Review: Shirley

by Chris Feil

Josephine Decker’s Shirley opens with the false optimism of young love with a couple in the mold of American idealism. Over the film’s volleying and spry 107 minutes, Decker curdles it with subversion by focusing on their dismantler: the genius writer Shirley Jackson, played by Elisabeth Moss.

The couple at the center, Rose (Odessa Young) and Fred (Logan Lerman), arrive in a college town already imbalanced, favoring the advancement of his studies over her own. Fred is under the leadership of writer and professor Stanley Hyman (Michael Stuhlbarg), the husband of Jackson, with Rose and Fred taking up residence in their booze-drenched home. The young couple disrupts their existence with tranquility and squareness, but Rose’s curiosity and oppression halts a patch of writer’s block for Shirley. The film crescendos with the status quo of the campus upper crust, Rose’s intoxication with Shirley, and the wringing of Shirley’s next masterpiece.

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Introducing... Supporting Actress Characters of 2002

The next Supporting Actress Smackdown is just 12 days away. We're on fire this season, aren't we? HERE ARE THE PANELISTS that will be talking about 2002 but we also need your votes. We highly encourage you to rewatch the movies before voting (time can change perspective!). To vote simply email us with "2002" in the subject line by Monday June 15th and include your rating of each of the nominees on a scale of 1 (weak) to 5 (perfect) hearts...

 

• Kathy Bates, About Schmidt
• Queen Latifah, Chicago
• Julianne Moore, The Hours
• Meryl Streep, Adaptation
• Catherine Zeta-Jones, Chicago

For an extra bit of whistle-wetting fun, let's look at how each of the characters are introduced in the movies. NOTE: Please save comments about the performances themselves for the Smackdown event. For now we're talking about the art of introduction in storytelling. Is the filmmaker tipping his hat to a star's arrival (fairly common practice) or merely introducing a new character...

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2002: Viola Davis' breakthrough year in cinema

TFE likes to focus on a film year in the buildup to the Smackdown. For the first half of June that's 2002. 

Viola Davis at a Solaris premiere in 2002

by Nick Taylor

There’s always something novel about seeing a current megastar at the beginning of their career. Who was this person before they became who they are now? How does their early work fit into their current persona? Can we catch a glimpse of the brilliant career that’s coming?

A solid example of this kind of retrospective would be the pretty good year Viola Davis had in 2002. She had appeared in small roles in six films before then but had yet to capture public attention on the screen. Fresh off her first Tony win in 2001 for King Hedley II, that began to change. In 2002 she had noteworthy supporting roles in three major films from high-profile directors, each operating in vastly different genres and released in the key November-December awards slot.

Her most high profile role that year was as Julianne Moore’s housekeeper in Todd Haynes’ Far From Heaven, still the best film Davis has appeared in...

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By a nose...

by Cláudio Alves

When presenting the Best Actress Oscar during the 75th Academy Awards, Denzel Washington famously said "by a nose" before announcing Nicole Kidman as that year's winner for her work in The Hours. It was a reference to the way that, throughout that awards season, the actress's prosthetic enhanced transformation into Virginia Woolf had caused much controversy. Some people appreciated how Kidman left vanity at the door and allowed herself to be made unrecognizable, while many others found it to be distracting. In any case, it was a good booster to her Oscar campaign. The quality of a performance notwithstanding, there are few things that the Academy loves more than beautiful celebrities de-glamming.

Unfortunately, as it sometimes happens, while the performer was showered in gold, the team of makeup artists that made the physical transformation possible was left unrecognized. In the case of The Hours, they were even made ineligible…

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OUTStream Film Festival - It's Happening Right Now

by Nathaniel R

Last night we told you about the Cannes selection. While that's glitzy information it's not particularly useful since none of the films are available and Cannes isn't actually happening. But there is a festival happening right now. It's called OUTStream and 2020 is its inaugural outing. The queer festival runs through this weekend (Sunday, June 7th) if you wanna have a mini queer film adventure over the next few days. You purchase virtual "tickets" to the movies and watch (if you want to see the Q&As though you have to watch at the alotted times, otherwise it functions like a normal rental). 

HERE ARE SOME OF THE HOT TICKETS

Song Lang is a Vietnamese drama from debut filmmaker Leon Le. It's about the romance between an opera performer and a debt collector in 1980s Saigon. We've heard nothing but good things about this one on the festival circuit but we haven't seen it yet. Leon Le won Best New Director at the Beijing Film Festival for this. There's a livestream Q&A on Friday June 5th...

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