Oscar History

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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If Beale Street Could Talk

"Thank you ! Did we all read "Giovanni's Room" when we were teens ... and were slightly baffled and taken ?? Now I'm curious .. about this movie" - Martin

"We don’t deserve something this beautiful in 2018..." - Margaret

"I thought it was a terrific, lovely film but with some flaws. I don't think the voiceovers work well in the film and nor was it necessary since the film was already so infused with Baldwin's voice. " - Raul 



Hirokazu Koreeda (Shoplifters)

Ofir Raul Grazier (The Cakemaker)
Jeremiah Zagar (We the Animals)

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Art Directors Guild: Period, Fantasy, Contemporary

The power of eye candy at the movies is greatly underestimated. Whole star turns can be elevated with the right costuming choices and entire films can be propped up with meaning, beauty, authenticity or imagination with the right production design decisions and set creation and decoration.

love the dilapidated dioramas of The King's Speech

So congratulations to the nominees. The ADG chooses them in three separate categories.

Jess Gonchor for TRUE GRIT
Eve Stewart for THE KING'S SPEECH
Dante Ferretti for SHUTTER ISLAND
Arthur Max for ROBIN HOOD
Geoffrey Kirkland for GET LOW

Most of these will probably show up on Oscar's list. They don't have separate categories so they tend to favor period work.

Disappointed to see Eugenio Caballero's fine work on the 70s rock biopic THE RUNAWAYS (pictured left) snubbed here. We knew it wouldn't figure in (see griping at the end of this post for why) but still...

Therese DePrez for BLACK SWAN
Donald Graham Burt for THE SOCIAL NETWORK
Judy Becker for THE FIGHTER
Sharon Seymour for THE TOWN
Suttirat Larlarb for 127 HOURS

Disappointed to see Albrecht Konrad's work on THE GHOST WRITER left off the contemporary list. That film is a perfect example of how crucial art direction can be for a movie. So many of those scenes just bounce off the walls of that coldly enticing house with all the sharp angles. Everything feels both rich and sinister. Plus that little hotel room Ewan stays in? Perfection.

Robert Stromberg for ALICE IN WONDERLAND
Guy Hendrix Diaz for INCEPTION
Darren Gilford for TRON LEGACY

still the best set in the Harry Potter series, don'cha think?Now that we've congratulated all these talented people we have to bitch a teensy bit. It's always a little odd that the various guilds still name all the movies that are the popular ones heading for "best picture" citations when their awards should be focusing very specifically on their own profession. It doesn't make any sense at all that all of the best work in each field each year would be done only in the movies that have overall 'I love this movie' popularity.

For instance, does 127 Hours really depend on its art direction? This is not to discount the cohesive color palette and all the other things that a production designer must judge but the bulk of the film takes place in a tiny crevice where James Franco carries the movie. That's a performer/directors movie if I've ever seen one. And then there's the matter of Stuart Craig. There's no question that he's done fantastic work on the Harry Potter series, movies that do rely heavily on their art direction for and we don't begrudge him his Oscars. But, more than most of the films in the series, this current installment doesn't actually ask him to add significantly to the look, design or sets. Huge portions are set within Hermione's magic vaguely non-descript tent and some of the other sets we've seen before. It begs the question: how many times can you reward someone for work that you've already rewarded them for?

These films are popular for a reason but we always hope that the various branches would think about their own profession first and only later consider which films they most loved for tiebreakers.

see also: Art Direction Oscar predictions



"I'm an excellent driver"

Yes, readers, the blog goes right here. Everything's now in one place. (Well, everything except co-productions which alternate location like Best Pictures From the Outside In and such.)

Fake Jew, Real ScientologistNick, Mike and I are proud to bring back "Best Pictures From the Outside In" series for its 20th episode (the halfway mark). The films are Gentleman's Agreement in which Gregory Peck poses as a Jewish man to write a scathing expose on anti-Semitism and Tom Cruise plays a cocky jerk who suddenly finds he is with family (no, not in that way) in Rain Man.

If you're new to the series and need a refresher, here is the index to all 20 episodes. Nick, being the overachiever that he is, also keeps a tournament list a readers poll and ranks all the winners.

Please join in the conversation of that episode at Goatdog's blog. There's so much to discuss. Do you love the 80s time capsule of Rain Man. Do you like being lectured to by Gregory Peck? Mike sums both films up in an animated 2 minute recap, I share my theory on how Tom Cruise inspired Twitter (no really) and Nick overshares his Scientology (not really).

P.S. I think you should know that Bull Durham was totally robbed of an Oscar nomination in 1988 and Black Narcissus (which we recently wrote about) was robbed in 1947. What were they thinking?



"Willkommen, Velkommen,  환영합니다 Aloha, Bem-vindo, Bienvenue, 欢迎, Bienvenido, مرحبا بكم, Vítejte, etcetera"

A fresh new year, a fresh new site! HAPPY 2011. The Film Experience is nearly "whole" as it were, merging its many parts. You may experience a few kinks for the first week(s) of January, but please look around and explore. Minor suggestions (i.e. don't say "start all over"), congratulatory compliments and everyday chatter are as welcome in the comments as you are to The Film Experience itself. We'll probably need a week to get up to speed at our newly renovated home.

While you're here check out the top films lists from decades past, the galleries, the calendar ("agenda" tab works best), the Oscar prediction charts (freshly updated with new commentary), our own kudos ("the film bitch awards"). We're still working on importing the recent contents of and the old articles from the site but new blogposts will now be right here at the home page.

Oscar nomination morning is but 3 weeks away! So let us know what you think of the new predictions.

"Cheers, Prost, Sláinte, L'Chaim, Skål"

The Film Experience loves the Academy Awards but it's a site primarily devoted to the love of movies. We mostly just believe in the Oscars as a door into that magical world, or a gateway drug if you prefer. If you're new to the site, please check out the "about" page. Rest assured that many of the series you know and love from the blog will return here over the course of the next month or two, and there's also a couple of huge anniversaries coming up in 2011 that we'll have to pull out all the stops for: Moulin Rouge! (2001) turns 10 this summer. West Side Story (1961) turns 50 toward the end of the year and that's just the two titans.

Here's to 2011!

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