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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Wednesday
Apr302014

April Showers: Silkwood

The waterworks conclude with the month's last entry from abstew. And it's a doozy...

Although the most famous shower scene in the history of film may belong to Hitchcock's Psycho, no other cinematic shower has entered into pop culture, taking on a life of its own outside the film, in quite the same way as Silkwood. To take a Silkwood shower is even an entry in the urban dictionary (so you know it's legit.) But for something that has morphed into such an iconic cultural moment, it may be surprising to note that Meryl Streep only spends a little less than a minute in the film's entire two hour running time actually in the (invasive) cleansing waters. Despite its brevity, its emotional impact is palpable.

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Wednesday
Apr302014

Hot Docs '14: Actress

[Amir, our Canadian correspondent, is reporting from The Hot Docs Film Festival, the biggest documentary festival in North America currently underway in Toronto.] 

Where does an act end for a performer? What happens if the persona seeps in so deep that the performer can never shake it off? Can an actress adopt the traits of the characters she once embodied so deeply that she permanently remains in their skin? How far can passion for the craft take an artist? These are all questions that Robert Greene’s intelligent, artfully constructed documentary, Actress, poses to the audience in the first few minutes.  

The subject, Brandy Burre, played the part of Theresa D’Agostino, a recurring character over a 15-episode arc in the third and fourth seasons of The Wire. She was never a star, but her future seemed bright, having taken a prominent role in one of television’s best reviewed series...

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Wednesday
Apr302014

Tribeca Is a Wrap for The Film Experience

Thanks for following along with our Tribeca adventures and remember to follow Glenn, Diana, Jason, Abstew and myself on twitter for continual movie madness. Here are the 40 films we reviewed this year in alpha order...

a still from Der Samurai

5 to 7 (Diana)
About Alex (Glenn)
Alex in Venice (Glenn)
The Bachelor Weekend -Irish comedy (Nathaniel)
Bad Hair -Venezuelan childhood drama (Nathaniel)
Beneath the Harvest Sky (Glenn)
Boulevard -with Robin Williams (Nathaniel)
Bright Days Ahead (Abstew)
The Canal -horror (Jason)
Chef -starry indie from Jon Favreau (Abstew)
Dior and I (Glenn)
Electric Slide -hipster 80s crime drama (Nathaniel)
Every Secret Thing -mystery with Dakota Fanning (Nathaniel)

Extraterrestrial - horror (Jason)
Gabriel - with Rory Culkin (Abstew)
Glass Chin - with Corey Stoll (Diana)
Goodbye To All That (Diana)
In Your Eyes - Joss Whedon online film (Jason)
Indigenous -horror (Jason)
Just Before I Go -Courteney Cox directing (Glenn)
Life Partners (Jason)
Loitering With Intent -starry indie (Nathaniel)
Lucky Them (Abstew)
Mala Mala -drag documentary (Glenn)
Match - with Patrick Stewart (Nathaniel)
Ne Me Quitte Pas (Diana)
Night Moves -from Kelly Reichardt (Glenn)

Jack O'Connell (300: Rise of an Empire, Starred Up, Unbroken) is the next big thing Now: In the Wings of the World Stage -Kevin Spacey & Shakespeare (Abstew)
The One I Love (Glenn)
Preservation (Jason)
Der Samurai -queer horror (Nathaniel)
Something Must Break (Jason)
Starred Up -prison drama (Abstew)
Summer of Blood -hipster horror (Jason)
Third Person (Diana)
Vara: A Blessing -foreign melodrama (Nathaniel)
Venus in Fur -Roman Polanski's adaptation (Glenn)
X/Y (Glenn)
Zero Motivation -Israeli military comedy (Diana) 
Zombeavers -horror (Diana) 

previously in festival coverage:
forty-two films from Sundance
next:  Amir @ Hot Docs / Diana @ Cannes

Wednesday
Apr302014

A Year with Kate: Keeper of the Flame (1942)

Episode 18 of 52 of Anne Marie's chronological look at Katharine Hepburn's career.

In which I'm not entirely sure what's going on but it seems to involve boy scouts and fascism.

So, you’re a major studio with a bona fide hit on your hands. You’ve thrown two Academy Award winners, neither a matinee idol in their own right, into a romantic comedy, and the sparks between them burst with unexpected chemistry. The result is a commercial and critical smash that will garner two Oscar nominations and one win (for Best Screenplay). Clearly, another movie between Spencer Tracy and Katharine Hepburn is desired. The next question is: how do you follow an immediate classic?

If your answer is “with a heavy-handed, jingoistic melodrama about fascism,” then you’re crazy, but you’re also right. The tonal about-face from the lighthearted Woman of the Year to Tracy and Hepburn’s next film, Keeper of the Flame, is severe enough to cause whiplash. [more...]

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Wednesday
Apr302014

"I know what you're thinking: Home schooled kids are freaks!"

[Our Mean Girls week concludes with a really fresh angle I think you'll love. Here's Tim on being a home schooled freak. - Nathaniel R]

Tim here. I can't tell you how many times I, a perpetually overweight, underemployed, thirtysomething male, have looked at Lindsay Lohan and thought to myself gosh, she's just like me! But I can tell you the time it struck closest to home was when I first peered into Mean Girls a decade ago. Look at any appreciation, vintage or current, like the ones we have going for our Mean Girls Week, and you're going to encounter the sentiment that the film understands deep and universal truths about the public high school experience, but the kinship I feel with Lohan's Cady Heron is of an entirely different sort - the exact opposite, in fact.

Mean Girls, after all, isn't just a movie about any old bright teenager entering a new school and being partially devoured by the social order she finds there: it's about a bright teenager who has spent her life to that point being home schooled, thrust for the first time into a world full of people her own age. And like Cady, I spent my share of time being home schooled, though it wasn't because my parents were awesome zoologists who took me with them for a decade-plus research trip in Africa (it wasn't for fringe religious reasons either, I want to make that very clear). And unlike Cady, I never did get to experience the magical horror show of American high school. But I did get to have that same brutal, abrupt shift from being essentially solitary, driven only by my own sense of discipline, to be thrown into a terrifying world of people and schedules when college and dorms came upon me. [More...]

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