I'll Link To That

• Vox wonderful must-read piece by Alissa Wilkinson on the new fad of intertitles in movies and why and how they're deployed artistically.
• GQ Euphoria's Jacob Elordi profiled. Stunning photos with buzzy interview
• Pajiba Very interesting take on what "Jean Jacket" symbolizes in Jordan Peele's Nope (tons of spoilers)

More Anne Heche, Brad Pitt, Eminem/Hitchcock, Only Murders costumes, and Broadway stuff  after the jump...

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Remembering Anne Heche (1969-2022)

by Cláudio Alves

One week ago, on August 5th, Anne Heche crashed her car into a house in Mar Vista, Los Angeles, near her home. The collision was dramatic, causing a fire that took an hour to control, and, though the occupants of the house didn't suffer injuries, Heche was taken to the hospital with severe injuries. At first, it was announced the actress was in critical condition, then a coma, severe brain damage, and today we got the news that Heche is legally dead. She was 53.

This is a horrifying end to what has been a biography marked by polemic and controversy, mental illness, and other difficult situations blown out of their private dimensions into tabloid fodder. Anne Heche had a complicated life - that's undeniable. Yet, to let scandal shine brighter than artistry feels wrong, an ultimate betrayal. In other words, as we mourn this fallen star, let's remember she deserved better than the callousness with which she was often discussed. Beyond personal trials, she was a fascinating screen presence...

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1951: The women of "La Ronde"

We're revisiting the 1951 film year in the lead up to the next Supporting Actress Smackdown. As always Nick Taylor will suggest a few alternatives to Oscar's ballot.

Each writer here at The Film Experience has our checklist of cinematic fetishes. Those qualities we look out for whenever we watch a film, a list of glories we breathlessly recite the way Nicole Kidman talks about going to the movie theater in her Nobel Prize-winning AMC ad. Cinematography so elegant the camera moves like silk. Depictions of sex that recognize it as a real human connection, something that can be playful and disatisfying, and is worth as much consideration in the buildup and the comedown as when it’s happening. Beautiful, immaculately assembled people gliding around gorgeous locales and gleefully succumbing to their libidos. Actresses fulfilling roles that are equal parts familiar archetypes and fleshy, hot-blooded individuals (you know I’m a sucker for this one). And on that note, let’s kick off our look of 1951’s alternate supporting actresses miniseries with a belatedly imported joint from France herself: the lovely ladies of Max Öphuls’ sexy, ephemeral La Ronde...

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2022 Emmys: Comedy Supporting Actress

By: Christopher James

Hannah Waddingham hopes to win a second consecutive Emmy for her work in "Ted Lasso."What happens when winners collide? The Comedy Supporting Actress race is loaded with three past winners this year. Ted Lasso’s Hannah Waddingham looks to repeat last year’s win for season two of the hit Apple TV+ program. Meanwhile, both Alex Borstein (Marvelous Mrs Maisel) and Kate McKinnon (SNL) could add a third Emmy trophy to their mantle. McKinnon took home the prize in both 2016 and 2017, with Borstein following in 2018 and 2019. 

As powerful as these three are, it would be unwise to count out the newcomers. Janelle James and Sheryl Lee Ralph contend for the first season of Abbott Elementary, while Sarah Niles enters the race for her first appearance on Ted Lasso. Both Hannah Einbender and Juno Temple also earned their second consecutive nomination for their roles in Hacks and Ted Lasso, respectively. Who will take home the gold? Let’s break down the race...

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Review: "Inu-Oh", a punk riot and true spectacle

by Nathaniel R

Last week we had the pleasure of an invitation to the East Coast premiere of the anime rock opera Inu-Oh, which opens in theaters today. It's distributed by GKids, a company which has long championed non-Hollywood animation for US audiences who we all know can be stubbornly myopic about animation, viewing it as a genre rather than a medium capable of all kinds of genres and visual experiences. The screening was at Japan Society here in Manhattan. I bring this up primarily because I had somehow never been there and must highly recommend the venue which has monthly screenings of both anime films and acclaimed live action Japanese films, too (recent films included everything from Miyazaki's Princess Mononoke to the kaiju film Mothra, to Akira Kurosawa's Kagemusha).  Seeing specialty films, which generally play to tiny arthouse crowds, in a beautiful respectful context to a large packed crowd is always a thrill (one of the reasons film festivals, never lose their thrill).

And Inu-Oh deserves a big screen so don't wait until streaming if it hits a theater near you...

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