And the runner up is... Rosalind Russell? Joan Crawford? Susan Hayward?

I had the pleasure of joining Kevin Jacobsen on his great podcast series "And the Runner Up Is..." for a fourth time. Kevin opted to assign me 1947 when I asked for this decade. So listen in to hear us talk about the following lineup which has two great performances, one coaster nomination, a bullet dodged, and one of my mother's favourites from her childhood.

• Joan Crawford, Possessed
• Susan Hayward, Smash-Up: The Story of a Woman
• Dorothy McGuire, Gentleman's Agreement
• Rosalind Russell, Mourning Becomes Electra 
• ★ Loretta Young, The Farmer's Daughter

Which of those performances do you love?

April Foolish Pt 4 - Who might be in the 'Best Supporting Actor' discussion?

by Nathaniel R

Barry Keoghan announcing a wrap on Banshees of Inisherin via his social media

We all agree that Best Supporting Actor is the dullest of Oscar's Big Six, right? But it doesn't have to be! Too often the final lineup leaves a lot to be desired. But for the first Oscar predictions of the year, before much is known about the movies themselves, let alone their supporting* characters we can imagine all sorts of possibilities. Whose role are you most intrigued about? I'm most curious which never-nominated actor will join the club this year. Here's to hoping that Barry Keoghan, Brian Tyree Henry, Glynn Turman, Paul Dano, Seth Rogen, Harry Melling, Idris Elba, Colin Farrell, and even Chris Rock (no, really) MIGHT have the kind of roles that could get them there. They also might not (of course) but these are the April Foolish Predictions so you have to guess while essentially blindfolded.

Check out the new chart / predictions

You may have noticed that neither Leonardo DiCaprio or Jesse Plemons are on this chart. As far as we can tell  Killers of the Flower Moon is a two-lead film. Obviously films don't campaign two leads in the same category anymore (sigh) but we're not about to encourage the powers that be to commit category fraud so until campaigns tell us otherwise our new policy is to put them in the correct category.

Previously
Pt 1 Animated Feature Preview
Pt 2 Screenplays and Music Categories 
Pt 3 Visual Category Discussion

Cláudio’s Best Shot Pick: Seven Brides for Seven Brothers (1954)

The next episode of our series, ‘Hit Me With Your Best Shot,’ arrives tomorrow night. It’s focused on the 1954 musical extravaganza Seven Brides for Seven Brothers. You still have time to participate. For now, as something of a preview, here’s Cláudio’s entry.

Adapted from Stephen Vincent Benet's The Sobbin' Women, Seven Brides for Seven Brothers is the definition of problematic. Indeed, for some, a romantic premise that hinges on the real and horrifying subject of bride kidnapping might be irredeemable. Even for one like me, who regards cinema as audiovisual expression that can be entirely divorced from narrative, this effervescent tale of abducted women falling for their captors can be hard to swallow, look past. Consider that such objections don't even touch on the picture's penchant to treat rape imagery as comedy – yikes…

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Doc Corner: Amy Poehler's 'Lucy and Desi'

By Glenn Dunks

I hadn’t expected it, but I somehow became a defender of an Aaron Sorkin movie across the most recent awards season. Unexpected because I was not a fan of Sorkin’s earlier directorial efforts. But his somewhat fictionalized film about Lucille Ball and Desi Arnez, Being the Ricardos, had—for all its faults—a point of view about its subjects and as a piece of storytelling. At least one that went beyond the more predictable birth-to-death narrative of star-laden biopics where performers are essentially asked to pantomime through famous moments across history.

I am sure many fans who disliked Sorkin’s film will embrace Amy Poehler’s documentary, Lucy and Desi. It’s also not a comedy in the way that non-fiction can be funny, but it plays a lot of clips from I Love Lucy, The Lucy Show and more, so it plays more like one...

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Review: Father Stu is a Watchable Mess

By Ben Miller

Rosalind Ross' Father Stu can't decide what film it wants to be. Is it the unorthodox story of a man coming to terms with aging, or is it the fish-out-of-water story of a man who shouldn't be a priest joining the priesthood? This lack of vision turns the film into a tonal mishmash, but one that is inherently watchable.

Mark Wahlberg stars as Stuart "Stu" Long, an amateur boxer approaching middle age in Montana.  Frequently drunk and delinquent, Stu looks to turn his life around by moving to Los Angeles to become an actor.

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