150 Words on The Beguiled, The Big Sick, and Planet of the Apes

Three movies I didn't review when they were brand spanking new but opinions don't have expiration dates so why not share 'em, anyway? 150 words on each because you're busy and I'm busy, too. 

War for the Planet of the Apes
The freshest character in War for... is named  “Bad Ape.”  But really, who’s good? The final installment of the Apes reboot is, in essence, a war picture which means everyone is compromised. Yes, even noble Caesar (Andy Serkis) is tempted to do the wrong thing repeatedly. Bad Ape (Steve Zahn) gives the movie its only moments of levity but even those are pitiable, like the abused creature himself. The new film isn’t “fun” at all but proves a fitting capper to a surprisingly meaty trilogy. It’s a danger to interpret all current cinema in light of the apocalyptic choices of the US electorate of late but boy is this thing a compelling downer; you can argue that the final film is all about racism, evil lying fascists (Woody Harrelson), and the willful self-destructiveness of the human race. Let’s hope the series (if not our planet) wraps up right here. B

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An Ode to Julia for Julia

To get to The Oyster Club in Mystic Connecticut, you take Main Street into Historic Downtown Mystic and turn left on Water Street. If you reach "Mystic Pizza," made famous in the 1988 sleeper hit of the same name that first won Julia Roberts attention, you’ve gone too far. If you start thinking about Julia Roberts on your way to a totally unrelated assignment, your first-ever restaurant review, you’ve also gone too far...

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Review: "Spider-Man: Homecoming"

by Chris Feil

It’s another go around the spider’s web again. With Spider-Man: Homecoming, the second reboot in under a decade, Peter Parker cashes in some MCU cache in attempt to regain audience enthusiasm after a string of disappointments. The good news is that director Jon Watts (Cop Car) and team have delivered a distinct revamp that may be far off from the cinematic heights of Sam Raimi’s first films, but is still one of the most entertaining. As we last saw him in Captain America: Civil War this is our youngest Spider-Man yet, and he may not be ready for his crime-fighting responsibilities yet.

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Review: The Big Sick

by Lynn Lee

Judging from its early reception, The Big Sick has all the markings of a sleeper hit.  Directed by Michael Showalter (My Name is Doris, Wet Hot American Summer: First Day of Camp) and written by comedian Kumail Nanjiani (best known to TV audiences as Dinesh on Silicon Valley) and his wife Emily Gordon, the movie’s loosely based on the stranger-than-fiction true story of how the couple overcame the dual barriers posed by his traditionalist Pakistani Muslim family and her medically induced coma.  That’s a story you couldn’t make up, or imagine mining for laughs rather than melodrama.  And yet here it is: a crowd-pleasing romantic comedy (though it’s really more of a dramedy) about a girl in a coma that’s equal parts funny and poignant without feeling the least bit exploitative.

Nanjiani plays himself, a tricky job he handles deftly, with a beguiling Zoe Kazan as the on-screen Emily, 

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Review: "The Little Hours"

by Chris Feil

A naughty nunnery run amok is the setting for The Little Hours, a medieval comedy by Jeff Baena. The film takes a passage of Boccacio’s The Decameron and gives it a verbally modernized flair: ancient notions of sin are reimagined through potty-mouthed contemporary delivery and hipster dryness. What makes for a unique (if obvious) take on stifled early-century femininity also becomes an entertaining satire on female rebellion and male stupidity.

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