Monty @ 100: The martyrdom of "Lonelyhearts"

by Cláudio Alves

For the first half of his career, Montgomery Clift typified an image of restless youth and tragic beauty onscreen. Many of his early films found Clift playing young traumatized soldiers or men embroiled in doomed romance, lively characters whose nervous energy electrified the frame. The second era of Monty films, starting with 1957's Raintree County, saw a transformation of his persona. Nathaniel previously explored some inklings of masochism in the narratives of From Here to Eternity and The Young Lions, but Clift's next few projects solidified him as a paragon of cinematic suffering.

Perhaps no project better encapsulates the idea of Montgomery Clift as a saint-like figure, a martyr, than the Vincent J. Donehue's 1958 film Lonelyhearts…

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"I'm No Longer Here" wins big at the Ariel Awards

Mexico's own Oscar-like film awards have been handed out with I'm No Longer Here prevailing with 10 trophies. That's quite a haul. The drama is about a member of a dancing street gang (played by Juan Daniel Garcia Treviño, pictured left) who is forced to immigrate to the US to escape a local cartel. The cast was non-actors, hired for their dancing ability and authenticity. The film is currently streaming on Netflix if you're curious.

ARIEL AWARD NOMINEES & WINNERS

Picture

• Buy Me a Gun
• Dust
• I'm No Longer Here ★
• Suffocation
• This is Not Berlin

We believe all of these* are eligible to be Mexico's submission this year as none were on their finalist list last year for consideration (though some of the other films nominated in craft categories were). This probably means I'm No Longer Here is the likely submission but you never know. Since it does take place partially in the US it has some English in it (movies run into trouble with this particular category if the English dialogue is dominant or roughly equal to the non-English dialogue). * Clarification: All except This is Not Berlin which would not be eligible as it did have a US theatrical run in 2019.

The nominees and winners are after the jump. If we've previously written about the film there's a link...

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Yes No Maybe So: Jessica Chastain and the "355"

by new contributor Josh Bierman

The 355 is a new action film starring a host of bad ass international superstars set for a January 2021 release. If we’re being honest, when I first saw Sponcon for this on my Instagram, I was 100% certain that this was a short film for Lancôme or Chanel starring their brand ambassadors. Turns out it’s a real life feature length film! Huzzah for female-fronted action movies. Let’s take a deep dive into the trailer...

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Middleburg Festival 2020 - Virtual This Weekend!

by Nathaniel R

Just a heads up that the Middleburg International Film Festival, that we cover each year right here, has gone mostly virtual this year. The festival is later this week (Thurs, Oct 15th - Sunday, Oct 18th). Despite the unfortunate circumstances of movies in this bizarre year, they've somehow gathered their usual crop of buzzy Oscar contenders and possible breakout indies. You can see the full list here -- any films in particular you'd like us to cover?  You may recall that last year we did a "Coffee and Contenders" Oscar panel with Clayton Davis and Jazz Tangcay (who both work for Variety now). We're repeating that again this year since it was a success last time. This year it will be on Zoom due to, well, you know... but we're still excited.

The panel is this coming Friday at 9:00 AM EST. It will be available for free if any of you reading would like to tune in (ignore the "not available in your country" notice. They are in the process of fixing that)

Nun vs Monster! Give our '65 conversation a listen.

by Nathaniel R

Who do you suppose was in second place for the Best Supporting Actress Oscar in 1965? We suspect Shelley Winters won in a landslide for her monster mom but perhaps Peggy Wood's Mother Superior was the runner up since The Sound of Music was so massive. What'cha think? We've noticed on the Smackdown posts that y'all don't really comment about the conversation of the podcast itself but just the write-up / blurb portion. We hope you're listening. The panelists (mwah) were super fun and lively. Here is the podcast again embedded below for your pleasure.

Podcast: 1 hour and 15 minutes
00.01 - Introductions: Spencer Garrett, Kayleigh Donaldson, Baby Clyde, Kevin Jacobsen, and Terence Johnson
06:30 - Othello , Laurence Olivier's "blackface", minstrelsy in that era, Dame Maggie Smith in her youth and today, and the documentary Tea with the Dames
27:00 - Shelley Winters in A Patch of Blue -- some people hate the performance, some love it. The movie is more complex than you've heard and an example of the shifting of the 1960s towards more adult themes
38:30 - Natalie Wood's failed Oscar bid for Inside Daisy Clover. A trainwreck of a movie or a fascinating timepiece or both? But it really needed to be a musical. More new Hollywood vs Old Hollywood issues
54:00 - The Sound of Music. Supremely rewatchable. We talk about musical dubbing, our favourite musical numbers, and Julie Andrews Oscar run. Why didn't they nominate Eleanor Parker? 
1:10:00 - Goodbyes and the re-casting game!

listen on iTunes or download right here

Smackdown 1965