Satyajit Ray on Criterion

by Cláudio Alves

Better late than never, I suppose. This month - May 2nd, to be precise - was the centennial of Bengali director Satyajit Ray. While this piece was supposed to be ready then, many factors contributed to its delay. One of which was how intimidating the legacy of this master of cinema is. In any case, before June dawns on us, let's celebrate the great Satyajit Ray and the outstanding collection the Criterion Channel curated for the occasion. Right now, you can find 17 of the director's features plus a 1984 documentary about his work streaming on the platform. For any cinephile with access to the Criterion Channel, this is a treasure trove that shouldn't be missed or ignored…

Click to read more ...

The Tree of Life @ 10: The wonder of the movie theater

by Cláudio Alves

As a Portuguese cinephile, the last few weeks have been a weird mixture of happiness for others and ugly jealousy. Looking on social media, I can see international friends returning to movie theaters, fully vaccinated, while I remain at home, not knowing when such privileges will be accessible. I realize this bitterness is wrong, but I can't help it. I miss going to the movies quite terribly. I miss being engulfed by the images projected on the big screen and feeling a wall of sound crash over my head like a tidal wave. However, unlike other filmgoers, I don't care too much about the communal aspect of the experience (with the exception of film festivals).

As a way of exorcising these demons and explaining the yearning, let me describe one of the most memorable filmgoing experiences I can remember. It happened around a decade ago, upon The Tree of Life's release…

Click to read more ...

The Postman Rings Four Times

by Brent Calderwood

The Lana Turner / John Garfield classic The Postman Always Rings Twice opened 75 years ago in US theaters. Based on James M. Cain’s bestselling 1934 novel about a wife who colludes with her lover in an attempt to pull off the perfect murder, Postman had to gloss over the grime to get past the censors, but it remains one of the best-loved film noirs of all time, and its huge box office success has been credited with cementing Turner’s status as a top-billed star. 

While The Film Experience isn't set to celebrate the movies of 1946 until June, Postman belongs to multiple years. Here's a rundown of the four most famous screen adaptations of Cain’s crime novel, listed more or less in order of their critical reputation today...

Click to read more ...

John Waters @ 75: Hairspray (1988)

by Cláudio Alves

As Oscar fever dies down, we return, here at The Film Experience, to the John Waters retrospective in celebration of the director's 75th birthday. I'm immensely grateful for Nathaniel, who invited us each to choose a movie, since it gave me a grand opportunity to dive deep into the filmography of this auteur. Before this month, I had only seen three of Waters' movies, but now I've watched most of his features, including five of the projects he did with legendary drag queen Divine. The picture I'm here to explore is fundamental in the legacy of both artists. Hairspray was to be Divine's last movie before a tragic death at the age of 42…

Click to read more ...

John Waters @ 75: Pink Flamingos (1972)

This week Team Experience pays tribute to John Waters for his 75th birthday.

by Nathaniel R

Unlike eggs and fresh meat, both of which are memorable supporting characters in John Waters Pink Flamingos (1972), movies don't come with expiration date. Nor should they. The expiration dates for movies are theoretical, figurative, and cultural, and are thus almost never agreed upon. Some movies magically live forever losing little of their original flavor. Some become even more flavorful and would be better suited to a wine analogy than this ill-advised animal byproducts one we're pursuing. We call these expiration-date busting films, classics. Whether they make you sick, these "old" movies, is entirely up to you. Can you remove yourself from the now while watching them or do you expect all movies to cater to the accepted opinions, values, and mores of the right now (which will have its own expiration date)? These are questions we might ask about any classic especially in our current very volatile and angry social climate, where everything is being reevaluted (which is a good thing) and mostly branded unacceptable (an unfortunately reductive thing, especially when it comes to art from previous eras).

But since our subject tonight is Pink Flamingos (1972) which wants to make you sick, it's the wrong question altogether. Maybe we don't have a question at all. Our eyes are still wide, heads still spinning, and feeling slightly nauseous...

Click to read more ...