Cinema as the theatre of memory

by Cláudio Alves

Cinema is the ephemeral crystalized. The camera transforms the now into a remembrance like the petrified bodies of Pompeii, those monuments of frozen life that frightened Ingrid Bergman in Rossellini's Journey to Italy. I still recall when I first watched that classic and felt as if I was witnessing a film reacting to its own limited existence. When Bergman cries we see a star realizing she's no more than a shadow of yester, like those burnt cadavers her image is an unwitting memento mori. Since then, cinema's relationship to time has fascinated me, especially when it comes to the portrayal of memory. Rossellini showed me cinema remembering itself and Resnais shattered the recollection of personal history, Chris Marker paralyzed the days long gone and Varda made them abstract.

While these are names of the European vanguards, cinema as theatre of memory isn't a phenomenon exclusive to the art house. We need only look at this year's Oscar contenders to find ways of picturing memory on the big screen…

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Nathaniel's Top 19 of 2019

by Nathaniel

Better late than never. And since we're of the calendar-denying opinion that each film year doesn't really end until Oscar night, we're not too late. (Rationalization is a useful skill, isn't it?). Still what is a calendar? What is a year? Distributors and filmmakers can't seem to stay on schedule either. Of this year's top nineteen, five are out-of-time, with four premiering at festivals way back in 2018 and one still waiting around to show its captivating face (though its here due to its qualifying release). However you define 2019 is up to you. These 19 pictures are how I define it.

If you see them, which I hope you will, they'll take you from ramshackle abodes in the mountains of Macedonia and cave-homes in Spain to an architectural wonder in Seoul and even past the rings of Jupiter. They'll trap you, tripping, in an empty school with house music throbbing or drop you in Dakar where the ocean is ever roaring with its promise and its ghosts. Socioeconomic anxiety permeated the cinema this past year, which is no surprise given the world we're living in. Though many of the top 19 spoke directly to the now, they weren't always "modern" in the literal sense. Our cinematic time travelling stretched from third century China through the Civil War era in New England to Hollywood in the summer of '69 and  the stubbornly vague "near future" of science fiction...

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"The Farewell" tops at the Spirit Awards

by Nathaniel R

And the winners are...

BEST FEATURE The Farewell 
Though Lulu Wang's lovely family drama didn't receive any Oscar nominations, it proved the most beloved film at the Independent Spirits...  

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2019's Class of First Time Nominees

by Murtada Elfadl

With one day to Oscar, let’s salute 2019’s class of first time nominees in the four acting categories. So many great actors never get nominated, and many just get that one nomination. So it must be so exciting for these lucky 5: Antonio Banderas, Cynthia Erivo, Scarlett Johansson, Jonathan Pryce and Florence Pugh...

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Review: Birds of Prey

by Chris Feil

Cathy Yan returns Margot Robbie’s Harley Quinn to the screen after the regrettable Suicide Squad, and it’s somewhat of a rebirth in more was than one. Now single but not fully exorcized from her sublimating relationship with the Joker, Harley is looking to stand on her own two feet. Yet Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) again aligns her with a newly birthed group of crimefighters, this time in an all-female set of not-so-anti heroes.

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