"Parasite" is the mashup of "Shoplifters" and "Burning" we never knew we wanted

by Lynn Lee

For a 132-minute Korean film that isn’t yet in wide release, Bong Joon Ho’s Parasite is already one of the most talked-about movies of the season, and for good reason.  Alas, most of the reasons can’t really be discussed without major spoilers – but that’s all the more incentive to see it as soon as it hits a theater near you.

When I saw it, I loved it, which I wasn’t necessarily expecting considering I hadn’t been a fan of either The Host or Snowpiercer, arguably the director's most popular films.  Despite its run time, Parasite is tighter than those films, and its tonal shifts and genre-melding smoother.  It's also more focused, its treatment of one of Bong’s favorite themes – class disparities – razor-sharp yet also oddly compassionate, ultimately condemning the system rather than any individual players.

Parasite, which took the Palme d’Or at Cannes this year, also felt to me like the deranged evil twin of last year’s Palme d’Or winner, Hirokazu Kore-eda’s Shoplifters...

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Horror Actressing: Elizabeth Allan in "Mark of the Vampire"

by Jason Adams

1935's Mark of the Vampire reunited director Tod Browning with Bela Lugosi four years after they had you know some success with a little film called Dracula. In those four in-between years Browning made the infamously disturbing Freaks (still disturbing to this day!), which was censored and banned everywhere, totally derailing his career. Nobody wanted to work with him after Freaks. But he did eventually manage to round up financing for a remake of one of his most successful silent films...

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How had I never seen...“While You Were Sleeping”?

by Cláudio Alves

Some films prove their greatness by challenging the audience. Some engage the mind, others spellbind the senses, immersing those who watch them in formalistic dreams of celluloid and digital beauty. Abrasive, cerebral, immersive, cinema can be a wonder, but we shouldn't suppose there's a single path to cinematic glory.

Don't get me wrong, I love my slow cinema, my European art-house hits, and Philosophical reveries. To cry with Carol is magic, to wander through Stalker's desolation is like dreaming with open eyes and to see New York, New York is to applaud its spectacle of ambition. But a cinephile can yearn for simple pleasures, too. Sometimes, one just wants to forget life's troubles and escape, to enjoy the goofiness of a nice comedy or the sweetness of an impossible romance. Sometimes, one just needs a hug.

And I've only just discovered that While You Were Sleeping (1995) fulfills that need with the warmest of embraces…

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Podcast: The Irishman, Terminator Dark Fate, and Oscar Buzz

with Murtada Elfadl & Nathaniel R 

Index (60 minutes)
00:01 Murtada's New Fest jury duty
03:00 Martin Scorsese's The Irishman and why it should have been called I Heard You Paint Houses.  Thoughts on the running time, Thelma Schoonmaker's editing, the de-aging visuals, and the performances of Anna Paquin, Robert DeNiro, Joe Pesci, and Al Pacino. And a trend in 2019: directors revisiting their favourite themes reflectively this year: Scorsese, Almodóvar, and Tarantino
23:30 The Best Supporting Actor Oscar race: Pacino versus Brad Pitt? Plus tangents about Marriage Story, Ford V Ferrari, Dolemite is My Name, Just Mercy and Honey Boy
43:00 Best Actor and Best Director races and what The Irishman's true competition is
50:00 Terminator Dark Fate  and Harriet
57:45 The Best Actress race - is Cynthia in?

READ: A thoughtful positive review of Harriet from K Austin Collins
SHARE: Two tweets we mention...

Harriet is not my favorite film of the year but if you gave hours of your life to see Darkest Hour and The Theory of Everything, you have time for a Harriet Tubman movie.

— Murtada Elfadl (@ME_Says) October 29, 2019

TERMINATOR DARK FATE not giving us an ass shot of Gabriel Luna (the first time traveller not to get one in the franchise) is homophobia. pic.twitter.com/5bR2hgcxGl

— Nathaniel Rogers (@nathanielr) October 23, 2019

 You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

I Heard Scorsese Paints Houses

What did you see this weekend?

Weekend Box Office [ESTIMATES] Nov 1st-3rd 🔺 = New or Expanding / ★ = Recommended
W I D E	PLATFORM / SPECIALTY TITLES
1 🔺  TERMINATOR DARK FATE  $29 *new*	1 🔺 PARASITE $2.6 on 461 screens (cum. $7.5) PODCAST ★
2 JOKER $13.9 (cum. $299.6) REVIEW	2 🔺 JOJO RABBIT $2.4 on 256 screens (cum. $4.2) TIFF WINNER ★
3 MALEFICENT 2 $12.1 (cum. $84.3)	3  HOUSEFULL 4 $463k on 315 screens (cum. $1.7)
4 🔺 HARRIET  $12 *new*	4 PAIN AND GLORY $348k on 111 screens (cum. $2.1) REVIEW, PODCAST ★
5 ADDAMS FAMILY $8.4 (cum. $85.2)	5 LINDA RONSTADT... $90k on 94 screens (cum. $3.9) REVIEW

The latest in a long line of attempts to keep the Terminator franchise going opened below expectations and will have trouble breaking even given its enormous budget. They shouldn't have messed with the mandatory ass shot! In other news Harriet performed above expectations which bodes well for Cynthia Erivo's Oscar campaign which had been losing some lustre after decent but hardly inspiring reviews for the film. Parasite continues to be a smash hit in limited release and is in a ton of markets now on 461 screens.  It'll be the second highest-grossing subtitled picture this year within a week (with only The Farewell left to conquer)