Emmy Watch: Regina King in "Watchmen"

by Eric Blume

We here at TFE are big fans of Regina King, as you know.  She’s been performing in the business for over 35 years, and has weathered career ups and downs as all good working actors do. She's risen to the top of the field in the last few years with three Emmys for very interesting and strong roles in TV. 

Personally, I had split feelings about her Oscar win for Best Supporting Actress last year for If Beale Street Could Talk.  As a fan of her and her work, I was thrilled to see Regina King get an Oscar.  But I found Beale Street to be heavy-handed and unconvincing, and the movie gave her too few notes to play.  She brought everything she could to the role and the film, but it would have been more thrilling to see her win for a juicy, complex role.

Which makes what Regina King does on Watchmen so exciting...

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Nicecore-palooza

by Cláudio Alves

Upon the US release of Paddington 2 in 2018, film critic David Ehrlich wrote about a new age of optimistic movies. He called this phenomenon, nice core. They were films that emerged in the era of Trump and Brexit, little rays of celluloid sunshine that celebrated the power of kindness and the wonder of humanity from filmmakers living in an increasingly cruel world. If you're looking for formalistic vanguard or challenging experiences, you won't find it in this type of cinema, though that doesn't have to be necessarily bad. Art of modest ambition whose main purpose is comfort shouldn't be undervalued.

One could almost say that, when ironic detachment becomes standard, the exaltation of sincere cinema can be a radical gesture…

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Linkward

Gal Gadot and celebrity friends sing "Imagine" to us from their quarantines
AV Club the Olympic Flame has arrived in Tokyo... but how will the Olympics go on?
Criterion has announced its June titles - Portrait of a Lady on Fire, whoooo!
France 24 Cannes has finally made the announcement. The long running festival will not be cancelled but postponed. It will now begin at the end of June instead of mid-Ma 

After the jump including coronavirus dread at movie theaters, Baz Luhrmann's Elvis, the fate of Pixar's Onward, and more...

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A 'Blue Jasmine' Bonanza

by Murtada Elfadl

Over at Sundays With Cate, my podcast series about the films of Cate Blanchett, I just finished a three part miniseries about her Oscar winning performance in Blue Jasmine (2013). Something I thought The Film Experience readers might enjoy so I’m sharing with you. Here are some details about the miniseries:

Actor as Auteur

In part one we discuss Cate Blanchett as the real auteur of Blue Jasmine, and the many ways her performance makes her the author of the film.

The “Streetcar” Allusions

In part two, we talk about the similarities to Tennessee Williams’ A Streetcar Named Desire, the character of Blanche Dubois clearly is the blueprint for Jasmine. The many actresses who played Blanche - including Blanchett herself in a production of Streetcar directed by Liv Ullman - or were inspired by her. From the women in Pedro Almodovar’s movies to Gena Rowlands in A Woman Under the Influence (1974) to most recently Carey Mulligan in Wildlife (2018).

Jasmine and Her Sisters

And in the final part we discuss Jasmine and her sisters within the Woody Allen oeuvre. Annie Hall, Helen St Clair in Bullets Over Broadway (1994), Maria Elena in Vicky Cristina Barcelona (2008) and Cecilia in The Purple Rose of Cairo (1985), among others.

Those episodes are now available wherever you listen to podcasts or at Sundays with Cate. Let me know what you think?

The moment I fell for Kristen Stewart

by Cláudio Alves

Ten years ago, Floria Sigismondi's The Runaways was released. The film's a rock biopic and literary adaptation of Cherie Currie's autobiography - Neon Angel. It portrays her life in the late 70s when she became the vocalist for the all-female rock band for which the film is named. Influential and memorable, the Runaways burned too bright and too soon, dissolving after two years of fame, a modicum of success and a whole lot of controversy. Joan Jett, a rock icon and the Runaways' guitarist, helped produce the film and, maybe because of that, Sigsimondi's script makes her a coprotagonist.

Matters of shambolic narrative structure aside, I'm glad The Runaways is so entranced by the mythos of Joan Jett. Otherwise, I might have never woken up to the genius of Kristen Stewart…

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