Showbiz History: Bicycle Thieves, Fur Bikinis, and a Costume Design King

6 random things that happened on this day, November 24th, in showbiz history...

1948 Vittorio de Sica's Bicycle Thieves (also known as The Bicycle Thief) is released in Italian theaters. It will take a few years for it to travel the world (global distribution is slow now and was even slower back then) but it will become an international hit the following year and receive the Globe, the Oscar, the BAFTA, and the NYFCC prizes for 'foreign film' in the 1949/1950 awards season. The National Board of Review went one further and just named it "Best Film" period, the second consecutive year they'd given that honor to an Italian film (the first non-English language winner had been Roberto Rossellini's Paisan the previous year) 

1956 Giant released in movie theaters the month after glitzy premieres in NYC and LA

1966 Wet, fur-bikini'd international sex-symbol Raquel Welch arrives in One Million Years BC ... 

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Almost There: Amy Adams in "Arrival"

by Cláudio Alves

With Hillbilly Elegy upon us, two of Oscar's perennial bridesmaids are back on the hunt for gold. Most of the movie's buzz has centered on Glenn Close's latest attempt at enshrining her career in the glory of Hollywood's most coveted trophy. However, one shouldn't ignore Amy Adams, an Oscar-hungry actress who's only one winless nomination away from tying her costar's record of seven nods and no victory. She'd have already tied Close if not for her infamous snub in 2016.

Despite starring in a Best Picture contender with eight overall nominations, earning citations from the Globes, BAFTA, SAG, and the BFCA, Amy Adams failed to conquer a place in AMPAS' Best Actress lineup for her performance in Arrival…

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Glenn gives thanks (even though he is Australian)

I’m not American, but that doesn’t matter.

Living in Melbourne, Australia, means I have spent a large amount of the year in a strict lockdown. But I am extremely thankful that we have a leader who did something about that and now we’re back out in the world and I have been able watch Mank and Ammonite in cinemas this last week. Here’s some other things I am personally thankful for in the world of movies and entertainment that kept me sane in 2020:

The Film Experience, “It’s fashion”; The Invisible Man; having a new Scream movie to obsess over; Bloody Nose, Empty Pockets; Kristen Johnson as director; Marisa Tomei in My Cousin Vinny; “Oh, the fracking?”; that tracking shot in The Vast of Night; the rest of The Vast of Night; randomly remembering that The Forbidden Dance and Lambada were made by rival producer brothers and released on the exact same day; Kylie Minogue’s Disco; Jessie Ware’s What’s Your Pleasure; “Nicole Kidman theme night”; film scores with saxophone on them; any scene in Mank with Amanda Seyfried; Paul Mescal (and his rugby shorts); my fave podcasts (The Record Doctor, This Had Oscar Buzz, Deep Cuts and Superficial Wounds, Little Gold Men); Parasite winning Best Picture.

Gay Best Friend: Gareth & Matthew in "Four Weddings and a Funeral"

by Christopher James

Mike Newell’s Four Weddings and a Funeral is an odd delight. The Best Picture nominee (I know, right?!) takes place almost entirely at those five titular events. Every three months, at least half the ensemble gets engaged or married. Despite having chemistry, our lead couple Charles (Hugh Grant) and Carrie (Andie MacDowell) seem to only exist in hotel rooms. Similarly, we skip over a lot of development with the other members of the core friend group. That’s part of the fun of the film. With such large gaps between weddings and funerals, we get snippets of their lives, rather than full pictures. Thus, putting an out gay couple on equal screen time footing as the rest of the members of the ensemble was a major step forward. 

However, by only showing glimpses, we get a rather incomplete look at Gareth (Simon Callow) and Matthew (John Hannah). Still, they were a major step forward in the “gay best friend” trope because they got to be out and in a healthy, loving relationship... 

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Abe Gives Thanks 2020

A few volunteer members of Team Experience will be giving thanks this holiday week. Here's Abe Friedtanzer

This year has had its share of disappointments, but there’s plenty to celebrate personally and cinematically. I’m fortunate to have great weather in Los Angeles where I can spend time outdoors on a regular basis. It’s also been exciting to write much more frequently for The Film Experience and to interact with contributors and readers who were mostly willing to forgive my lukewarm attitude towards Schitt’s Creek. Here are ten movie/TV-related reasons I’d like to give thanks:

• Parasite winning Best Picture. I predicted 1917 but couldn’t have been more thrilled to see a stat-busting international triumph. It’s also the first time since The Departed that my #1 film of the year was also chosen by Oscar.

• The Sundance Film Festival happened completely as normal. For my seventh time in Park City, Utah, I got to see 41 films and enjoy sitting in the front row in crowded theaters for five movies in a row per day for a week straight. Little did I know that January would be my last visit to a movie theater...

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