Horror Actressing: Barbara Crampton in "Re-Animator"

by Jason Adams

Why's it so hard to put the work of H.P. Lovecraft on the screen? Over 80 years since the writer died it's real weird (an appropriate word in this context) to me that there's never been a truly grand-scale adaptation of his begging-for-just-that work, especially given how timely they do feel here in the 21st century as reality seems to morph into madness. Guillermo Del Toro notoriously tried for a decade to get At the Mountains of Madness off the ground to no avail, but that's the closest Hollywood has as yet come. Before theaters shut down in early 2020 we did get an unofficial HPL turn with Kristen Stewart in Underwater (which I truly dug) and we're now right this minute three episodes into the HBO series Lovecraft Country, which... well I'm waiting to see how that goes. Situating Lovecraft's profound racism against American race relations is hella smart, so I keep hope alive it will find its footing. (This latest episode felt like a tentacle squish in the right direction.)

In my talk there of notable Lovecraft adaptations I purposefully skipped over the hilariously disgusting 80s works of writer-director-madman Stuart Gordon though, in order to bring us to the subject of this week's edition of our "Great Moments in Horror Actressing" series, which is Scream Queen and Horror Icon Barbara Crampton's turn as the "bubble-headed co-ed" Megan in 1985's Re-Animator...

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How Had I Never Seen... "Candyman"?

by Cláudio Alves

The Nia DaCosta-directed, Jordan Peele-produced, Candyman is scheduled to arrive in American theaters later this year. In the meantime, the original Candyman, a 1992 horror classic freely adapted from Clive Barker's The Forbidden, is newly streaming on Netflix. With all that in mind, this seemed like a great time to finally watch that acclaimed nightmare of 90s cinema, a picture I've long heard about and have considered one of my great blind spots as a fan of horror movies.

Despite astronomically high expectations, Candyman did not disappoint…

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Horror Actressing: Anya Taylor-Joy in "The Witch"

by Jason Adams

There is model beauty, and then there is movie star beauty, and they overlap less than you'd imagine. The thing about movie stars is they've got faces that are interesting more than they are perfect, and once our interest has found them their so-called "imperfect" curiosities -- Michelle Pfeiffer's mouth, Daniel Day-Lewis' nose, to be all Age of Innocence example about it -- become in turn cache. Nobody was walking into a plastic surgeon's office asking for Michelle Pfeiffer's lips before 1982 but you can be sure there was a spike in such utterances once "Cool Rider" had come and gone.  

I begin with this to say I knew the second I saw Anya Taylor-Joy's eyes that a star was being born right in front of me. I might have actually missed several important details plot-wise watching Robert Egger's The Witch that first time in 2015, so lost was I in trying, and failing, to find footing astride those eyes' ginormous bedevilry. The film opens on them... perched as they're wont on the the two separate sides of her face, anime teardrops wandering in opposite directions. You wanna live deliciously you stare into those eyeballs for an hour and a half, that's my recipe.

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Horror Actressing: Anna Massey in "Peeping Tom" (1960)

by Jason Adams

The adage goes that curiosity kills the cat, but in Michael Powell's 1960 shocker Peeping Tom it's only half true -- curiosity kills one while saving the other. Mark, the deranged killer camera-man at the film's heart (played with shy finesse by Karlheinz Böhm), finds Helen (Anna Massey) by perching on her windowsill and peering in at her birthday party -- she's his downstairs neighbor and full of life as irrepressible as her vast array of bright monochromatic dresses. They seem an odd match from the start but Helen can't seem to get Mark off her mind -- there's something curious about that upstairs man, and she's going to find out if it... well you know.

Is Helen film's very first Final Girl? 

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First images from the surely misbegotten remake of "Rebecca"

by Nathaniel R

Armie Hammer and Lily James as Mr and Mrs de Winter

Netflix has released the first four images from their remake of Hitchcock's Rebecca which begins streaming on October 21st ---  Excuse us, Daphne du Maurier's Rebecca. People will be quick to note that it's less sacrilegious to adapt the novel than the 1940 best Picture winner. Now, we understand that remakes are not automatically "bad," but there are numerous reasons why remaking Hitchcock films, of all things, is a spectacularly dumb thing to do. For one, auteurs that get adjectives named ever them are inimitable and so you lose the distinct personality. For another, Hitchcock movies have (mostly) aged terrifically well; there's a reason people still watch a wide swath of them and so many are still easily available to the public, referenced in so many modern movies, and an intrinsic part of culture...

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