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Thursday
Oct022014

Breaking: Streep & Blunt Trading Places

Top billed but so what?!

Meryl Streep has the first poster for Christmas release Into the Woods all to herself and the Witch is always the marquee role in Stephen Sondheim's musical on stage. But Meryl will be campaigned supporting. The news isn't technically "official" but it soon will be so we're playing a little game of switcheroo on the Lead Actress and Supporting Actress Oscar Prediction Charts.

Technically this reversal (at least from our expectations) is  probably fine as categorizations go: The Witch is a showy role but it's not a huge one and The Baker's Wife (Emily Blunt) is just as much of a major focal point of the show (winning the lead actress Tony for Joanna Gleason in the first production) and the wife has the clearest arc. So Blunt is our leading contender.

The takeaway, with far less competition (as of yet) in Supporting Actress, Meryl is probably looking at her 19th Oscar nomination. If Emily Blunt doesn't thoroughly own Into the Woods she'll be left out of the very competitive leading lineup which will make it the second time co-starring with Streep where she had a plum role but voters attentions were elsewhere.

And by 'elsewhere' I mean 'where the attention always is': on MERYL STREEP. 

Silly Trivia Alert: If nominated this will not only be Meryl's Fourth nomination in the supporting category after The Deer Hunter (1978), Kramer Vs Kramer (1979), and Adaptation (2002) but her Fourth for a role with a singing solo. She sang "Amazing Grace" in Silkwood (1983), "He's Me Pal" in Ironweed (1987), and "You Don't Know Me" and "I'm Checking Out" from  Postcards from the Edge (1990). Her voice is so expressive. Can't wait to see how she interprets "Stay With Me" in particular.

Thursday
Oct022014

Bette Davis, Always the Animated Star

Each time Bette Davis's name comes up here or there (surprisingly often) I feel waves of guilt that I never completed that Seasons of Bette series. And here I was planning my own series, as its follow up, inspired by "A Year With Kate" in which I would do 52 episodes on someone. (FTR Anne Marie and I are both brainstorming how to follow up that amazing beast of a project).

But I couldn't let this new episode of Blank on Blank pass by without our attention. If you haven't seen the series it's a terrific time waster from PBS in which celebrity voices play on the audio and an animator interprets them for a unique short film. Bette talks about her intelligence and the gender politics of 1963 in this fun short... 

Click to read more ...

Wednesday
Oct012014

The Golden Era at the Golden Horse Awards

You may recall that last year the Golden Horse celebrated its 50th year so it was a big big deal. All the stars of Chinese language cinema were out with all the living winners of the lead acting prizes prominently displayed on stage. Zhang Ziyi finally took home Best Actress for The Grand Master, a prize that had continually eluded her. This year, the 51st, is bound to be a let down in comparison but it's still worth noting since we like to see how the Oscar submissions from various Asian countries fare. So let's just hit that straightaway...

Tang Wei stars in The Golden Era, a 30s era biopic of an important Chinese writer

THE GOLDEN ERA (Ann Hui) - Hong Kong's Oscar submission
This historical bio of a famous female writer finds Lust Caution's then-novice star Tang Wei headlining another acclaimed 3 hour period epic. It's nominated for 5 awards and they're all major ones: Feature, Director, Actress, Supporting Actress and Original Screenplay. No tech nominations though, which seems strange for a period epic. I'm still kicking myself for missing this one at TIFF but it's hard to fit the super-sized movies into those jampacked schedules.

ICE POISON (Midi Z) - Taiwan's Oscar submission
Our own Oscars don't ever have the "lone wolf" director anymore with the expanded Best Picture lineup and an increasing willingness to embrace chillier critical darlings anyway, but the Golden Horse got one this year. This Taiwanese drama about a poor young farmer and a woman escaping an arranged marriage who both  get mixed up in selling crystal meth is only nominated for Best Director.

MY BELOVED DEAREST (Sanif Olek) - Singapore's Oscar submission
Last year, Singapore was the surprise winner of the Best Feature Golden Horse (which tilts heavily China and Hong Kong) for their Oscar submission Ilo Ilo but this year their representing film either wasn't eligible or was not well loved by the Golden Horse jury. Zero nominations.

Black Coal Thin Ice led the nominations

We don't yet know what the mainland has chosen as their Oscar submission but the other films that were embraced by the Golden Horse Jury were: Black Coal, Thin Ice from China and winner of the Golden Bear early this year (Glenn reviewed) which led nominations with 8 including all the biggies - Feature, Director, Actress and Actor; Blind Massage from China, exactly what it's title implies, was not far behind with 7 nominations including Feature and Director; Kano from Taiwan, a true story baseball movie set in the 1930s won 6 nominations including Feature and Makeup & Costumes; Coming Home, the new Gong Li drama about a man returning from prison to his estranged wife, missed the key nod for Best Feature but won 5 other nominations including two for acting: Gong Li and a Newcomer nod for Zhang Huiwen who plays her daughter; Paradise in Service was also big in acting categories with three supporting nods but it missed Best Feature, too; A Fool about parents desperate to save their son convicted of a crime won five nominations including Feature.

Young Detective Dea: Rise of the Sea Dragon is available on Netflix Instant Watch!

And finally, just because it's fun to know these films -- and because yours truly kind of misses the days a decade ago when everyone was excited about wuxia movies - other films that did well, particularly in the tech awards included Brotherhood of Blades set in the Ming dynasty, The White Storm a drug underworld action film, No Man's Land about a lawyer's adventures in the Gobi desert and the biggie, a wuxia prequel with five tech nominations: Young Detective Dee: Rise of the Sea Dragon which is available on Netflix Instant Watch.

You can see a complete list of nominations here.

Extensive charts of this year's foreign language Oscar submissions (71 announced to date) are fully updated  here.

 

Wednesday
Oct012014

NYFF: From Russia with Love and 'Pomegranates'

New York Film Festival isn't just about the new. Here is Glenn on the restoration of Sergei Parajanov's 1968 avant-garde classic 'The Color of Pomegranates'.

Conversing at a bar last Friday night after the premiere NYFF screening of David Fincher’s Gone Girl, I mentioned to Nathaniel that I knew what shot I would choose for “Hit Me With Your Best Shot”. I’m not sure about you, but I frequently find myself attempting to work out what my selection would be when I watch a movie. As I’ve mentioned previously, I am very much into the visual and formal aspects of a film so whether it’s a cheap horror movie or a prestige epic my eyes attempt to scope these things out.

Which brings me to the restoration of Sergei Parajanov’s The Colour of Pomegranates (also known as Sayat Nova). This, quite frankly, is a film in which it would be impossible to find just one single piece of imagery to label the best.

Click to read more ...

Wednesday
Oct012014

A Year with Kate: The Glass Menagerie (1973)

Episode 40 of 52: In which Katharine Hepburn takes to TV to show that Laurette Taylor can eat her heart out.

Apparently Kate adapted to TV quickly. Mere months after her first two part television interview on The Dick Cavett Show, Katharine Hepburn returned to the small screen, this time to act. Director Anthony Harvey (last teamed with Kate directing The Lion in Winter) did away with the more fantastical elements of the play in order to get a more "natural" feel, relying on strong acting rather than stagecraft. Nonetheless, The Glass Menagerie remains a touching work of nostalgia and regret that comments in unexpected ways on its legendary lead actress’s life.

When The Glass Menagerie premiered in 1944, Laurette Taylor’s performance as Southern matriarch Amanda Wingfield effectively revolutionized American theatrical acting. In her second foray into Williams’ world, Katharine Hepburn steps out of Taylor’s long shadow. Hepburn's Amanda is not a dreamer, but a fighter. (The biggest shock: Katharine Hepburn, she of the infamous Bryn Mawr brogue, nearly conquers a Southern accent.) Kate plays the most Yankee Southern Belle; she speaks quickly and she demands rather than cajoles. As Kate plays her, Amanda uses her frequent escapes into memory as anecdotal proof that her current suffering is undeserved.

Trivia, nostalgia, and a good reason never to clean out your closet after the jump.

Another explosive family dinner courtesy of Tennessee Williams.

Click to read more ...