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Thursday
Feb032022

Oscar Volley: Those DGA Nominees (and more) in Best Director

Our Oscar Volleys series is down to our last two categories. Here are Tim Brayton and Eric Blume to talk Best Director. (This volley was recorded before the BAFTA announcement but since those nominations are juried they probably won't have much bearing on Oscar outcomes.)

Eric Blume:  Tim, I'm thrilled to talk shop about the Best Director category. Let's start with Jane Campion, Denis Villeneuve, and Kenneth Branagh who all seem unlikely to miss.  I'm personally thrilled that Campion might ride her crest all the way to a win. Nobody else could have made The Power of the Dog work so layered and subtle, or told that story without it seeming heavy-handed, obvious, or silly. The film gives Campion the chance to do her specialty: embroiling us in a narrative and in character motivations so intensely strange yet fully human that we're transported by our own confusion and curiosity.  She has that special ability to deliver a rare grounded sense of whatthefuckery in her movies. There are moments where so much is happening psychologically, where so many meanings are transpiring simultaneously, that you can't even fully process it until it's passed you by.

I'm also a huge fan of Villeneuve, a natural-born filmmaker if there ever was one...

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Thursday
Feb032022

Doc Corner: 'Janet Jackson.' and 'Poly Styrene: I Am a Cliché'

By Glenn Dunks

British X-Ray Spex frontwoman Poly Styrene and American pop superstar Janet Jackson are two very different musicians. It stands to reason that any biographic documentary about either would be wildly unalike. Although both artists are boundary-pushing women of colour in music, on very basic metrics, Poly Styrene: I Am a Cliché and Janet Jackson. are indeed very different. One is a exploration of a punk icon’s chaotic life and early death in all of its subject’s messy, unglamorous glory. The other is a sprawling, four-part work of popumentary that venerates and celebrates with high-gloss entertainment. However, it is in the areas where these projects intersect where one project finds its strengths and the other, unfortunately, falters...

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Thursday
Feb032022

BAFTA Nominations: 'Dune' has a huge lead while 'West Side Story' struggles

by Nathaniel R

Dune has a gargantuan lead at the annual BAFTA awards with 11 nominations. People often look to BAFTA for clues as to last minute shifts in the Oscar voting vibes... but we strongly caution against that now. BAFTA has changed so many of their rules in the past few years and added so many intricacies to their voting (including partially juried fields and 100% juried nominations in some categories) that it's difficult to say what any particular nomination actually means or who it came from. 

Musicals had a rough morning. tick tick BOOM! went without any nominations at all (despite multiple longlistings) while West Side Story struggled. Despite five nominations (including Mike Faist, yay!) it missed in all sorts of crucial places. Nominations and comments are after the jump...

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Thursday
Feb032022

Oscar Volley: Can Penelope Cruz or Kristen Stewart land in Best Actress?

Our Oscar Volley series is almost at an end. Here are Matt St Clair, Josh Bierman, and Baby Clyde to talk Best Actress

Matt St Clair: Even though Best Actress has a pretty clear frontrunner, the rest of the category seems mostly up for grabs. Do you guys agree and also, besides Olivia Colman in The Lost Daughter, do you think there's hope for another non-biopic performance to make the cut?

Josh Bierman: Interesting. I don’t agree that there's a clear frontrunner! I assume you mean Nicole Kidman who is the most solid lock for a nomination. This is a category where I think I have to wait to see who’s nominated before I can declare a winner...

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Wednesday
Feb022022

Through Her Lens: 2014 (The 87th Oscars)

A series by Juan Carlos Ojano. Introduction / Explanation

The 87th Oscars was the season that #OscarsSoWhite was born. When all 20 acting nominees were all white,  lawyer April Reign took to Twitter to express her disappointment about the nominations. Exacerbating the issue that season was the presence/non-presence of the historical drama Selma. Despite a Best Picture nomination, the film missed nominations in all but one other category, with the most visible snubs being in Best Director (Ava DuVernay) and Best Actor (David Oyelowo). The tweets and hashtag prompted a snowballing industry-wide discussion on the lack of representation and racism at the Academy Awards and in Hollywood in general.

The lack of Oscar nomination for DuVernay, despite critical acclaim and Golden Globe and Critics’ Choice nominations, continue the then-long streak of female directors missing out in the Best Director category. Out of the 320 films included in the Reminder List of Eligible Films in 2014 (87th Academy Awards), only 40 (12.5%) were directed/co-directed by women...

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