A Year with Kate: A Bill of Divorcement (1932)

In which two ingénues are introduced...

A girlish debutante in a white gown floats down the stairs and into her waiting beau's arms. Gracefully, they glide around the dance floor sharing quips and quiet smiles. Thus is the world introduced to Katharine Hepburn in A Bill of Divorcement in 1932. It's a pretty enough entrance, but somehow inauspicious for Kate the Great. It is just so entirely Movie Ingénue Ordinary. The girl floating down the stairs could just as easily be Jeanette McDonald or Joan Bennett. Considering who Katharine Hepburn was and who she became, one would expect her to come striding into the room like a Greek goddess. Katharine Hepburn would make many more striking and characteristic entrances later, so for now we'll settle for this beautiful-if-ephemeral debut of the ingénue, and proceed with my own introduction.

My name is Anne Marie, and Katharine Hepburn is my idol. The first movie I ever saw her in was The Philadelphia Story. Kate was powerful and witty. She wore pants and still looked glamorous. To an awkward tomboy in middle school, she was everything. This idolatry only intensified as I grew. But recently, while perusing IMDb, I discovered two shocking things: 

1. I have only seen a third of Katharine Hepburn's movies
2. There are exactly 52 of them. 

This presents me with an exciting opportunity: "A Year with Kate"... 

Click to read more ...

Year in Review: Best Dance Moments

[Michael surveyed the year in dance in cinema for 2012. For 2013, Dancin' Dan takes over the listing of key dance moments in the cinematic year. - Editor]

I started dancing as a kid because of Gene Kelly and Donald O'Connor in Singin' In The Rain, and haven't looked back since. I'm continually fascinated by the ways in which dance is filmed and what dance on film might say about the state of the state of both arts.

What do the films of 2013 have to say about dance? Not much but definitely that we dance to have fun, especially at parties! Dancing gifs and best moments after the jump

Click to read more ...

Happy 2014...Choose Three Cinematic Spirit Guides!

HAPPY NEW YEAR!

I've found in years past that it doesn't do much good to fuss over resolutions or plans for a new year... especially a long list of them. Which is not to say that self-improvement projects or, by extension in my case The Film Experience improvement projects, should not be on the agenda. The trick is to really focus so I'm only choosing three even though my nature yearns to do it differently. I have to fight the impulse to draft up a list of 2,014 life goals which would then make me miserable when I failed to accomplish them and guilty when I forgot what they were. I've already been working at upping my game behind-the-scenes since I didn't want to wait until a special date arose ("January 1st" is so arbitrary, really, and why should we be bound to Aloysius Lilius's 1582 business, you now?) to act on recent positive impulses, particularly because negative impulses are so more familiar and abundant. So in October this year I started saying "yes" to things I would normally hedge on or pass up altogether from worries of various sorts (time, money, fear). That was the entire goal, say "yes"! I did it in the hopes of breaking out of my "comfort zones" (which can also be pronounced as "ruts"). Maybe it's too soon to tell but I think it's working!

I'm not ready to share the three goals yet but for fun I thought I'd choose three spirit guides from the movies, to lean on for inspiration and spiritual support this year. And here they are...

Maria in The Sound of Music (1965)
Her image needs to be rehabilitated anyway. When I'm feeling ill equipped for whatever comes my way in 2014, I'm going to sing "I Have Confidence," the ultimate self pep-talk song. I'll do this while swinging my personal baggage around like it weighs nothing (I will do all of this internally and silently so as not to harm innocent bystanders) 

Captain America
Talk about freeing yourself from ruts: Is there a harder mold to bust out of than a 60 year old block of ice? He emerged with heroic spirit, super fitness (I so need to get back to the gym) and take charge instincts. He also knows from Classic Hollywood Movies since he saw them in first run!

Poppy in Happy-Go-Lucky (2008)
Because she doesn't take herself too seriously and she'll try anything and throw herself into it. She's our best cinematic illustration that happiness is a conscious choice. Life doesn't always cooperate.

You should totally play along at home - strength in numbers. Choose three cinematic spirit guides and join me in making 2014 your best year yet. 

Team Experience Top Tens. The Stories They Tell...

I, Nathaniel, am still in the process of cramming screeners into my bloodshot eyeballs (I know that's not the best way to do it but that's what happens each year at this exact time). Next weekend, at the very latest, I'll deliver my own top ten list. Until then, I thought it might be fun to see what our magic elves were into this year. A few of the regulars opted out, since they like quite a lot more time to mull things over or they're too busy with their classic hollywood obsessions (you are going to LOVE what Anne Marie has cooking for 2014). But Jose, Amir, Glenn, Tim and Michael and an unexpected guest perservered and their lists are here for your perusal and rental queue consideration. 

Click to read more ...

The Thing I Ended Up Writing While Trying to Write The Review of "August: Osage County"

They do right by the first scene at least trimming the interminable opening of the Pulitzer and Tony wi. Beginning with the opening, Nathaniel, really? Do you groan audibly when someone says "That scene was so much better in the play / book / original source material" which is the culture snob's version of "FIRST!"  ok you'll need to discuss that effect but awkwwwward... EXT. Weston Family Home, Oklahoma. A car pulls int NO.  Violet Weston is a piece of work. But then, so it August: Ohmygod.. this is so not going to work.

"Eat your fish, bitch. Eat your fish.

... tempting, but where are you going to go from there if you start with Tracy Letts muscular punchy words and move on to your own dumpier nudgy ones? STOP.

You see where I'm going with this? Each time I've attempted to write about John Wells' adaptation of Tracy Lett's stage masterwork August: Osage County, barring a few brief stabs at some element of my discontent or, more likely, some reaction to its Oscar campaign and release strategy no review emergies. Obstacles of time, desire, interest, or non-diegetic usually awards season related materials surge up and scatter my thoughts when I sit down. 

Take this clever piece of FYC swag, a glorified envelope in the shape of a cardboard house.... [more]

Click to read more ...