We Can't Wait! #13: The Hateful Eight

Team Experience is counting down our 15 most anticipated for 2015. Here's Michael...

Who & What: Fresh off the biggest box office hit of his career (and a second Oscar for writing) Tarantino returns for another go at the western genre. This story set in Wyoming a few years after the Civil War, involves eight outlaw types holed up in a mountain pass to wait out a blizzard.

The auteur promises The Hateful Eight will be no less than a cinematic event with exclusive 70mm engagements explicitly designed to remind people of the power of the theatrical movie experience and stave off the tide of digital projection. So, yeah, not lacking for ambition.

Why We're Excited About it: Love them or hate them, it is hard to deny Tarantino’s films are always worth seeing, discussing, dissecting. It's worth noting that while everyone has been focused on Quentin's film’s flashier, button-pushing aspects, the jittery auteur has managed the neat trick of getting mass audiences to line up for some daring, experimental filmmaking. On top of which he can always be counted on to give movie stars the material to reach new career high points. This time out the cast is a thrilling mix of old Tarantino favorites (Tim Roth, Kurt Russell, Sam Jackson, Michael Madsen) Django bit players with beefed up roles (Bruce Dern, Walton Goggins) and Tarantino newcomers who could do wonders with the right role (Demian Bichir, Jennifer Jason Leigh, Channing Tatum). 

Samuel L Jackson tweeted this photo in November from a rehearsal. From left to right: Dern, Jackson, Leigh, Tarantino, Bichir (back to camera), Russell, Goggins, Madsen, and Roth

What if it all Goes Wrong? The loss of Tarantino’s brilliant, longtime collaborator, editor Sally Menke, was felt in Django, particularly in that film’s shaggy final act. Here’s hoping he manages to regain the sharpness this time. Also, if you are one of those fading fans who believe it’s been all downhill since Jackie Brown, there is no sign that Hateful Eight is anything like a return to maturity. On the other hand, a story about criminals holed up together told through a series of interlocking flashback does give off a strong Reservoir Dogs vibe. 

When: Currently slated for November 13 by The Weinstein Company. (Will it stay there? Django Unchained didn't open until Christmas.)

We Can't Wait! #14: Knight of Cups

Team Experience is counting down our 15 most anticipated for 2015. Here's Jose...

Who & What: Knight of Cups is The Terrence Malick Show ft. Cate Blanchett, Natalie Portman, Christian Bale, Freida Pinto, Antonio Banderas and Joel Kinnaman (and whoever else made it out of the cutting room). The story, as far as we can tell, involves a screenwriter (Christian Bale) and the temptations, celebrity and excess of Hollywood. The title comes from a story about a royal prince who drinks from a cup falls into a deep sleep, forgetting his mission and that he is the son of a king.  We've already discussed the trailer and here's the teaser poster...

 

Why We’re Excited About It: Remember a time when Terrence Malick took decade-long breaks between films? Suddenly after The Tree of Life he treated us to news that he would be making up to three new consecutive films within the next five years? This is why we're excited. The more Malick, the merrier..

What If It All Goes Wrong? What can go wrong in a film shot by Emmanuel Lubezki and featuring, wait for it, Fabio (!!!) among the credited cast? Well, they were filming it a full three years ago whatever that might mean. Malick isn't everyone's cup of tea and To the Wonder, was certainly divisive and if you have a low tolerance for wheat or allegories, you already know you're skipping this one. 

When: December 11th. Does this mean Broad Green Pictures thinks it'll actually win Oscars?
 

Box Office: Rusty "Chappie" Tops Weak Chart

Hi everyone! Anne Marie here with the weekend box office. We're about a week away from the first big releases of the year, so the news is mostly underwhelming. We had a handful of new releases this weekend with mixed results. Chappie, South African director Neill Blomkamp's third scifi film with a social message, underperformed in its opening weekend, making it Blomkamp's poorest opening yet. This probably won't affect his involvement in the Alien reboot, but I'm sure there are some sweating execs out there at Sony right now. The world gave a collective shrug to Unfinished Business, the Vince Vaughan vehicle that I kept forgetting about, even though it's been aggressively marketed. Other than that, things mostly faded, with Focus and Kingsman maintaining their unsteady hold, while post-Valentine's Day 50 Shades of Grey went soft and Jupiter Ascending finally crashed.

TOP OF THE BOX OFFICE
Click on the highlighted titles for past articles on that film

01 CHAPPIE $13.3 NEW
02 FOCUS $10.2 (cum $34.6)
03 SECOND BEST MARIGOLD HOTEL $8.6 NEW 
04 KINGSMAN $8.3 (cum $98)
05 SPONGEBOB MOVIE $7 (cum $149)
06 50 SHADES OF GREY  $5.6 (cum $156.4)
07 MCFARLAND USA $5.3 (cum $29.4)
08 THE LAZARUS EFFECT $5.1 (cum $17.4)
09 THE DUFF $4.8 (cum $26.1)
10 UNFINISHED BUSINESS $4.8 NEW 

In bolder news: American Sniper became the #1 movie of 2014 outgrossing the second Hunger Games sequel and Guardians of the Galaxy's franchise launcher.

In happier news:  Second Best Marigold Hotel opened in only 1,573 screens this weekend, but managed to make it to the #3 spot on the Box Office charts with the highest per screen average: $5,467. This is wonderful news for the Judi Dench and Maggie Smith fans of the world, though considering its low $8.6 opening, we can safely conclude this was an off weekend for movie watching. 

What did you watch this weekend?

I Really Really Really Really Really Really Link You

Vanity Fair documentary filmmaker Albert Maysles (Grey Gardens) has died at 88
MNPP Have you ever noticed that a skull flashes in Gaston's eyes when he falls to his death? Jason on Beauty & The Beast (1991)
Theater Mania Helen Mirren returns to Broadway in her Oscar winning role... albeit for a different property, a play called "The Audience"
Comics Alliance AMC is offering a $65 Marvel movie marathon to celebrate the opening of The Avengers: Age of Ultron. It's  29 hours of movie in one sitting from Iron Man (2008) through Ultron (2015). This sounds exhausting. Thing of all the floating objects in skies you'll see exploding every couple of hours as climax

Interview talks to Oscar winner John Ridley (12 Years a Slave) on his new project American Crime
Jared Leto cut his hair, shaved his eyebrows, and dyed the rest platinum blonde -- it's very return to Fight Club all told
Coming Soon looks back at the actresses originally considered for the new Cinderella from Emma Watson to Alicia Vikander and everywhere in between. (Lily James from Downton Abbey eventually landed the role)
Variety - see! TFE isn't the only place still handing out awards for the 2014 film year. The Location Managers Guild of America just gave Wild & The Grand Budapest Hotel prizes 
The Cut the milliner who gave us Indiana Jones's fedora and other movie hats is going bankrupt 
Kenneth in the (212) an update on that petition to pardon 49,000 men who were victimized by the same laws as The Imitation Game's Alan Turing
MNPP [NSFW] the marketing department went to the expense of computer generating underwear for naked Dave Franco for the Unfinished Business trailer.
Boy Culture centerfold turned director Dirk Shafer (Man of the Year, Circuit) found dead at 52 

Today's Must Watch
Tom Hanks lip synchs for his life with Carly Rae Jepsen's "I Really Like You". Adorable.

We Can't Wait! #15: Arabian Nights

Team Experience is counting down our 15 most anticipated for 2015. Here's Amir...

Who & What: This is Portuguese auteur Miguel Gomes’s first feature film since 2012’s Tabu. It is based on the Middle Eastern folklore collection, "One Thousand and One Nights". The original text has a framing device involving the Persian princess Shahrzad, narrating the 1,001 tales to her husband, King Shahryar. Modernised to take place in today’s Portugal, hit by the economic crisis, Gomes’s film will see the princess narrating fictionalized versions of factual stories about the financial pains of the Portuguese. We’ve seen some pictures, heard a lot of promising words from Gomes about his approach and the structure, and know the film clocks at a whopping 6 hours and 37 minutes.

Why We’re Excited About It: Gomes. Gomes. Gomes. He is one of the most exciting directors working today and has made consistently intriguing films since his first short, Entretanto. He built a fan base with 2008’s Our Beloved Month of August on the festival circuit and found more traction four years later with his sensational romantic masterpiece, Tabu. Since then, he has made another short film, the wild, experimental political comedy, Redemption. For Arabian Nights, he’s reunited with the strikingly handsome Carlota Cotta and is working with Apichatpong Weerasethakul’s regular cinematographer. I’m personally further excited by the prospect of an adaptation of Middle Eastern folklore, since that hasn’t happened in decades – and no, Prince of Persia doesn’t count.

Carlota Cotta (and Ana Moreira) in "Tabu" an earlier collaboration with GomesWhat If It All Goes Wrong? Looking back at Gomes’s earlier work, assures that there's little to worry about in this regard. The biggest concern is the running time. The film is broken into three sections: The Restless, The Desolate and The Enchanted, which could mean they will be released separately. Then again, if they are released as one package… 6 hours and 37 minutes? We love you Miguel but you’ll be testing our patience.

When: The Portuguese release date is set for October. Gomes premiered Tabu in Berlin, but that ship has already sailed. Cannes is the likeliest destination at the moment, which, combined with the domestic release date, gives a glimmer of hope that it'll play at TIFF in the fall.