Truth-Telling: Florence Pugh's Halloween Rant.

What the..
Apparently Yelena didn’t make the cut.
GUYS. I LITERALLY TALK ABOUT POCKETS IN NEARLY EVERY SCENE.
Halloween= A LOT OF FREE SWEETIES.
May I remind you that the vest has “A LOT OF HANDY POCKETS”..
Costume+vest+POCKETS= someone who came prepared.
IT IS with great importance we understand how vital Yelena is for Halloween.
Rant over, thanks for listening.

Florence Pugh (Black Widow) has a point. Should we cancel Halloween?

Yes No Maybe So: "Being the Ricardos"

by Nathaniel R

the stars at a table read

The teaser is out for Amazon's Being the Ricardo, which is not a biopic in the common sense but a behind-the-scenes drama about one week in the making of the I Love Lucy show and the volatile Desi Arnaz and Lucille Ball marriage/working relationship. At least that's what we've heard about it. The trailer on the other hand, suggests something more like a glimpse of Lucille Ball's ego and fight to stay on top in the (then) new medium of television.

Let's discuss after the jump...

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Almost There: Jeff Goldblum in "The Fly"

by Cláudio Alves        

Last week, you were asked to choose a horror movie performance to be analyzed in the Almost There series. From the ten possibilities, the pick was Jeff Goldblum in David Cronenberg's The Fly. Telling the story of a scientist who accidentally gene-splices himself with a housefly, the movie is the platonic ideal of body horror and probably the title most readily associated with the subgenre. Chris Walas and Stephan Dupuis' makeup is justly legendary and won the pair an Oscar. One would think horror would be a mainstay in that particular category, but AMPAS rarely embraces it, even there. Hence why The Fly's awards success feels so thrilling. Unfortunately, it's also why Goldblum's transformative work was ignored...

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Oscar Chart Updates - All Acting Categories

by Nathaniel R

I'm just back from the Middleburg Film Festival, which we'll tell you more about soon, so I've mostly caught up with the Oscar hopefuls that have screened to date. The only true mysteries for us Oscar pundits now, other than how precursors will react, is the films that haven't screened very much or at all: West Side Story, Nightmare Alley, Licorice Pizza, Being The Ricardos, House of Gucci, and Don't Look Up. So let the revised punditry commence. The links go to the charts...

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Horror Costuming: The Silence of the Lambs (1991)

by Cláudio Alves

Jonathan Demme's horror masterpiece, the only film in the genre to win the Best Picture Oscar, has been written about ad nauseam since its release. And yet, some elements of The Silence of the Lambs remain under-discussed. It would seem impossible, but such is the richness of this feature. Take its design, iconic but understated enough to be taken for granted. The costumes are especially deserving of attention, going way beyond Lecter's mask and Buffalo Bill's world of human skin suits. They were designed by Colleen Atwood, a future favorite of the Academy, and represent an oft-forgotten part of her artistry - the ability to ground grotesquerie in reality and use clothing to define the relationships between people…

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