Review: "Aline" is a Stranger Version of Your Average Biopic

By: Christopher James

Director/actress Valerie Lemercier tackles the life of "Aline Dieu" from age 5 to 50.Aline is a conundrum and a contradiction. More than any other recent biopic, Aline soldiers through all of the cliches and plot devices we’ve seen repeated ad nauseum. Yet, there’s a bizarre core that spins every scene on the axis. Much like the “subject,” Céline Dion, it’s a movie that tries to appear normal, but is so much wackier than one would imagine. 

Everyone’s first question is answered in the opening disclaimer. “This film is inspired by the life of Céline Dion. It is, however, a work of fiction. As such, some characters, places and facts have been modified, in keeping with the filmmakers’ vision.” Céline Dion songs are used throughout the film and the closest the movie comes to a central storyline mimics Dion’s own relationship with her much older manager, René Angélil. It’s hard to see why a name change was needed when so many other elements hewed close to life. 

So is Aline “so bad it’s good,” “better than expected” or just “bad bad”?

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Best Shot Picks and Nathaniel's Choice from 'The Godfather'

by Nathaniel R

Our film title this week on Hit Me With Your Best Shot was in honor of the restoration of The Godfather (1972) for its 50th Anniversary. Here are the Best Shot choices from seven participants and my own towards the end of the post. Click on the images that follow to read the corresponding articles. I'll be "talking" inbetween the images about a film I've never written about before (!) as I select my own... 

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One For Them, One For Me - Ridley Scott's 2021 - "The Last Duel" vs. "House of Gucci"

A series by Christopher James.

Do one for them; do one for you. If you can still do projects for yourself, you can keep your soul.

— Martin Scorsese: A Journey

yHow great would it have been if "The Last Duel" was between Margurite and Patrizia Reggiani?

Though Ridley Scott was not nominated for either of his movies in 2021, they still cast some shadows on Oscar night. House of Gucci star Lady Gaga rounded out the night presenting Best Picture alongside living legend Liza Minnelli, a nod to the 50th anniversary of Cabaret. His other film, The Last Duel, was the subject of a joke by host Regina Hall, saying: “Now, I’ve got the screener for a never-before-seen film, not even by the director. It’s called, The Last Duel.” 

A year ago, both movies were expected to factor heavily in the Oscar race...

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Doc Corner: David France's 'How to Survive a Pandemic'

By Glenn Dunks

Documentaries about the COVID-19 pandemic aren’t rare. Just over two years into it, and already a long list of titles exist claiming to offer us insight into some area of the response. Some have worked (Nanfu Wang’s In The Same Breath, Hao Wu and Weixi Chen’s 76 Days—both shortlisted for the Oscar) while others haven’t delivered where you would expect. They have been sometimes rushed, likely out of sheer determination to be completed in time for relevance, little knowing just how deep we would be without a clear exit. Because of this reason, many are dated by the time we get to see them.

How to Survive a Pandemic is unfortunately more of the latter. The film is something of a curiosity for its director David France. Curious because despite having the weight of timeliness on its side, Pandemic lacks the propulsive immediacy of his earlier films How to Survive a Plague and Welcome to Chechnya.

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Claudio's Best Shot Pick: The Godfather (1972)

The next episode of our series, ‘Hit Me With Your Best Shot,’ arrives tomorrow night. It’s focused on The Godfather on the occasion of its new restoration. You still have time to participate. For now, as something of a preview, here’s Cláudio’s entry.

The Godfather is one of those canonized classics about which there is nothing new to say. Its themes and visual strategies have been overanalyzed ad nauseam across decades, from Coppola's Viscontian staging to Gordon Willis's shadowy cinematography. Choosing the best shot from such masterpiece and justifying that choice is thus a complicated exercise where one risks obsolescence, repetition, utter failure. Indeed, of this season's best shot challenges, this was the hardest...

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