Golden Globe Night. Surprises, Upsets, and then... Catastrophe

by Nathaniel R

It all started out so well. Beautiful stars were begowned bejewelled and even some of the men took fashion risks. Sandra Oh and Andy Samberg were quippy and fun without overdoing it (the magic of good but unobtrusive hosting). Lady Gaga and Bradley Cooper were thrown at us early on to whet our appetite for big A Star is Born wins later on. Oh how young and naive we then were at 8 PM EST...

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Aquaman is now DCEU's Biggest Film

While the box office charts we share each week are domestic money only, Aquaman has already become the biggest DC movie since their "expanded universe" began overseas. It will be the first of those films to cross the billion dollar mark globally. That said stateside it's still $150 million behind Wonder Woman  though it should easily topple Suicide Squad and Batman v Superman by the the end of its run since it's still going strong.

More box office news after the jump...

Weekend Box Office (Estimates) (January 4th-6th)
W I D E 800+ screens	PLATFORM / LIMITED excluding prev. wide
1 Aquaman  $30.7 on 4184 screens (cum. $259.7) Review, Podcast	1 🔺 If Beale Street Could Talk $1.8 on 335 screens (cum. $4.4) Review, Podcast  ❤️

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The Greatest Linkman

• Gurus of Gold our soon-to-be very outdated Golden Globe predix and current Oscar rankings
• Globe Predictions ...mine in full which our soon to be very embarrassing. It's tonight, kids!
• Slate as ever, the very long Movie Club is a great read. It begins, appropriately enough with Thanos's finger snap in Avengers Infinity War
• Irish Times terrific outspoken interview with Keira Knightley on Colette, Weinstein, and her public falling out with John Carney on Begin Again

• i09 Good news for people who loved Leonardo Nam in Westworld (like me!), he's been cast in a big role in the new Swamp Thing series
• AV Club Danny DeVito joins the Jumanji sequel
• My New Plaid Pants really loves Andrea Riseborough in Nancy

OffScreen
• Variety Interest report on album sales this year. The Greatest Showman (the only album to sell over 1 million copies in this streaming world where people rarely buy anymore) and A Star is Born are the top sellers.
• NYT 1 woman, 12 months, 52 places -- such a cool project and a good read
• Borowitz Report makes a funny about Nancy Pelosi avoiding "the middleman" to get the government working
• Playbill Anthony Ramos (A Star is Born) and Jasmine Cephas Jones (Broadway's Hamilton) are now engaged

List-Mania
• Boy Culture top 20 movies and performances. Some surprise picks
• Awards Daily Joey's top ten TV list

The 2018 Animation Contenders: On Happiness Road

Each weekend, Tim has been taking a look at one of the films submitted for the Best Animated Feature Oscar.

Taiwan's animation industry does not have a particularly strong reputation, to put it gently. For many years, the country's animation studios have largely served as inexpensive places to farm out work from other, more well-heeled companies, or to produce short films and clips that are largely ephemeral and quickly forgotten. So perhaps the first impressive thing about On Happiness Road is that it exists at all: a Taiwanese-produced feature-length animated film, about Taiwanese history and the cultural position of Taiwan in the wide world. That it is largely good is even more impressive.

The film is the brainchild of writer-director Sung Hsin-Yin, making her first feature after a handful of short films. It tells the life story of Chi (voiced by Kwei Lun-Mi) a thirtysomething expatriate who returns from America to Taipei, where we immediately intuit she'd rather not be... 

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National Society of Film Critics Chooses "The Rider"

by Nathaniel R

The televised awards shows are about to take over but before they do, the NSFC has had their say. They're always the last major critics group to chime in, and unlike the other two members of the critical trinity (LAFCA & NYFCC) they have not chosen Roma. Instead that honor went to Chloe Zhao's rodeo injuries drama The Rider. I recently caught up with this arthouse sleeper hit and though I found it gorgeous and moving, it struck me as a bit modest in its artistic goals, or at least a touch repetitive about achieving them. So to each their own as far as "very best" goes but it's the kind of film that deserves to find ardent fans so it's wonderful that critics have gone to bat for it here and there. It's had such a long run; the film was actually an Indie Spirit nominee in 2017 due to its festival premieres so it's been kicking around with awards for an entire year now!

The full list of NSFC winners and a few more comments after the jump...

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