ineligible by Oscar due to sampling -- people were obsessed with the scary new "is this songwriting?" world of sampling back then. What to make of it? 
4. "Stay" - Reality Bites (Lisa Loeb)
5. "Be Our Guest" - Beauty & The Beast (Alan Menken & Howard Ashman)
6. "More" - Dick Tracy (Stephen Sondheim)
7. "You Must Love Me"** - Evita (Andrew Lloyd Webber & Tim Rice)
8. "God Help the Outcasts" - Hunchback of Notre Dame (Alan Menken)
   
   32 more tunes after the jump

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