Appreciating Rachel Weisz

by Eric Blume

One of our most resourceful and intelligent actresses, Rachel Weisz, turned 50 this past weekend. At her half century mark she's currently at the height of her powers as an actor.

Weisz appeared in several smaller movies before making a big splash opposite the then-on-fire Brendan Fraser in 1999's The Mummy.  The role didn't demand much of her, but her feisty spirit brought a great deal to a stock character, and from there she was on her way.  She gave a particularly fine performance in the 2001 film versoin of Neil LaBute's The Shape of Things (I miss Neil LaBute...anyone else?).

Weisz then of course won the Best Supporting Actress Oscar in 2005 for her fascinating performance in Fernando Mereilles' The Constant Gardner...

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Reader's Choice: Lady in a Cage (1964)

New bi-weekly Monday series. By popular vote you selected this streaming film for screening & discussion...

by Nathaniel R

Where did the sayings "wear your influences / heart on your sleeves" originate? No matter the etymology of the phrase we think it disagrees with fussy widow Mrs Cornelia Hilyard. Her billowy sleeves aren't half as expressive as the sheer scarf and shawl like top over her simple house dress. She fidgets with it constantly, untying and unbuttoning the extra layer of fabric due to the unfortunate duet of a broken air conditioner and a great lady's modesty!

The influences and emotions clinging visibly to this lady in her cage, or rather Lady in a Cage (1964), are much the same. Screenwriter Luther Davis and Director Walter Grauman throw just about everything they can think of that was cinematically en vogue or brazenly attention-grabbing in the early 1960s into the mix (drug use! homosexuality! juvenile delinquents! sex! formerly glamorous leading ladies getting sweaty and desperate and humiliated for your viewing pleasure). The film's sociopathic parents -- its daddy is Psycho and its mommy is Whatever Happened to Baby Jane -- have cast a long historical shadow over Lady in a Cage...

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Horror Actressing: Sonoya Mizuno in "Ex Machina"

by Jason Adams

Is Alex Garland's Ex Machina a horror film? For all of its Frankensteinian elements I could be swayed towards a yes or a no, but when it comes to viewing the film via Sonoya Mizuno's character of "Kyoko" -- Mizuno can currently be seen co-starring on Garland's Hulu show Devs -- the "yes" argument feels substantive and then some...

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Max Von Sydow (1929-2020)

by Nathaniel R

It is with great sadness we must announce the passing of Max von Sydow. The international acting legend had worked steadily since his big screen debut in Sweden in 1949. Multiple Swedish classics followed including Miss Julie, Wild Strawberries, and The Virgin Spring. International fame happened quickly through his mutli-film collaboration with Sweden's most celebrated auteur Ingmar Bergman. By the mid 60s he began headlining international productions, first as Jesus in The Greatest Story Ever Told (1965) and by the 1970s he was a mandatory for prestige all star productions (Voyage of the Damned, The Exorcist). He's been a mainstay of cinema for 70 years, that exceedingly memorable long face flipping from sweet to sinister to authoritative to wise (and everything inbetween) on command for the demands of any role.

Before his death he completed a lead role in an as yet unreleased WW II drama Echoes of the Past which is currently in post-production. Let's pray it's a fitting swansong for one of the inarguable greats.

We had the privilege of interviewing him over coffee when he was making the awards rounds for The Diving Bell and Butterfly and he was sweet, humble, and talkative about his career and the cinema. We've begged the Academy to give him an Honorary Oscar quite frequently but, tragically, they didn't listen and they've missed their long long window to do so.

After the jump the first 10 Max von Sydow roles that jumped to mind in no particular order when we heard the news...

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Onward, First Cow, to the Weekend Box Office.

What did you see this weekend? Pixar's Onward was the big winner with a $40 million haul. The hot ticket in platform release was Kelly Reichardt's First Cow which had the weekend's highest per screen average at just 4 theaters.  

Weekend Box Office March 6th-8th (ESTIMATES) 🔺 = new or expanding / ★ = recommended
WIDE RELEASE (800+ screens)	PLATFORM TITLES
Onward	First Cow
1 🔺 ONWARD  $40 *new*	1 🔺 PORTRAIT OF A LADY ON FIRE $540k on 334 screens (cum. $3.3) TOP TEN LIST ★
2  THE INVISIBLE MAN  $15.1 (cum. $52.6) *new* REVIEW	2 🔺  BAAGHI 3 $475k  *new*

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