Double Indemnity (Pre 'Body Heat' Post Coital)

Hit Me With Your Best Shot Episode 4.8

Double bourbon is fine, Walter."

As a baby cinephile in the 1980s I grew up with Body Heat (1981) as my noir of choice. Before I had any biblical knowledge of my own, I was utterly enthralled by Kathleen Turner's come-hither challenge and roaming hands, William Hurt's 'not-too-smart' insatiable lust and that broken window in a sticky Florida summer. For reasons that seem immature/absurd now, I avoided Double Indemnity for many years afterwards feeling 'I'd already seen it'. Never mind that Body Heat was less a remake than an "inspired by" or that Body Heat's reign as the Best of the Neo Noirs does nothing to diminish the bewitching "rotten to the core" vortex of Double Indemnity's scheming plot and sexual shenanigans.

Different noirs for different eras. But the long shadow that Body Heat cast on my early views of this entire genre is probably why my choice for this week's "Best Shot" is this seemingly minor one from Billy Wilder's 1944 classic. 

Seemingly.

This shot occurs at the end of a long "love scene" early in the picture between Phyllis (Barbara Stanwyck --  the collected Best Shot articles have many insightful comments about this unimproveable star turn) and Walter (Fred MacMurray) as they dance around their sexual and murderous desires. The scene is filled with talking in the shadows -- I could watch Stanwyck plot silently and minimistically for another two hours on loop --  and three bits of physical intimacy, an arm grab, a kiss and a 'comforting' embrace. The scene is then interrupted by a narrative flashforward. When we return to the scheming duo, they're presented to us like so. Phyllis side-eyes her willing rube, gazes at her hands (a repetitive gesture... just how much blood is on them?) and stands up to leave with this bit of disingenuously banal needinees...

will you phone me?

Double Indemnity has many gorgeous shot compositions involving diagonal shadows and I love all of them. But its visual prowess and ideas extends beyond venetian blinds. This is an atypical shot in the film's visual composition because, despite the square frame, it's very horizontal... as befits a post-coital tableau.

Yes, they've 100% just had sex even if they're still in the same clothes as before the flash-forward. We've never seen Walter with his guard this down though Phyllis, inscrutable Phyllis is still the exact same woman. Sealing the deal of this scene's brilliance for me is the costuming and cinematography: Phyllis has never before been clothed in such a tactile way (fuzzy sweaters must have equalled instant boners back in the 40s and 50s); and the lighting choice is provocatively counterintuitive since it's Phyllis, the not so innocent and virginal, who is bathed in soft light while Walter in shadow.

P.S. A runner up...

This shot, from the final confrontation between Phyllis and her conquest, could inspire novels out of context it's such rich and decadent. In context, which is what we should be talking about, it's a triump of both Art Direction and Cinematography; that same living room, which we've returned to multiple times, never feels as sinister in any other shot. The composition also allows Walter's shadow to enter the frame before him, which is telling, and then has both the regretful man and his dark shadow in frame, both separated. It's also my favorite example of Double Indemnity's great use of venetian blind shadows -- usually involving Walter -- and the diagonal tension they bring to each of his scenes withough the film having to resort to anything as crude as canted camera angles.

Straight Down The Link...
Aliston Tooey on Phyllis' spidery web
Amiresque "drive thru beer!"
Antagony & Ecstasy on Stanwyck's unparalleled femme fatale triumph
Cinesnatch this week's film coincides with some Best Picture Oscar revisionism here
Entertainment Junkie loves Stanwyck's satisfaction
Film Actually 'the stillness speaks volumes'
The Film's The Thing 'a messy bit of business in Aisle 3"
I Am Derreck on Walter's double secret life
Pussy Goes Grrr the scorpion and the frog
Victim of the Time considers the 'ugliness' of Double Indemnity
We Recycle Movies talks LA Architecture and venetian blinds

.... or see all the stills in chronological order

Next Week, Wednesday May 8th:
David Lean's Summertime (1955) with Katharine Hepburn in Venice. Join us by selecting your own choice for "best shot"

Visual Index ~ Double Indemnity's Best Shot(s)

From the moment they met it was murder."

The fact that Barbara Stanwyck never won a competitive Oscar could drive anyone to the deadly deed!

For this week's edition of Hit Me With Your Best Shot we asked fellow denizens of the web to look at Double Indemnity with us. If you click on any of the still's selected as "Best Shot" after the jump it'll take you to the corresponding article, eleven of them in total.  This movie is a stone cold fox. 

Click to read more ...

Say What? A Streep and Her Dog

Awww. Meryl Streep walking her dog in Manhattan.

Amuse us by adding a dialogue or caption to this photo in the comments. I'll select a winner later.

Something Portman This Way Comes

JA from MNPP here - by now I think most of you have probably heard the news that Michael Fassbender is going to play Macbeth for the director of Snowtown. (Any fans of Snowtown up in here? I found it monstrously, emphasis on monstrously, effective.) Speculation immediately turned to what actress would play the scheming Lady to his doomed King - I saw everybody from Tilda Swinton to Emma Watson mentioned (and no doubt somewhere Sally Kellerman whispered her own name into the wind, too).

Well today we find out his former Jane Got a Gun co-star to be that never was Natalie Portman will be the one whispering deadly somethings in his ear, and... people don't seem happy, from what I can gather? I have to admit I'm kinda skeptical myself. I like Natalie, I thought she deserved her Oscar for Black Swan, but Vincent Cassel wasn't wrong when he told her she can nail the White Swan but she has some trouble with the darker side. Can she summon the wicked gravitas you need for this role?

I mean, we need somebody in this part that can convincingly tell Michael Fassbender that he doesn't have, you know, the sufficient manhood, ahem. So yeah... now that I think about it pretty much anybody's doomed, having to sell that whopper. "The Scottish Play" is a curse after all!

April. It's a Wrap

I hope April was a good month for you. On the other hand, if you, like me, weren't having a 'firing on all cylinders' month, you probably missed some goodies. Herewith ten highlights from the month... I mean, besides Reader Spotlight and Best Shot which are always highlights. 

Ryan, Tilda, and T-Rex were the stars of the month here at The Film Experience

Jury Duty my stint at the Nashville International Film Festival and the prizes we gave
Can a Bad Sequel Diminish a Classic? Michael asks Burning Questions with flair 
Surprise Podcast Joe, Nick and I discussed The Place Beyond the Pines and 1990s flicks
Jude in the Snow I think the highlight of this year's noncommittal April Showers (sorry) was Andrew's piece on Anna Karenina, don't you?
The Oscar That Got Away Judy Garland's immortal star turn in A Star is Born was commemorated with a Best Shot episode

Top Ten Non-Nominated Supporting Actresses (1980s) this was a fun list to make. Perhaps I'll do more
Jurassic Park Featuring Tilda Swinton Yes, Jurassic Park makes me think of Tilda Swinton. Don't judge 
Watching You Watching... I asked readers to confess the last three movies they saw, no editing. So fun to read the comments. If only you'd comment this much all the time ;)
Language Barrier? with the release of Kon-Tiki, Tim wonders if we can ever really see a foreign film as it's meant to be seen
Best New Directors of the 21st Century a big discussable Team Experience countdown

Coming in May - Are you ready for summer?
Yes, I'll try to wrap up some loose ends (cough. I know I know) plus we'll look at Iron Man Three, The Great Gatsby (costumes and all), Before Midnight, Benedict Cumberbatch Into Darkness, Cannes films and fashions, Frances Ha and more. We're also trying a little something different this month with two guiding Stars: look out for a handful of Hepburn (Katharine) soon and a tall cool drink of Paul Newman at month's end. If you like those theme weeks maybe we'll try more of them.