A Different Take on "The Trial of the Chicago 7"

by Eric Blume

We embrace respectful differences of opinion here at TFE, so with all due respect to my fellow staff writer Tony, who just gave Aaron Sorkin’s The Trial of the Chicago 7 a rave review, I offer a dissenting opinion.  Fortunately thanks to Tony’s great synopsis, I can cut right to the chase.  I love Aaron Sorkin as much as the next guy, thinking his scripts for both The Social Network and Steve Jobs are essentially masterpieces, and even thinking more favorably upon Molly’s Game than most:  it had its own mini-sweep of energy and he tapped into all the things that make Jessica Chastain special. 

But there’s not a frame of Sorkin’s new movie that felt authentic or assured to me...

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Serbia's "Father" is Amazing. And other Calgary Fest thoughts...

by Nathaniel R

"Father" wins Calgary International Film Festival

We're in an unbelievably overcrowded stretch of festivals -- AFI (a month early this year for some inexplicable reason), Middleburg, Chicago, and NewFest. And with all the movie madness, and our just concluded Montgomery Clift series, I realized with horror this weekend that I had neglected to share thoughts on the recently concluded Calgary International Film Festival.

I had the honor of being on the international narrative jury this year and after the jump, takes on the ten films we watched in ascending order of how much I dug them...

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Will Mads Mikkelsen have another Oscar hit?

by Nathaniel R

Mads Mikkelsen stars in "Another Round"

Denmark is currently Oscar's favourite country in the Best International Feature category. Yes, we know they're not the "all time" favourite country, so don't @ us. But in the past 10 years (2010-2019) they've been nominated 50% of the time, with two additional finalists. Deep involvement in 70% of the Oscar conversations in a decade is a pretty great track record. How long can they keep it up? We won't know if they'll nab another nomination this season until a few months from now but Denmark just announced their finalists. On November 17th, they'll choose their submission between the following films: 

• Another Round by Thomas Vinterberg 
• A Perfectly Normal Family by Malou Reymann
• Shorta by Anders Ølholm and Frederik Louis Hviid. 

If Denmark wants to bet based on past success they'll go with Another Round.  It just won the top prize at the London Film Festival. Plus, international star Mads Mikkelsen has headlined three Oscar-nominated films from his home country previously....

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Horror Actressing: Judith Anderson in "Rebecca"

by Jason Adams

How could I help myself, right? Tomorrow Netflix is unveiling director Ben Wheatley's re-do of Daphne Du Maurier's "celebrated novel" (I love that is how the book is credited on IMDb) starring Armie Hammer, Lily James, and most enticingly of all Kristin Scott Thomas as the housekeeper-with-secrets. And yet somehow, despite it being one of my favorite performances in a horror film, I haven't gotten around to given Judith Anderson, in that same role in Alfred Hitchcock's Oscar-winning 1940 film, her due with this series. No more! The time for dangerously caressing silky underthings is nigh I say, nigh!

Not that we've exactly been clammed up when it comes tot he subject of Judith Anderson's turn in Rebecca around these parts in the past...

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Horror Costuming: Suspiria

A special miniseries for Halloween by Cláudio Alves

Costume sketches by Giulia Piersanti

As cinephiles, we're often too quick to condemn the idea of the remake. But remakes can often be illuminating. A good remake is a conversation made of echoes refracted through cinema and cultural history and time, as valuable, in its own way, as the original picture.

Luca Guadagnino's Suspiria is perhaps the supreme example of this. Instead of replicating Dario Argento's 1977 post-Giallo masterpiece, Guadagnino and his team have created an entirely new work that further explores themes only glanced at in the first movie. Even its look is excitingly different, autumnal and chilly where the previous film was carnivalesque and hot-blooded. One could write about the perfection of Sayombhu Mukdeeprom's cinematography or Inbal Weinberg's scenography, but, today, you're invited to reflect on the work of costume designer Giulia Piersanti…

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