TIFF: Elle Fanning is "Mary Shelley"

Our ongoing adventures at TIFF

In the summer of 1816 legendary Romantic literary figures Mary Shelley (and stepsister Claire Clairmont), Percy Shelley, Lord Byron and Dr John Polidori were holed up in a Swiss estate and challenged each other to write scary ghost stories. From that fateful contest two famous works of horror emerged ("Frankenstein or the Modern Prometheus" in 1818 and "The Vampyre" in 1819 -- neither of them actual ghost stories!). Ken Russell attacked this collision of authors with his trademark sexual abandon and visual insanity in Gothic (1986) and his wasn't the first or last film to stare with fascination at that morbid contest 201 years ago. We return to that summer for a good chunk of Haifaa al-Mansour's Mary Shelley but with far different intent.

Haifaa al-Mansour, the first Saudi female film director (she previously directed Wadjda) is more interested in the trailblazing of Mary Shelley (née Godwin) as a female author -- and the unique challenges that came with her gender in the literary world of 1818 -- than in the creation of Frankenstein...

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TIFF: Sean Baker's Wondrous "The Florida Project"

by Chris Feil

With Sean Baker’s compassionate ingenuity, The Florida Project is a heartbreaking (and heart-renewing) fable of American poverty seen through the resilient eyes of children. Set in a slum motel just a stone’s through away from Disney World, the film follows a boisterous toddler names Moonee and her mother Halley as they struggle to get by. But like Baker’s other tales of people on the fringes, Project lives more in their joy than their pain.

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TIFF: Iannucci Goes to Russia for "The Death of Stalin"

by Chris Feil

Armando Iannucci has another high farce with The Death of Stalin, an almost operatic comedy of power struggles and masculine posturing. Based on the comic books by Fabien Nury and Thierry Robin, the film is a gleefully anachronistic satire that will feel all too uncomfortably close to our current reality. This makes for a more charged tone than Iannucci’s previous contemporary political skewering. But fear not: his comic mind has stayed unpretentious. As ever, it’s his subjects that take themselves all too seriously.

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TIFF: Haneke & Huppert Return with "Happy End"

by Chris Feil

Michael Haneke is back to satirizing the upper class for Happy End, a bitter comedy on conscious distraction and privilege in the digital age. The film opens with ominous Snapchat footage and is peppered with live time Facebook chat and email screenshots that feel strangely right at home in the auteur’s aesthetic. But this isn’t Haneke’s treatise against internet platforms - in his eye, these are just other ways to reveal our disaffected, sometimes wicked selves...

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TIFF: Foreign Oscar Hopefuls from Hungary & Belgium

by Nathaniel R

On day one of TIFF two official Oscar foreign film submissions, one emphatically weird but kind of irresistible and the other mainstream but lush and erotically charged.

what's that panda doing in her bed?

On Body and Soul (Hungary)
Written and directed by Ildikó Enyedi 

Ildikó Enyedi first came to niche fame in 1989 winning the Camera d'Or at Cannes for My Twentieth Century the story of identical twins separated as children who both board the Orient Express as much different adults unaware of the other. The film had a succesful arthouse run in the US and was submitted but not nominated for Best Foreign Film at the Oscars. 28 years later Enyedi is winning prizes again for another film that concerns doubling...

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