FYC: Penélope Cruz for Best Actress

by Cláudio Alves

Since they started working together, Penélope Cruz has always been a mother figure in Pedro Almodóvar's cinema. He calls her the epitome of Spanish motherhood, resilient and sensual. It's an archetype she has represented, in some way, in all their collaborations – from 1997's Live Flesh to this year's Parallel Mothers. Indeed, their latest partnership feels like a culmination, the maximum manifestation of the auteur's ideas on motherhood. It's also the most complicated role he's ever given his current muse, an extreme of melodrama paralleled by political reflections. The actress is asked to go to extremes of emotion while also holding back. She must be outwardly demonstrative, crystalline clear, naked in sentiment and expression. However, the part also demands internalization, reticence, secrets that burn. All in all, it's a monumental challenge…

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50th Anniversary: "Harold and Maude" is as necessary as ever.

by Brent Calderwood

It might be time to stop calling Harold and Maude a cult film. Yes, it’s true that when it came out fifty years ago (December 20, 1971), many critics and audiences greeted it with a mix of bewilderment, indifference, and even hostility—Variety, for example, claimed it had “all the fun and gaiety of a burning orphanage.” And yes, it's also true that Harold and Maude has been a staple of midnight art-house screenings almost since its release and has topped “best cult films” lists for as long as “cult film” has been a recognizable term.  

But 50 years on, Harold and Maude is so widely beloved by critics and new generations of film lovers that what was faintly hailed as an exquisite but slightly rarefied document of post-’60s counterculture is now firmly a part of our culture...

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Review: Swoony "Cyrano" is a must-see

by Catherine Springer

There is a whole lot of love behind the new musical film Cyrano, directed by Joe Wright and starring Peter Dinklage. That's quite appropriate for one of literature’s all-time classic love stories. Screenwriter Erica Schmidt, who adapted the screenplay from her own 2019 stage adaptation of the classic Edmond Rostand play, is married in real life to the film's star Dinklage, who also played the title character in the off-Broadway production, while director Joe Wright is married in real life to Haley Bennett, who plays Roxanne, the object of Cyrano’s affection. While all four artists are consummate professionals, there is no doubt that a certain amount of personal affection seeped in during this project, as the end result is a sumptuous, warm and truly heartfelt ode to love, a beautiful work of art made by artisans unafraid to explore their passions.

The setting is seventeenth-century Paris and Roxanne, a beautiful but poor noblewoman, has fallen in love with a man she sees across a crowded theatre. When she finds out that the man is Christian de Neuvillette (Kelvin Harrison, Jr.), a new cadet in the French army battalion stationed in the city, she calls upon her lifelong friend, Cyrano de Bergerac...

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Doc Corner: Fun facts about the Best Documentary finalists

By Glenn Dunks

Elizabeth Chai Vasarheyi & Jimmy Chin won just 4 years ago with "Free Solo". They're back again with "The Rescue"

Cutting a list down from 138 to 15 is always going to be a daunting and even cruel task, but the shortlist is here for Best Documentary Feature so it is the end of the line for 123 of this year’s non-fiction works. I have been churning through a very long list of titles before even contemplating doing my Top 25 Documentaries list, but I can say that my personal list is looking very different.

AMPAS has selected the following titles to battle it out for a nomination and then the Oscar statue...

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Almost There: Cate Blanchett in "The Talented Mr. Ripley"

by Cláudio Alves

Guillermo del Toro's Nightmare Alley is now in theaters, bringing Cate Blanchett back to the big screen where she belongs. Playing a manipulative psychologist who proves herself a femme fatale, the Australian actress is sure to bring glamour to the part, dazzling audiences as she's been doing for decades. To commemorate the occasion, this week's Almost There entry revisits one of Cate Blanchett's best performances. In fact. It might be her greatest. In any case, it's my favorite from her sterling filmography, a supporting part she injects with life and patrician heartbreak. The Academy ignored her in 1999, but Blanchett may have come close to a second nomination for her work as Meredith Logue in Anthony Minghella's adaptation of The Talented Mr. Ripley…

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