The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
This past summer we polled you once or twice a month about the Best Actress characters that you think of the most often from the past 50 years of the cinema taking us all the way from 1961 through to this past spring's Oscars for the films of 2010! With the new fall season of The Film Experience kicking off and the Oscar films arriving, I thought we'd take one last look back at that polling.
It was quite fun for little OCD actressexual me to peruse and "sort" and all of that in excel. If you're OCD like me and want to know how I compiled the chart, which is listed in alphabetical order below and pictured in slide show format in chronological order, there's more information after the list. I'd love to say that we'd do 100 articles to celebrate (one for each of your fav' fictionalized ladies) but that would be an insane thing to promise. But we'll use the chart for inspirational somethings! Give these characters a big round of applause for all their years of entertaining service.
By all means if you haven't seen any of the 98 films represented, make it a viewing priority.
Your 100 Most Memorable Best Actress "Characters" 50 Years | 100 Greats (1961-2010)
List presented visually (chronologically) and in text form (alphabetically) after the jump. Plus: Statistics!
The final episode of True Blood's witchy season four had a cleft heart, one half beating only for past glories (i.e. Season 4 ... or even earlier seasons if their name is "Bill") and the other half beating for an imagined future (Season 5 if you'd like to get cynical about it). You could just about divide the sprawling cast down the center as to which half they belonged to, some characters hanging on to the past either tearfully, fearfully or violently (Marnie, Eric, Bill, Debbie, Hoyt, Arlene, Pam), others ready to forge ahead and move on with varying degrees of optimism, fear, and willpower (Sookie, Jessica, Jason, Tara, Sam, Holly & Andy). It's the very drama that infuses the episode's opening conversation with Jesus & Lafayette. Isn't that always the drama of the heart?
Jesus and Lafayette (who is actually Marnie!) over breakfast eggs.
4.12 "And When I Die" Not that True Blood thrives on "the universal". Most of us don't have to worry about malevolent spirits possessing our lovers, stabbing our hands over breakfast, duct-taping us to our chairs, and stealing our demon-headed magic while thrusting a butcher knife into our heart. But maybe Jesus, familiar with both violence-prone spirits and demon-headed Crazy, should've worried himself towards protection spells or some such! Goodbye Jesus (2010-2011) we hardly knew you. Goodbye Kevin Alejandro, go-to guy for "regular cast" killings (see also: Southland).
True Blood's season finale had a cleft heart but its body was divvied up into smaller pieces, drawn and quartered one might say.
Paolo here. Allow me to present a TIFF movie I really love with a misleading and inaccurate synopsis. "Rampart: it's Greenberg but like a paranoid neo-noir with police brutality." Amir has already eloquently written his reservationson Oren Moverman's sophomore work. Yes, I admit that the camera movements were at times self-indulgent and reactions towards the film at our screening were divisive. All of this just makes me more militantly "Pro" on this movie and I've also been tweeting about it. And besides, Woody has a better chance of winning Oscar gold than Fassy.
Robin Wright and Woody Harrelson in Oren Moverman's "Rampart"
After watching Rampart, the funniest police brutality movie ever, Toronto's international cinema transported me to two unknown European cities.
Joan Carlos Fresnadillo'sIntruders intertwines two story lines between a Spanish family and an English one, both haunted by the same ghosts. Given that the movie that strictly follows the horror archetypes set by Guillermo del Toro, the monster has a tentacle-y jacket, leather gloved arms. Trees in this movie are equally anthropomorphic. The movie takes place at an English country house where 'Mia Farrow,' a twelve-year-old girl (another del Toro influence) discovers a strange boxed piece of paper containing a story about the monster with the juvenile name of 'Hollowface.'
Fresnadillo has an interesting filmmaking voice, filling his movie with more dated scares than cheap ones; he's probably the only horror director left in the world who still think that cats are scary! True to del Toro's brave heroine form, Mia climbs a tree - allowing her to discover the written story - and walks along town by herself. Her Spanish counterpart, Juan, climbs in and out of his window and walks through scaffolding to escape the monster.
As you know if you're paying attention (there will be a quiz) I've been offline for 72 hours. GASP! So if some of the following links are GASP 72 hours old, you will forgive. For the record I highly recommend spending 72 hours in a cabin in the woods without internet, tv or cel phones (provided there are no serial killers nearby). Highly relaxing!
Let's catch up with pieces/stories you (by which I mean "I") might have missed!
The Film Doctor on Contagion and the "die-off" scenario. Go Fug Yourself succinct funny snappy boring Brangelina Blog Stage will Broadway actress Mary Farber be a new SNL cast member? Towleroad the continuing antics of James Franco. This time painted pink for Woooo mag. My New Plaid Pants Kate Winslet... and Elizabeth Taylor Natasha VC remember a time via Pauline Kael when Nicolas Cage was sorta wonderful. I saw Moonstruck again recently and it was just ♥♥♥♥... well that's amore!
Empire Online Hugh Grant joins the already gargantuan name cast of Cloud Atlas which, if you'll recall, already has three directors. It sounds like a mess but Empire is feeling hopeful. Awards Daily on Oscar and sex. Do they really take issue with explicit films? (in short: yes) IndieWire Remember when I made that brief Oscar prediction about Shailene Woodley in The Descendants and people made fun? Well, her buzz isn't boiling or anything but it is simmering ever since Telluride. WSJ Asia Scene Deanie Ip (A Simple Life) who just won the Venice Volpi Cup for Best Actress on why she took a long break from acting...
I think nobody wants me, because I’m very difficult.
Towleroad Clint Eastwood kicks off the UnOfficial (but not for long) Armie Hammer Best Supporting Actor campaign for J. Edgar while Hammer boasts of his own chest hair The Telegraph interviews the ascendant Ryan Gosling
If I'm still acting at 46, I'll be surprised.
Say it ain't so. Of course it isn't. I wish I had kept a spreadsheet of all the alarmist things celebrities have said over the years because no one ever remembers... including me. As I typed this sentence I was about to share this anecdote about what Matt Damon said this one time in a magazine about making ridiculous amounts of money and how that would mean he would... but I've already forgotten what he said he wouldn't do anymore. It was something about quitting or not doing any press. Something silly. Because of course he went on to make gazillions and still works in front of the camera and plays to it in interviews.
Today's Must See Video Madonna on the whole silly Venice Film Festival loathing hydranges "story"
There really is nothing better than Madonna with a sense of humor about herself. It's always been her saving grace and if she doesn't locate it as often as she once did, at least it's still there! And it's great timing since she's hitting the publicity circuit with such gusto. Two of my friends/acquaintances, fraquaintances? even interviewed her: Peter and Scott. I can't imagine how either got through it. Honestly, I can't.
Finally... if you're as interested in editing as I am, you might enjoy this very thorough analysis of a key action sequence in The Dark Knight (2008).
I highlight it because, like Jim Emerson, I have always been thrown by that film's editing (the Oscar nomination is baffling to me) as it doesn't make coherent sense, spatially or time-wise. (If you don't share this pet peeve -- I realize many people enjoy contemporary cinema's rule-free freneticism of editing -- you might not enjoy this video. This is actually the #2 most prominent reason as to why I have never been a Christopher Nolan convert. I prefer action filmmakers like James Cameron and Kathryn Bigelow who never (or very very rarely) sacrifice coherency for thrills.
Alexa here. I know that Nathaniel linked to this some weeks back, but I felt the need to do a post on Great Showdowns too because I can't get enough. In case you didn't catch it, Illustrator Scott Campbell's tumblr is a celebration of "the greatest moments of melee" in film history. Lately he's given us some great, not-so-obvious entries I'm sharing below. But really, you should just click follow yourself.
“Behold His mighty hand!”
“You know I miss you. Ever since the club split up, I miss you. We all missed ya… you miss ‘im? yea. The Beetles missed ya. All the Beetles missed ya.”
Tuesday, September 13, 2011 at 10:00PM 
This past summer we polled you once or twice a month about the Best Actress characters that you think of the most often from the past 50 years of the cinema taking us all the way from 1961 through to this past spring's Oscars for the films of 2010! With the new fall season of The Film Experience kicking off and the Oscar films arriving, I thought we'd take one last look back at that polling.
