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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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JASON CLARKE INTERVIEW

"I loved Clarke's scenes with Edgerton in The Great Gatsby. I thought, oh now I'm watching men not boys, and now I'm watching actors not movie stars.-Adri

"He has become someone I look for in films because he always comes across with such honesty." -Henry

 

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Tuesday
Jan082013

"Holy Motors" Tops The Inaugural Team Experience Awards

Amir here, welcoming you to the first ever Team Experience Awards.

Before going any further, let me assure you that the Film Bitch Awards that we all know and love so much aren’t going anywhere. Nathaniel will be posting them as usual and everything will be intact. But we thought it’d be a good idea to experiment with something new and add to the site’s annual roundup. With so many regional critics’ group adding their opinions to the conversation, there’s no reason our eclectic Team Experience should hold back.

The Holy Motors Experience?

What you see here is the result of compiling the imaginary Oscar ballots of all contributors at the website (except Nathaniel.) Twenty films won citations as winners or runners-up, though an astonishing 163 films were mentioned in one category or another during the voting.

The winner of our best picture prize was… *drum roll* … Leos’ Carax’s Holy Motors. It was a tight race all the way and the runners-up finally tied, both falling short of the French enigma by just a few points. The Master was the biggest favorite across the board, finishing in the top three in almost every category it was eligible for. Another favourite was Benh Zeitlin’s vibrant bayou-set drama, Beasts of the Southern Wild, though it doesn’t show up in any of the main categories here. Consensus titles naturally take over most of the awards, though you’d be surprised to know there was strong support for less expected films like The Kid with a Bike and Take This Waltz.

Full list of our winners and curiously popular vote-getters click to continue

Click to read more ...

Tuesday
Jan082013

Nom Nom Nom: The DGA's.

Hey, lovelies. Beau here, with the announcement of the DGA Nominees for 2013 whilst Nathaniel lunches with one of them.

  • Ben Affleck, Argo 
  • Kathryn Bigelow, Zero Dark Thirty
  • Tom Hooper, Les Miserables
  • Ang Lee, Life of Pi
  • Steven Spielberg, Lincoln

And so, the open spot goes to Tom Hooper, a recent recipient a couple years back for his work on The King’s Speech. If anything must be said about Les Miserables, it is that it is indeed a director’s vision; the intimacy of the camera superseding the largeness of the story in an effort to maximize the full emotional impact of the musical.

While I have many issues with the film, Hooper’s vision does lend itself well to Hathaway’s ‘I Dreamed a Dream’, the strongest scene in the film. Observing despair and bottling it in a shot that would have made Bergman proud, his attention to detail in Hathaway makes for something profoundly intimate and personal. That the rest of the film never lives up to this moment is not really surprising; its pacing and its reticence to self-edit do it a disservice, as the film never really gives its audience a moment to breathe and take in the considerable emotional toll. 

That being said, this is the lineup many have been predicting for quite some time now, give or take Hooper in place of Russell or Tarantino.  We’ll just have to see if Oscar feels the same way come Thursday morning.

Until then, dears. xo, Beau

Tuesday
Jan082013

Curio: Alexa's Favorite Film Moments of 2012

Alexa here with my own contribution to the year in review. Everyone seems to agree that 2012 was a great year in film, and many are dissing 2011 in the process. Was 2011 really that bad? I would argue no...but I digress.  This week is about honoring the films of last year, and we will hear from Seth MacFarlane's loud mouth on Thursday which will get the most attention in the coming weeks. So rather than add another best-of list to the heap, I thought I'd share instead my favorite film moments of 2012: my best cinematic experiences, old and new, best film celebrations, and generally the moments that reinvigorated my love of the medium.

10. Discovering the joys of reform school
After finding a musty promotional packet for So Young, So Bad at a thrift store in Georgia, I found myself down a juvenile delinquent rabbit hole, devouring many films in the reform school girl genre, including Reform School Girl (1957), Reform School Girls (1986), La residencia (The House That Screamed) (1969), and my personal favorite, Untamed Youth (1957). 

9. Drowning my Oscar sorrows in pie
Overall I was displeased with the Oscars last year, primarily because my favorite Tinker Tailor Soldier Spy was passed over in the few categories for which it was recognized. (Don't get me started on Gary Oldman's loss). So in the spirit of Minny from The Help, a transferred my anger into a pie that was all but annihilated by the end of the broadcast, yet without her secret ingredient.

Take This Waltz, Silver Linings Playbook and more... after the jump

Click to read more ...

Monday
Jan072013

Best of 2012: Nathaniel's Honorable Mentions

We're reached the End of Watch. No, not the movie of that title though we'll soon get to it. But the invisible line I have to draw on my movie calendar between Now and Then. I've squeezed more screenings in this past month than I probably should have for a clear head but I must finally cut myself off. Now is the time to take stock and share favorites. The Film Bitch Awards have begun with my choices for Best Screenplays now posted. "But, wait, where's the top ten?" you ask. We're getting there. But first we start right here...

Have I Told You Lately That I Love You? (In No Particular Order)
No movie seemed more in my personal wheelhouse this year that Joe Wright's sumptuous ANNA KARENINA but in truth it divided me. lots more movie-lovin' after the jump...

Click to read more ...

Monday
Jan072013

Screenplays of '12. Pg 12. "Lincoln" 

I didn't forget about my page 12 sharing in honor of 2012 but the year slipped away from me. Let's resume, at least in brief, for a moment from LINCOLN as scripted by Tony Kushner based in part on two chapters from "A Team of Rivals" (a book I'm continually hearing great things about).

Tony Kushner speaking about Lincoln at Harvard

Two soldiers fasten a flag to the halyards. Lincoln moves into places; as the crowd applauds, he takes a sheet of paper from inside his hat and glances at it. Then he looks up.

        LINCOLN
The part assigned to me is to raise
the flag, which, if there be no
fault in the machinery, I will do,
and when up, it will be for the
people to keep it up.

He puts the paper away. The audience waits, expecting more.

        LINCOLN (CONT'D)
That's my speech.

He smiles at them. They applaud, some laughing.  As Lincoln turns the crank, hoisting the flag, a solo trumpet plays "We Are Coming Father Abra'am" and the audience joins in.

That's a really short scene in Lincoln but a telling one since it gives Daniel Day-Lewis one of many opportunities to demonstrate the President's refreshing sense of humor. A good sense of humor goes a long way in sweeping out the cobwebs from the Great Man Hagiography that so many biographical films become.

three more celebrated screenplays I'm also celebrating today

I too love this screenplay and it's one of my own nominees for BEST ADAPTED SCREENPLAY just posted! My ballot for BEST ORIGINAL SCREENPLAY is also up for this year's Film Bitch Awards kick off. Click over and see what's nominated from soulful indie dramas like Aya DuVernay's Middle of Nowhere and curios like Sean Baker's Starlet through to big budget superhero epics like The Avengers (no really) and certain Oscar players like that controversial Zero Dark screenplay we already talked about

Monday
Jan072013

You Link Me. You Really Link Me!

The Wrap Sally Field (Lincoln) is the talk of the Palm Springs festival with her lively speech.
The Playlist has a clip of the new Pixar short The Blue Umbrella but be forewarned. It's really not much bigger than a new film still it's so short.
EW in another break with tradition Seth MacFarlane rather than an AMPAS official will be announcing the Oscar nominations on Thursday morning with the requisite actress (this year: Emma Stone)

Letterbox'd Vadim Rizov isn't terribly impressed with Zero Dark Thirty
Pajiba has amusing standards when it comes to red band trailers. (Hansel & Gretel: Witch Hunters)
The Advocate promises that actress Busy Phillips is as awesome as she appears to be. (Michelle Williams has always had such good taste!)
Slate's movie club beginswith Dana Stevens, Wesley Morris, Stephanie Zachareck and Keith Phipps talking up Zero Dark Thirty and Django and moral ambiguity in film
The Carpetbagger talks to Baltasar Kormakur about The Deep

It turns out that there is a reason most directors don’t film shipwrecks in the open water”

Ha.

Smash!
29 DAYS UNTIL "SMASH" RETURNS!'

I'll be recapping as I did last year. I'm not crazy about this sneak peek which sadistically continues to pretend that Megan Hilty is NOT the true star of Smash (LIES. ALL LIES). She's not even #2 anymore according to this trailer which seems to suggest a season all about American Idols Jennifer Hudson  and Katharine McPhee. Meanwhile the cast album of "Bombshell", the stage musical within the tv musical series, will be out in mid February. If Hilty doesn't get the Marilyn solo numbers on the "cast album" than they shan't have my moneys! 

 

Monday
Jan072013

A Proposal For Kathryn Bigelow's Next Picture

I snapped this pic in my last hotel room and forgot to share it.

I lol'ed like a crazy person at the time alone in a hotel bathroom because my brain immediately went here:

Breaking: KATHRYN BIGELOW to direct Invitation To Tea starring Dame Maggie Smith, Dame Judi Dench, Dame Helen Mirren, Dame Eileen Atkins, Dame Joan Plowright and Dame Julie Andrews. 

No matter what the plot is. I'm in.

Oscar likes to reward people for 'playing against type' but they wouldn't reward Bigelow for doing so in a million years. There's a reason she's the only woman who ever won Best Director (Jane Campion & Sofia Coppola movies are way too girly for Oscar wins) and will be the first to win a second directing nomination as soon as this Thursday.