Review: Sophia Loren returns with "The Life Ahead"

by Cláudio Alves

The Movie Star and Her Director Son

Even before we see her face in The Life Ahead, it's impossible to draw the eyes away from Sophia Loren. Following in the tradition of European realism, Edoardo Ponti's camera captures an Italian marketplace with shaky energy. However, no matter how shabby the framing might be, the colors depart from the standards of realism. Angus Hudson's cinematography makes everything a bit too bright, the sun shining on the streets like golden flames, every saturated color intensified. It's reality as if painted with crayons by an enthusiastic child. 

In this sunny landscape, a shot of bright blue, bluer than the sky, stands out, crowned by a mess of gunmetal hair. Dressed in azure, Loren may have lost some of the youthful glow of her heyday in the midcentury, but the star power is intact, her magnetism as strong as ever. Furthermore, the director, her son, knows how to pay reverence to the screen legend without making it too obvious or too elegiac…

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HollyShorts 1 "Action Packed"

HollyShorts, now in its 16th year, is an Oscar-Qualifying festival. Even better, it's a festival that's specifically devoted to short films so it's quite the showcase for its official selections. Team Experience thought we'd look at some of the films for you. Perhaps they'll pop up later in Oscar longslists or even as nominees!?

by Ben Miller

When it comes to action films, short form might be an ideal medium to take it all in.  The 16th annual HollyShorts Film Festival showcased their action block this week and proved that to be the case. A quick disclaimer, though: the term “action” is pretty broadly deployed here.  Of the eight films showcased, I would classify three as actual action movies, but we’ll go with it.

The reviews are presented alphabetically...

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"Asia" Wins the Ophir. Let's Talk Israel and Oscar...

by Nathaniel R

Alena Yiv and Shira Haas as mother and daughter in ASIA

The Ophir Awards were held today in Israel with Asia emerging as the winner so it will now represent Israel at the Oscars. Based on buzz we've heard on this mother/daughter drama, which caused a stir at the Tribeca Film Festival earlier this year we've added it to the actual Oscar predictions and our letterboxd list tracking the contenders. Asia is a mother/daughter drama starring Alena Yiv as the mother and the brilliant Shira Haas (Unorthodox) as the daughter (they both won Ophir Awards for this) so we will see it the first chance we get. You can see a full list of the nominees and winners at this freshly updated post.

But let's talk about Israel at the Oscars. They hold the distinction of being (by far) the most nominated country that's never won. They used to be in a tight race for that frustrating honor but in the past seven years Poland won with Ida and then Mexico with Roma so now the title is theirs alone. Their nearest rival is a distant one (Belgium has 7 nominations). More on Israeli classics and Oscar stats after the jump...

ISRAEL'S OSCAR STATS
Submitting since 1964
52 Total Submissions 
10 Nominations (and 1 Additional Finalist)
0 Wins 

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Five French finalists for Oscar submission

by Nathaniel R

It would never be an easy decision to select the French submission for the Oscar given how much there is to choose from each year. Their Oscar submission honor will be announced in December but we know now that it will be one of these five pictures which were selected by a film industry committee...

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1987: Best Cinematography Oscar Race

by Cláudio Alves

The year of the next Supporting Actress Smackdown is quite an impressive Oscar vintage. Despite the sweep of Bernardo Bertolucci's The Last Emperor, which won all nine of its nominations, the 60th Academy Awards showcased a remarkable variety of films and artistic approaches. The Best Actress lineup, for instance, is one for the ages, and, across the board, there was a rare openness to honoring the excellence of comedies, mainstream entertainment, and even European arthouse.

In the so-called "below the line" categories, Best Cinematography deserves particular praise. The legendary Vittorio Storaro conquered his third and final trophy for the opulent lensing of The Last Emperor. However, his competition was none too shabby, representing some of the greatest cinematographers ever who, along with the Italian victor, helped shape and perfect the art of cinema, taking it to new peaks of visual marvel. Come meet these masters and their masterworks…

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