NewFest: "Cowboys"

Coverage from NewFest the 32nd Annual LGBTQ Film Festival

 

by Abe Friedtanzer

Films about young transgender children tend to focus on the responses of parents to the reality of what their children express to them. Teenagers can talk back and run away from home, but if they’re younger, it’s unlikely that they will be able to fully separate themselves from a situation, good or bad. A Kid Like Jake was one recent effort starring Claire Danes and Jim Parsons about parents who were mostly on the same page about accepting their four-year-old. Cowboys, which is screening as part of NewFest, finds its adults at odds when it comes to supporting their child, Joe…

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Streaming Review: "What the Constitution Means to Me"

by Christopher James

One of my favorite theater going experiences ever was seeing What the Constitution Means to Me off Broadway last fall. Writer/performer Heidi Schreck had such a knack for involving the audience in her exhilarating look at the role of the Constitution in our lives. By the end of the show, it felt like we were working with her in devising a new and more perfect solution. This level of intimacy and audience engagement seemed almost impossible to replicate with the remove of film. Luckily, director extraordinaire Marielle Heller was tasked with recording the production during its final week at the Helen Hayes Theater on Broadway. Heller continues her impressive streak, delivering another hit...

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Review: "Deerskin" on HBO

by Cláudio Alves

Fashion kills in one of Quentin Dupieux's latest absurdist comedies, the loony nightmare that is Deerskin. After blessing moviegoers with the nonsensical sight of a homicidal tire in Rubber, the French director has now imbued a fringed jacket with the power to unravel the human mind and precipitate its wearers into paroxysms of murderous madness. Jean Dujardin's Georges is the victim of such demonic influence, though, at the start, he, like all things in Deerskin, appears unnervingly mundane…

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Monty @ 100: “The Misfits” and the Specter of Death

by Cláudio Alves

The late-career of Montgomery Clift was laden with tragedy, shaped by the doom that was happening both behind and in front of the camera. While nothing can compare to the cataclysm that was the shooting of Raintree County, The Misfits is another film of Clift that's haunted and haunting. The Angel of Death looms over the picture which unwittingly became the last screen appearances of Clark Gable and Marilyn Monroe before their untimely ends. Clift would hold on for a few more years, surviving his co-stars.

However, as legend has it, the movie was showing on TV the night the actor died. His secretary, Lorenzo James, asked the actor if he wanted to watch it to which he answered: "Absolutely not!". Those were the last words he ever spoke to anyone, enshrining the movie in even more cursed memory. It's a pity these morbid curiosities define the legacy of The Misfits. In many regards, it's one of Clift's best and most fascinating pictures…

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Streaming Review: Over the Moon

By Abe Friedtanzer

Many religions and cultures find meaning in inanimate objects and physical locations, teaching mythical stories about their significance. As children grow up, they may assume a more metaphorical and symbolic understanding of what they heard from their parents and grandparents, no longer convinced that something magic could indeed be real. That can erode the sense of wonder that they once felt and cause them to believe in something less fervently because they believe it couldn’t possibly be true.

Not giving up that childlike hope may be unrealistic, but it does serve as the premise for some of the most heartwarming animated films.

In Over the Moon, streaming on Netflix on October 23rd, we’re introduced to Fei Fei, who, as a young girl, helps her parents make and sell mooncakes, eagerly running all over the city describing their delicious taste. She is always sure to emphasize their connection to the moon itself and to Chang’e, the moon goddess...

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