Film Bitch Awards... Openings, Endings, and Titles

Three of the final five Film Bitch Award categories announced. Click over for the nominations!

When I think of my wife I always think of her head. I picture cracking her lovely skull, unspooling her brains, trying to get answers.

BEST OPENING SCENE
Did you find any opening scene as perfectly bold as Gone Girl's recently? It's instantly classic as kick-offs go. Still horrified two months later that Gillian Flynn didn't get an Adapted Screenplay nomination. WTF. Her work was stronger than any of the nominees in her category (the good stuff was in Original this past year obviously). But that wasn't the only entrancing first minute of a film. Under the Skin's "creation" (?) anyone?

BEST ENDING 
Spoiler alert! Movies have endings. Some more satisfying than others. Which were your favorites this year? Were you a bawling but optimistic and newly invigorated civil rights champion at the end of Selma, Pride, or Love is Strange? Was that desert gaze into an open future the perfect ending for Boyhood? Were you chanting USA ironically with the bloodthirsty crowd at the end of Foxcatcher or gazing up with Emma Stone in Birdman or Reese Witherspoon in Wild?

CREDIT SEQUENCES 
I didn't nominated The Grand Budapest Hotel here but I do love that tiny dancing Russian at the tail end of the credits and his exuberant dancing (i wish I had a gif of the confetti throwing part). That's basically a documentary of what happens in my apartment every time I finish an article. As for this category, it shouldn't surprise you to see Captain America: Winter Soldier's bold black white and red pop art as a nominee but do you remember those hilarious cast photos from Neighbors in the closing credits? I almost forgot them which would have been a tragedy. 

I mean...

 

Two categories left (acting in limited or cameo roles) so stay tuned for that and the gold silver and bronze medals this week as grand finale to 2014's film year. Hooray!

(And now I'm off to do that little dance backstage. Byeeeee.)

Review: The New "Cinderella" Is a Real Beauty

This review was originally published in Nathaniel's column at Towleroad.

The Game of Thrones Stark family was fond of the imminent warning "Winter is Coming" but their King of North, actor Richard Madden, doesn't need to worry this time. He's due a much happier Royal ending as the latest charming Prince to hit the movie screens. Winter is most definitely never coming to Kenneth Branagh's luxe adaptation of the most beloved of fairy tales, Cinderella. From its opening vista of a well-to-do country estate, filled with warm yellows and verdant greens and one very happy family, a pleasant merchant and his sunny wife (Ben Chaplin & Hayley Atwell) and their kind daughter Ella (Downton Abbey's Lily James), this Cinderella screams springtime and summer.

Its timing couldn't be better after this particularly long winter.

Spoilers if you're freshly arrived from another universe: Ella's loving parents are not long for this world and after imparting their wisdom and reinforcing her enchanted goodness (yes, she talks to animals), they take turns dying. Lady Tremaine, the stepmother, is introduced inbetween those deaths in clever multi-tasking voiceover courtesy of Fairy Godmother Helena Bonham Carter. [More...]

Click to read more ...

Box Office: Wild Tales of CG Mice and Mike Leigh's Success

For today's box office charts, since there isn't much news beyond Cinderella's expected but terrific opening, here's two charts. 1) The unavoidable movies and 2) the movies you have to seek out. The quality differential is damn frightening. Every single one of the platform toppers are really good! If only audiences could have better taste... sigh... but it's not all their fault. The studios have trained moviegoers to not seek quality since quality is harder to sell and easy marketing hooks are a far more fail safe option with which to run a business since quality (a tough job) is neither here nor there. And once people stopped seeking quality, it got harder and harder to find even if you were seeking. The story of the dwindling of the American arthouse. Well, that and the fast turn-around to DVD and On Demand.

Erica Rivas in WILD TALES. Her wedding doesn't go as well as CINDERELLA's.

WIDE RELEASE
01 Cinderella $70 NEW Review
02 Run All Night $11 NEW
03 Kingsman: The Secret Service $6.2 (cum. $107.3) Review
04 Focus $5.8 (cum. $44)
05 Chappie $5.8 (cum. $23) Review

PLATFORM RELEASE
01 Wild Tales (68 Theaters) $.2 (cum. $.8) Review
02 '71 (65 Theaters) $.2 (cum. $.3) Review
03 It Follows (4 Theaters) $.1 NEW Review
04 Mr Turner (89 Theaters) $.1 (cum. $3.7) Review & Interview
05 Red Army (58 Theaters) $.07 (cum. $.4)  

Oscar nominated Dick Pope and Mike Leigh on the set of Mr TurnerIt Follows, the latest buzzy horror had the week's best per screen average. More artistically leaning horror films have been on a real roll lately creatively but the public interest hasnt yet been piqued so they haven't peeked. Mr Turner is closing out its run soon but it did well... Mike Leigh movies tend to gross right below that region in the US. The ones that Oscar likes do best which probably isn't a surprise:  Secrets and Lies (5 nominations, all in top 8 categories) grossed roughly quadruple what his films usually gross; Topsy-Turvy (4 nominations... mostly in craft categories and his only film to win Oscars, 2 of them) is his second most popular; Vera Drake (3 Oscar nominations, all in top 8 categories) and Mr Turner (4 Oscar nominations, all in craft categories) grossed slightly more than his usual releases. This explains why SPC is so obsessed with releasing them in December but it's a pity because some of them without obvious Oscar hooks need more time to build. Another Year, I maintain, would have been far more successful if released in the fall because it's quiet and contemporary and its power sneaks up on you. 

TFE Recommends: Do yourself a huge favor (if you haven't yet) and take a group of friends to see Argentina's Oscar nominee Wild Tales. It's so funny and comedies are always best with a group. Super accessibly entertaining too as long as your friends know how to read or can speak Spanish. I'm dying to hear which is your favorite from the six short films within the film. I'm partial to "The strongest" (#3) and "Until death do us part" (#6) but they're all good.

What did you see this weekend? If you saw Cinderella chat about that here. I liked it but I really wanted Lucifer to eat those damn CG mice. 

Don't Forget: "The Quiet Man" on Tuesday Night!

Isn't she lovely?

Put on your Sunday best and by "put on" we mean, stream The Quiet Man at Amazon or Netflix or iTunes today and be ready for Tuesday night's 'Hit Me With Your Best Shot' episode. It's a St. Patrick's Day special for our signature participatory series.

We Can't Wait #6 - Crimson Peak

Team Experience is counting down our 15 most anticipated for 2015. Here's Jason...

Who & What: Guillermo Del Toro directs a script he co-wrote with Matthew Robbins (the two have worked together several times but Robbins' most important credit is clearly having directed the seminal-to-me The Legend of Billie Jean - "Fair is fair!"); British playwright Lucinda Coxon (who also wrote the script for the upcoming The Danish Girl) was brought in to add "the proper degree of perversity and intelligence" to the tale.

Mia Wasikowska plays an aspiring novelist named Edith Cushing (I have to share the character names, they're too juicy not to) who gets swept off her feet by the dashing and dark Sir Thomas Sharpe (played by the dashing and dark Tom Hiddleston) and subsequently carried off to his sinister Gothic mansion full all of the requisite spires and shadows with an incestuous-seeming Jessica Chastain as the Lady Lucille Sharpe sneaking amongst them. Charlie Hunnam plays an old friend of Edith's (named "Dr. Alan McMichael" and it doesn't get much more "decent" and "boring" and "doesn't stand a chance in hell" than that) who warns her against the lot of it.

Why We're Excited About it: Del Toro's said that this is his stab at making one of his small Spanish-language movies in English and, while I'll defend the Hellboys and Pacific Rim plenty, there's no denying his greatest works have been the smaller character-based oddities of The Devil's Backbone and Pan's Labyrinth. The list of influences he cites on Peak - The Haunting, The Innocents, and The Shining - are all the precise titles we want to hear mentioned, while at the same time he says his aim is to deconstruct our genre expectations. Plus the cast is as talented as they are gorgeous (which is to say plenty) and if you've watched the pitch-perfect trailer then you've seen the spectacular costumes (those poofy sleeves!) they're running up and down the haunted staircases in as a storm blows the curtains and the fireplace goes out and man oh man do I love me a good old-fashioned Gothic haunted house movie!    

What if it all Goes Wrong? As small as Del Toro kept saying he wanted this movie to be, the trailer is BIG, full of CG ghosts rising through floors and sets seemingly built all the way up to the thunderstruck heavens -  even if it's contained to mostly the titular house and grounds I do worry that the filmmaker's well-documented giddiness over his subject might've maybe carried him away on a storm-cloud of everything-but-the-haunted-kitchen-sink and we'll lose the characters underneath those gorgeous poofy sleeves.

When: Carve your pumpkins and throw on your best velvet cape and head straight to the theater - the movie hits right when the movie should, just in time for All Hallows. Universal's got it slated for October 16th in the US.

Previously...

#7 45 Years
#8 Bridge of Spies
#9 Taxi
#10 Freeheld
#11 A Bigger Splash
#12 The Dressmaker
#13 The Hateful Eight
#14 Knight of Cups
#15 Arabian Nights
Sidebar 3 Animated Films
Sidebar 2 Tomorrowland
Sidebar 1 Avengers: Age of Ultron
Intro Pick a Blockbuster