FYC: Gaby Hoffmann in "C'mon C'mon"

by Lynn Lee

Gaby Hoffmann doesn’t make it look easy.  Motherhood, that is.  Neither is she a drama queen about it.  As down-to-earth Viv – sister to thoughtful, sad-eyed journalist Johnny (Joaquin Phoenix) and mother of Jesse (Woody Norman), the precocious 9-year-old Johnny looks after for a time – she just shows and tells it like it is, with an honesty, humility, and humor that’s as refreshing as it is rare to see on screen.  And that, precisely, is why she’s the secret weapon of C’mon C’mon, and why she should be in the running for Best Supporting Actress Oscar.

That she isn’t even in the conversation is due as much to the nature of C’mon C’mon as Hoffmann’s performance...

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Makeup and Hairstylists Guild Nominees

by Nathaniel R

Somehow in this very very very very overcrowded precursor award week, we missed the announcement of the Makeup and Hairstylists Guild nominations. The most curious thing to ponder is the differential between Oscar's makeup branch and this much-larger guild. While for the most part their lists are similar, Being the Ricardos scored two nominations here but did not make the 10-wide Oscar finalist list. The reverse was true of Nightmare Alley which was nowhere to be seen on this guild nomination list yet Oscar gave it the thumbs up in their first round of voting. West Side Story received only 1 nod here but made Oscar's list. (The complete shunning of both The French Dispatch and The Green Knight from this guild and Oscar's parallel branch feels absurd but awards season gonna awards season, you know?)

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FYC: Ruth Negga in "Passing"

by Cláudio Alves

Earlier in the awards season, I became discouraged at the thought that the year's best performance was doomed. Critics didn't rally behind Ruth Negga as I had hoped, and her film, no matter how spellbinding, looked likely to be ignored. Despite such worries the arrival of prominent Oscar precursors and industry awards has revitalized hope. After Globe and SAG nominations, Negga is poised to earn a second Academy Award nomination for her supporting turn as Clare Bellew in Rebecca Hall's cinematic adaptation of Nella Larsen's novel Passing. But of course, even when a nod feels secure, it's never a bad idea to gild the lily and remind folks of an actress's genius…

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The Surprise MVP of Matrix Resurrections

by Tony Ruggio

Response to The Matrix Resurrections over the past few weeks has not been unlike response to The Last Jedi. A legion of fans loathe it for reasons of defied expectations. That's a typical response when fandom has a set idea of how a long-running tale should continue to unfold, often years later. Others love it, though, enraptured by its discursive saga and meta commentary. I fall somewhere in between, just as I did on The Last Jedi, admired and tickled by Lana Wachowski’s daring narrative excursions. She attempts to unravel and re-frame the myths and myriad cliches, but she could and should have gone even further.

The Last Jedi, for all of the belly-aching by fans, was still very much a Star Wars film beholden to black-and-white notions of good and evil, wherein the Jedi are heroes and the Sith are villains. Rian Johnson had an opportunity to dispense with such binaries and have Rey join forces with Ren to defeat both sides of the aisle. The picture waxes frequently about leaving old habits in the past, and then proceeds to follow old habits to the very end. To her credit, Lana at least one-ups that polarizing sequel by dispensing with one of the binaries central to her creation...

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Review: Scream '22

By Glenn Dunks

Movies made predominantly out of a requirement for fan service can go one of a few ways. They can give audiences just what they wanted (as we’ve seen with some MCU movies), they can give audiences what they didn’t know they needed (as we’ve seen with some MCU movies), or they can be a complete and utter dog’s breakfast (as we’ve seen with some MCU movies).

The Scream franchise isn’t as long-running or as mythologized as iconic horror brands like Halloween, Texas Chainsaw Massacre or A Nightmare on Elm Street. But what it does have that those series do not is a consistent core—both in characters (Sidney, Gale and Dewey) and tone (comically meta slasher)—that has remained unwavering across 25 years and five individual movies. Fan service here then is actually quite tricky...

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