Review: "The Little Hours"

by Chris Feil

A naughty nunnery run amok is the setting for The Little Hours, a medieval comedy by Jeff Baena. The film takes a passage of Boccacio’s The Decameron and gives it a verbally modernized flair: ancient notions of sin are reimagined through potty-mouthed contemporary delivery and hipster dryness. What makes for a unique (if obvious) take on stifled early-century femininity also becomes an entertaining satire on female rebellion and male stupidity.

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A Pfeiffer Portrait of Devastating Despair

by Murtada

The year of Michelle Pfeiffer continues. We’ve seen the trailer and pictures from Murder on the Orient Express. We've seen the poster for mother! (sacrilege she’s not on it). We’ve seen her on HBO as Ruth Madoff. And now her Sundance film, Where is Kyra?, made its way to Brooklyn and played at BAMCinemaFest last weekend.

Andrew Dosunmu (Mother of George) collaborates once again with Bradford Young to gorgeous results. This time Pfeiffer’s transfixing visage supplements their beautiful frames with movie star magic...

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"Rough Night" and the State of Comedy

by Eric Blume

My assignment for TFE was a review of the movie Rough Night. But since I was not raised in a barn, nor raised by wolves, my mother once told me if you can’t find something nice to say, don’t say anything at all. So we’ll keep it short on Rough Night itself.  It’s actually depressing how bad this movie is, a twist on a rather good mainstream movie called Very Bad Things, back in the Cameron Diaz days of 1998.  That Peter Berg film had a bit of an edge as it followed several guy friends on a bachelor party who find themselves in a dead hooker situation.  Rough Night is the distaff version of this tale, but the inept script, bad performances, and bland direction make it a tough sit.  The film’s five actresses (Scarlett Johansson, Kate McKinnon, Zoe Kravitz, Jillian Bell, and Ilana Glazer) are winning, talented ladies and deserved a far better vehicle.

Sitting through Rough Night your mind may wander, as did mine, to the state of mainstream comedy in the cinema these days...

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Splendid Sally makes "Maudie" a delight

by Murtada

If you are a fan of Sally Hawkins then Maudie is a gift full of joy made just for you. Hawkins plays real life folk artist Maud Lewis, a smart lively woman who’s hunched with crippled hands from arthritis, as she finds solace and purpose in becoming an artist. Maud works a housekeeper for a hardened reclusive bachelor, Everett Lewis (Ethan Hawke). Of course she thaws his heart and they eventually couple up. The film is a two-hander even as Hawkins is its unquestionable center and beam of delight...

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See, I Listen to You.

Those times I ask you "what's on your cinematic mind?" are not just filler. I really do listen. Sometimes it inspires articles and other times I take direct requests. Thanks, for example, to Kris who pointed out that I needed to update the Review page. The funny thing is I thought I had because earlier in the year I'd been updating daily. But I was three months behind --eeep! -- and now I see the films I never got around to reviewing. Now the page is fresh again with all recent reviews notated and the list of everything screened thus far. Take a look if you think you missed something. 

Pssst I'm seeing The Beguiled this Monday and couldn't be more eager.