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The Film Experience™ was created by Nathaniel R. All material herein is written by our team.

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Thursday
Nov252021

Doc Corner: Robert Greene's 'Procession'

By Glenn Dunks

 

It’s become somewhat predictable that a new Robert Greene will challenge an audience as much as it enthrals. He doesn’t exactly pick the most digestible of subject matter, but the way he comes at them is always so interesting and refreshingly unique that it becomes more than just a dour excursion into humanity’s darkest corners. While some may question his tactics, often interpolating traditional non-fiction form with performance and scripted drama, there is nonetheless a quality to his works that poke and prod at the most sensitive parts of a viewer’s brain.

His latest, the Netflix-distributed Catholic Church abuse drama Procession is no different. More so, it’s the best documentary of the year.

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Thursday
Nov252021

Thankful for... Nick Taylor!

This year for our "thankful for" column we're mixing it up a bit. Instead of asking our contributors to share a brief list of favourite things, I wanted to share with you, dear readers, why I love the team so and then ask them a few key questions so you can get to know them better.  NICK TAYLOR

Nick has been with us for about two years, and we first got to know him because he regularly voted and wrote up beautiful emails for the Smackdown. Since joining us he's looked at supporting actresses that weren't nominated. Some of our favourites include the Evil Witch in Snow White, Taraji P Henson in Hustle & Flow, and Sister Ruth in Black Narcissus. But he also pops in for contemporary festivals.

Our mini interview follows...

When did you first fall in love with the movies?

I've been into movies my whole life. Lotta Animal Planet docs and Disney movies growing up, but that feels different from the way I love and think about film as an adult...

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Thursday
Nov252021

Thankful for... Lynn Lee

This year for our "thankful for" column we've been mixing it up by interviewing various team members (the ones that volunteered -- we love the other ones, too!). If you're just taking a break from family this holiday to peak around the web, please give it up for LYNN LEE.

We were first introduced to Lynn by her friend Nick Davis (of Nicks Flick Picks fame). It was yet another example of Nick's impeccable taste, not just in movies but in people. Lynn began as a contributor back in 2015 (with a Mad Men @ the Movies featuring Joan Crawford as Mildred Pierce) and given the long hours that come with the lawyer life we don't see her enough but when she's here we love it. Some posts to check out include takes on both 1994's and 2019's Little Women remakes and  a personal piece on Minari's grandma.

Other pieces she's written are linked from our mini interview that follows... 

When did you first fall in love with the movies?

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Wednesday
Nov242021

Thankful for... Cláudio Alves!

This year for our "thankful for" column we're mixing it up a bit. Instead of asking our contributors to share a brief list of favourite things, I'm interviewing them so you can get to know them a bit better. We love them all, here, at TFE HQ and hope you do too. On Thanksgiving's Eve let's talk to our most frequent contributor, CLÁUDIO ALVES

Cláudio first joined us two and a half years ago and it makes all kind of sense that his first piece was on the potential of Oscar's costume design race of 2019. He blesses us with his expressive writing so often it's hard to choose favourites or even know where to point you but if you're just joining us but our most popular series, currently, is his "Almost There" column on performances that didn't quite win Oscar favor so start there! Other passions of his include film festivals and International Cinema and Hollywood History. Any links in this interview go to related beautiful pieces of his, too.

Here's our short interview...

When did you first fall in love with the movies?

Click to read more ...

Wednesday
Nov242021

Gotham Nominees: "Faya Dayi"

by Nick Taylor

First thing’s first: Faya Dayi easily ranks as one of the most beautiful 2021 films I have seen. I don’t mean to equate its beauty with an automatic FYC for best cinematography, nor a backhanded comment on style over substance. In cahoots with the editing and sound design, the heavy, monochromatic images cloak Ethiopia in a hazy, dreamlike aura that’s foundational to the film’s tone and point of view, and unspeakably gorgeous to boot. I could've pulled a gallery's worth of screengrabs from the first five minutes alone. Producer/director Jessica Beshir also acts as her own cinematographer, and her ability to endow her images with such clarity and attention to movement, texture, and composition is a stunning achievement.

But is it fashion? Does the gorgeousness of the imagery actually serve the film, or is it too loaded down to carry its own weight? How much movie truly lies underneath all this black and silver? Well...

Click to read more ...