Tony Nods 2020: "Jagged Little Pill" and "Slave Play" dominate

by Nathaniel R

The controversial "Slave Play," featuring multiple interracial couples and sexual power dynamics, transferred from Off-Broadway and was huge at the Tony nominations

We're not sure what possessed the Broadway League to announced Tony nominations in mid October (and some probable virtual ceremony in December), just after announcing that Broadway will not return before next summer (thereby missing another Tony season -- the theater season runs June to May). It's especially baffling because earlier it was understood that because the shutdown happened in March while so many of the shows that were expected heavyhitters were still in previews (like revivals of Company and West Side Story) so they never got a chance to be seen by Tony voters. Curious. As are the unusual nominations. But for those who miss Broadway (or just news of it from afar) here is the list that was announced this afternoon...

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Review: "Possessor" is a true provocation

by Tony Ruggio

A worm-infested apple doesn’t fall far from a rotting tree. In only his second feature film, baby Brandon Cronenberg proves he’s everything his father David was in his heyday: stylish, provocative, and interested in more than the gore and sleazy depravity that often grab headlines, although he’s clearly interested in those as well. Set in an alternate techno-horror 2008 of corporate espionage, where agents like Tasya (Andrea Riseborough) use brain-implant technology to “possess” other human beings for carrying out assassinations, Possessor is possibly the most graphic film made since Lars Von Trier’s Antichrist. Here it’s not so much what happens, but how it happens, how it’s framed on screen via some truly horrific and terrific practical effects.

When we meet Tasya, she’s at the top of her game yet beginning to slip. As Jennifer Jason Leigh’s character puts it, “the older you get, the harder it gets”...

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Yes No Maybe So: Hillbilly Elegy

Can the movie world please slow down? After months of nothing much happening, everything is happening at once. Three more festivals start today and the trailers keep hitting. It's as if we're in a typical year's mid October even though Oscar nomination battles are not two months away (as they'd usually be) but four months away. Early buzz on Hillbilly Elegy has been a bit hard to read. Is it going to be bad? Is it going to be good? Is it going to be so bad it's good camp classic. Is it going to wow and compete for all the Oscars or none after face-planting? 

Glenn Close and Amy Adams Arguing About Who is Going to Win the Oscar First: The Movie (2020) pic.twitter.com/VDZgSVjQze

— Nathaniel Rogers (@nathanielr) October 15, 2020

We'd argue that the trailer does not answer these questions although there is a lot of capital A acting (which is always hard to judge out of context though lord knows everyone does when they see trailers) So we invite you to contribute your own Yes No and Maybe So in the comments as we're at a loss.

P.S. We've adjusted the Best Actress (Amy) and Best Supporting Actress (Glenn) charts to reflect the confirmed campaigns. 

Monty @ 100: Forgotten gem "Wild River"

by Nathaniel R

Clift arrives in Tennessee, a Federal employee who the locals will not take well to.

When speaking about new movies, we often discuss the vagaries of film distribution and studio support both in terms of audience outreach and awards campaign. These things often effect how movies are received, for better and worse. Less discussed, probably because interest is always more niche when it comes to older films, is how important both continued availability and awards play, are to an enduring reputation, once a movie is "old". Some films are forgotten for a reason, but there are plenty that would be better regarded if they had remained readily available to the public. Such I'd argue is the case with Elia Kazan's Wild River...

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More International Submissions including Agnieszka Holland's "Charlatan"

by Nathaniel R

We're up to 14 announced submissions for this year's Best International Feature Oscar so those submission charts are updated with the following films added

• Algeria - Héliopolis 
• Czech Republic - Charlatan
• Ecuador - Emptiness
• Kosovo - Exile
• Singapore - Wet Season

We've only had the pleasure of seeing one of these five newly announced titles so far, Wet Season (which was a Golden Horse nominee last year). I liked it at TIFF in 2019 though I thought it erred on the side of being too much of a "slow burn" if you know what I mean. But a year later I'll admit that I think of it surprisingly frequently so even though I was a thumbs up, I underestimated it! It's an emotionally complicated story of an unhappy teacher who becomes way too involved with the life of her lonely student (they're pictured above). 

But back to the submissions, of the 14 films we know about so far 6 are from female directors! How about that? One of those female directors is a regular, in point of fact...

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