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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Friday
Aug052022

The Best Costumes of 1997

by Cláudio Alves

Before we say goodbye to 1997 and move on to 1951, let's indulge in what has become a Smackdown tradition. After Nathaniel and his panelist do their Supporting Actress analysis and podcast discussion, it's time for some costume-related musings. Like most of the categories in that year's Oscars, the Best Costume Design race was won by Titanic, which shouldn't be surprising. Not only was the movie a sweeper, but its wardrobe has achieved iconic status in the decades since its original release. Deborah Lynn Scott makes for a just victor, not only because of her work's iconographic power but also because it works within the picture's purview of history and romance…

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Thursday
Aug042022

Doc Corner: 'Blue Island'

By Glenn Dunks

Chan Tze Woon’s second feature is also his second about Hong Kong’s fight for independence. It follows Yellowing in 2016. Like many filmmakers working in non-fiction today, Chan incorporates actors and the process of moviemaking into Blue Island. This is a documentary that makes heavy use of recreations and performance, yet these are elements that are frequently weaved throughout rather seamlessly. It doesn’t always work, with some of Chan’s conceits coming and going at whim, but it becomes a smart choice.

For the story he’s trying to tell is one explicitly built around Hong Kong as an epicenter of street activism where one generation’s fighters have much to learn from those who came before. Where history becomes the present with far too much familiarity.

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Thursday
Aug042022

ICYMI - 1997 Smackdown Podcast

by Nathaniel R

We'll be releasing as short "outtakes" podcast from the latest Smackdown featuring the films and supporting actresses of 1997. But before we do, listen to the "official" podcast, won'cha? It's one of our best episodes, so we sincerely hope you enjoy. 

1 hour and 24 minutes
00:00 Panel Intros and Titanic's four-quadrant success
08:00 In & Out. Paul Rudnick's jokes, the physical comedy, the Joan Cusack
23:30 L.A. Confidential and Kim Basinger as both actress and celebrity
37:30 Good Will Hunting 'Ben & Matt' mania, and Minnie Driver's focus-pulling charisma
46:50 The brilliance of Boogie Nights and Julianne Moore's career-making genius
1:01:35 Gloria Stuart's 'old Rose' and the winning corniness of Titanic
1:16:00 Awards for everyone plus our re-casting game.
1:19:00 Goodbyes and final movie/performance recommendations for '97 

Thursday
Aug042022

Yes, No, Maybe So? "The Banshees of Inisherin"

by Nathaniel R

You can tell that it's August since more and more 'prestige' projects are revealing themselves and the fall film season is looking mighty tasty. Today the first poster and trailer to Martin McDonagh's The Banshees of Inisherin. We don't know how Martin McDonagh keeps getting away with memorable film titles when Hollywood loves nothing more than to rename projects something utterly generic the title alone works wonders. What does it mean exactly in this context? It's so evocative and Irish, too. This is McDonagh's first film since his mainstream breakthrough with Three Billboards Outside Ebbing, Missouri (2017) though he was of course already an Oscar winner before that film via his short film Six Shooter (2004). Curiously he has yet to win a Tony despite five of his projects being nominated for Best Play (The Beauty Queen of Lenane, The Lonesome West, TThe Lieutenant of Inishmore, Hangmen, and our favourite of his work The Pillowman).

After the jump the poster and trailer...

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Thursday
Aug042022

A queer-leaning Venice Critics Week

by Nathaniel R

Three Nights a Week

The titles have been announced for one of the exciting sidebars at Venice. Critics Week is for feature debuts for emerging filmmakers. That means they're eligible for the Lion of the Future prize, determined by a jury from all debuts across the festival. What's more at least three of these titles are queer films so maybe the Queer Lion will be competitive this year, too! As with the Lion of the Future prize, all sections of the festival counts so a special jury chooses The Queer Lion after screening the qualifying films (in this case anything LGBTQ themed). Venice runs August 31st through September 10th, 2022. Once again this year Elisa Giudici will be covering Venice for us...

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