By Glenn Dunks

The idea of statelessness is sadly a timeless one. In the last year alone there have has been Michèle Stephenson’s documentary Stateless (Apátrida) about Dominican-born Haitians, and the Australian refugee drama of the same name (yes, the one with Cate Blanchett as a cult leader). Plus you only need to turn read the news about Palestine or Syria or too many other places on this Earth to see it and it can often feel like there is nothing that can be done. Is it statelessness or hopelessness?
In the commanding Stateless, director and producer Stephenson—whose most noted film to date is 2013’s Emmy-nominated and Sundance-winning American Promise—ventures into the politically fraught island territory of Hispaniola. It is the home of both the Dominican Republic and Haiti, and the Canadian filmmaker of Haitian-Panamanian descent (who resides in the United States) has made a really quite remarkable work that is eye-opening for both its story as well as its rich visuals.
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