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Friday
Oct082021

Smackdown '37 - The Podcast Companion

by Nathaniel R

150 years ago on this very day the Great Chicago Fire of 1871 began. It raged for three days (October 8th-10th), ravaging most of the city and killing hundreds. In the blockbuster movie In Old Chicago (1937), which we discuss on this Podcast, the cause of the fire is pinned firmly on careless Mrs O'Leary (Alice Brady) and her cow. A new report from the AP for the fire's anniversary says  that there's no evidence to suggest they were the culprits; the widely believed and Hollywood-endorsed story may have sprung from the virulent anti-Irish prejudice of the time. That's just a little anecdote to share since we're finally publishing the podcast portion of the 1937 Smackdown which is now officially the season finale (the other years we had planned to do will have to wait a few months)

Thanks to our guests Chelsea whose letterbox review of Stage Door is "hot girls unite", Pamela who has a hot take on the sexworker trope in Dead End, Tim who makes his case as the world's biggest Stella Dallas fan, and Boyd who shares a possibly apocryphal but amazing stunt double story from In Old Chicago. Hope you enjoy the conversation! 

SMACKDOWN 1937

Friday
Oct082021

Linkraiser

Vanity Fair must read profile of Norwegian star Anders Danielsen Lie (Oslo August 31st, Bergman Island, Worst Person in the World) who has a day job that you won't believe
The Guardian wonderful interview with Barbara Hershey who talks Beaches, Hannah and Her Sisters, Black Swan, and her new film The Manor
/Film because everything is franchiseable, even within franchises, Kathryn Hahn may be getting her own Agatha Harkness show after the success of WandaVision.

More after the jump including Hellraiser remake, Sutton Foster's hobby, Adele's transatlantic comeback, Madonna's concert, and Kirsten Dunst at home... 

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Thursday
Oct072021

Are you watching "Squid Game" or "Midnight Mass"?

by Nathaniel R

I received an email from a reader yesterday earlier this week suggesting that we discuss "Squid Game" which has become very popular, quite rapidly, all over the world. We've had lots of internal discussion here at The Film Experience about how much television to cover since TV and Film have been merging into a two-headed amorphous beast for at least a decade now. The movies the general public likes best now are inarguably, the "continuing series" movies which makes them much more like television than their blockbuster ancestors. Today I screened Dune and it is literally just half a movie!  Meanwhile the TV series that win the most acclaim, if not always the biggest audiences, are inarguably the ones that feel the most "cinematic", a simmering change that reached a boil with Mad Men (if you ask us) since it looked and sounded as delicious and expensive as the very best the cinema itself had to offer. For the past ten years movies are getting longer (the new James Bond is almost three hours. WTF) and television seasons keep getting shorter! I suspect younger audiences don't fully get how much different the landscapes are now than they were even 15 years ago... but I digress. This is all a long way of saying we never know which series to cover and we obviously need a bigger team!

Speaking of longwindedness. If every showrunner on earth is now allowed to just make people wait for something to happen until episode two or even three (that would have got you immediately cancelled pre-2010s when shows would shove every possible hook they could into a pilot episode) I can begin this discussion of Squid Game with a detour to Midnight Mass..

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Thursday
Oct072021

Seven new Oscar submissions, French finalists, and a potential Israel/Palestine conflict

by Nathaniel R

LET IT BE MORNING

The announcements of Oscar submissions from various countries are rolling in fast now. If you've missed previous posts we've already covered the submissions from Cambodia, Ecuador, Morocco, Poland, Serbia, Switzerland,  Albania, Ireland, Kyrgzstan, Slovenia, UkraineArmenia, Canada, Colombia, Peru, Germany, and Spain and have reviewed three of the films. In today's huge update we have finalists lists from Chile, France, and Sweden as well as official submissions from Greece, Hungary, The Netherlands, Somalia, South Korea, and Taiwan. But let's start with Israel as we foresee complications.

ISRAEL
Each year Israel's own Oscar style prize "The Ophir" is held around this time and whichever film wins becomes the automatic submission. They've only run into trouble with this system twice in the past (once for a film that had too much English and the other time with a tie so they had to vote again for Oscar purposes). But this year might be another. Let It Be Morning, with a largely Palestinian cast from source material by a Palestinian author, was the big winner at the Ophirs so it became the Israeli submission. While the director Erin Kolirin (of The Band's Visit fame) is Israeli, the film is about Palestinians and earlier this summer, the cast refused to attend the Cannes premiere because the festival labelled the film as an Israeli film. One imagines they'll object to this film representing Israel at the Oscars, for the same reason. Potentially complicating matters further is that Palestine also submits to the Oscars...

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Wednesday
Oct062021

I Put A Link On You... and now you're mine 🎵

The Reveal you may have heard that NEON is planning an unusual release for Apichatpong Weerasethakul's Memoria in that it will only play in one movie theater at a time for one week and continually move to new cities and never come to streaming. The internet was furious about the 'elitism' of this but Scott Tobias has a different take that's well worth reading
Coming Soon Trailer to season 2 of Locke & Key. Not half enough Connor Jessup in this teaser!
Vulture Bayard Rustin is FINALLY getting a biopic and Colman Domingo will be playing the gay Civil rights hero of yore. Now we can begin dreaming that Domingo will finally become an Oscar nominee a year or two from now. It usually takes a biopic (sigh)

First movie shot in space, Hocus Pocus-themed concert, Andrew Lloyd Weber on various stage-to-film adaptations, Théodore Pellerin rumors, and more after the jump...

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