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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Wednesday
Oct232019

Soundtracking: Alice Doesn't Live Here Anymore

by Chris Feil

Martin Scorsese is perhaps one of the more discussed directors in terms of movie music - how could he not be on his many music documentaries alone? His filmography is one accented with rock and roll iconography, most recognizable for its big band era details and Rolling Stones fanaticism. But while the recurring “Gimme Shelter” may be the most obviously iconic example of Scorsese’s musical insights, his ability to unleash character detail through song has a mightier narrative impact in some more unexpected places. Like Alice Doesn’t Live Here Anymore, a film where its heroine and its music are caught between tradition and the turbulent now.

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Wednesday
Oct232019

That time when one of the great cinematographers hooked up with Jake Gyllenhaal...

by Nathaniel R

Here's a little teaser for a forthcoming interview with Rodrigo Prieto, the two-time Oscar nominated DP whose latest film is Martin Scorsese's The Irishman. The famed Mexican cinematographer turns 54 next month. We'd always seem him in photos, handsome, crouched down behind cameras with tightly cropped hair. In person he's a tall silver fox and he's let his hair grow out. He could have been in front of cameras but instead got behind them from an early age. And what a career he's had. Standing majestically amongst his classics is Brokeback Mountain (2005) so during a lengthy sit down we had at the Middleburg Film Festival this past weekend, we asked him how he ended up with his only onscreen role.

We don't know if you knew this but he plays the Mexican hustler who Jack Twist (Jake Gyllenhaal) picks up during a quick trip south of the border. That's the trip that Ennis and Jack fight about, later in the movie, lighting a bonfire of scorched feeling in that famous 'I wish I knew how to quit you' scene...

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Tuesday
Oct222019

"The Two Popes" rising...

by Nathaniel R

"I have four more Oscars nominations than you. I've also won!"

Yours truly is still trying to get back into the swing of daily life after the always delightful Middleburg Film Festival. At the conclusion of the festival, the votes were counted and The Two Popes emerged as the Audience Award winner. You may recall that Green Book won that prize just last year before it went on to very leggy box office (final international tally $321.7 million on only a $23 million budget) and the Best Picture Oscar win.

The Two Popes is a less controversial crowd-pleaser and surely an Oscar nomination threat for two categories...

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Tuesday
Oct222019

The Honoraries: David Lynch's masterpiece "Mulholland Dr"

The Governors Awards (Honorary Oscars) will be held on October 27th, 2019 with director Lina Wertmüller, actress Geena Davis, director David Lynch, and actor Wes Studi celebrated. We'll be discussing each of them.

by Eric Blume

The decision to give David Lynch an honorary Oscar this year is among the Academy’s smartest and most inspired choices.  Lynch’s movies are so singular, so not-conceived for commercial consumption, that he was never likely to gain enough popular majority to actually win as Best Director. But he has garnered three nominations over the years: 1980’s The Elephant Man, 1986’s Blue Velvet, and 2001’s Mulholland Dr.  Each of these films contains stunning and memorable images, a feverish sensibility, a subversively compassionate worldview, and a mastery of storytelling... even when the story feels incomprehensible.  

Mulholland Dr truly merits the term overused word "masterpiece".  Lynch is in complete control and it’s a film that could only have sprung from his mind and heart.  While we’ve seen many versions of the American Dream story, none has ever emphasized the “dream” portion of that term in the way that this film does...

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Tuesday
Oct222019

50th Anniversary: Liza Minnelli in "The Sterile Cuckoo"

by Camila Henriques

Pookie Adams is one of a kind. When we first meet her, she’s on her way to college and is the type of quick witted character that could very well be the Adam’s rib to the Amy Sherman-Palladino girls we have loved for the past two decades. With her round glasses and pixie haircut, Liza Minnelli’s Pookie is easy to love in Alan J. Pakula’s The Sterile Cuckoo. As the film turns 50 today (!), it’s magical to witness how  Judy and Vincente's offspring always had a sparkle of her own, capable of turning a manic pixie dream girl archetype into a layered character that rightfully earned her that first Oscar nod.

Liza was by no means a newcomer when The Sterile Cuckoo came out. A child of Hollywood, she famously grew up on hotels and movie sets and, at the age of 17, made her debut in an off-Broadway play and did a number of performances alongside mama Garland...

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