Monty @ 100: John Huston's "Freud"

by Daniel Walber

Freud: The Secret Passion (1962) is an odd movie to categorize. It has the moody pessimism of the late ‘60s and the earnest hero-worship of a biopic from the ‘40s. It’s Montgomery Clift’s second-to-last film, but it doesn’t have the “end of an era” energy of its immediate predecessors, The Misfits and Judgment at Nuremberg. In terms of Oscar history, it feels perhaps most significant as Jerry Goldsmith’s first nominated score. And practically no one has seen it.

But I’m here to tell you that’s a shame, because Clift was perfect for Freud. I’ve realized this over the course of the past couple of weeks, reading everyone else’s fabulous Monty @ 100 coverage. Freud is, in a sense, the ultimate fusion of two essential parts of Clift’s star persona: the heartthrob and the priest...

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AFI Fest: (Second Opinion) "Nine Days"

AFI FEST (Virtual) Presented by Audi runs October 15th-22nd.

by Abe Friedtanzer 

The meaning of life is something many have sought to define over the course of history. One of the central problems with making an argument for what life means is that it’s only possible to observe it while living. It would theoretically be easier to appreciate what life offers in some sort of separate space or place. That’s part of the premise of Nine Days, which made its world premiere back in January at Sundance and is now screening at AFI Fest.

Will (Winston Duke) is a man who was once alive. Now, he sits in a house surrounded by nothing in a desert watching old-fashioned TV screens and rewinding VHS tapes. He is watching people’s lives, apparently recorded from their perspectives...

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Showbiz History: "Mr Smith" Premiere and Happy 40th to Nicholas Britell

8 random things that happened today, October 17th, in showbiz history

shot of the audience at the jampacked world premiere of "Mr Smith Goes to Washington" (image source)

1920 Montgomery Clift born in Nebraska 100 years ago today. He becomes a professional actor at 15 and a dazzling movie star by 28. We hope you've been watching/reading along our daily Centennial celebration series. We're almost finished and we're proud of it.

1939 Mr Smith Goes to Washington has its world premiere in Washington DC (fitting) before opening in movie theaters two days later.. 

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Aaron Sorkin at the Oscars

by Cláudio Alves

With The Trial of the Chicago 7 streaming on Netflix, one of the season's strongest awards contenders is now widely available. Even in times of pandemic and one of the weirdest Oscar races ever, it feels like a safe bet to rely on AMPAS to shower the movie with gold. The Academy is known to love an inspirational true story and Sorkin's sophomore directorial effort fits the bill. Some would argue it does this too emphatically, choosing formulaic drama over probing political critique and structuring the narrative around Tom Hayden's redemption to the detriment of the other historical figures.

Whatever faults the movie has, such matters are unlikely to undermine what already feels like a sterling awards narrative. This is a picture of political repression and revolutionary ideals that reflects and comments on our present time. Its themes are as urgent as ever. Furthermore, the Academy has long shown they are keen on Sorkin's brand of self-righteous garrulousness, and almost all of his movies have received Oscar nominations. With that in mind, let's reminisce about the filmography of Aaron Sorkin and its presence at the Academy Awards…

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Monty @ 100: Oscar nominated again for "Judgment at Nuremberg"

by Baby Clyde

1961 Monty was a shadow of his former self. Long gone were days of matinee idol status and teeny boppers swooning over his dreamboat looks. As has already been expertly detailed by my colleagues Montgomery Clift’s career is one of two halves. By this point he was deep into the second half and the eventual outcome seemed inevitable, but that didn’t mean he was unable to still produce the goods...

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