Review: Must-see Sundance hit "Beach Rats"

This review was originally published in Nathaniel's column at Towleroad. It is reprinted here with their permission.

‘I can’t see you,’ potential hook-ups keep telling him as he cruises them online from his dark room. Could he turn on a light? Frankie, this Brooklyn teenager in the dark, begrudingly obliges still trying to shield himself with a baseball cap. He takes endless torso and body-part selfies. They’re revealing but only of his flesh, depersonalized thirst traps for the older men he cruises. Some people don’t want to seen.

Or aren’t ready to be...

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Reviewish: "Atypical" on Netflix

by Ben Miller

Keil Gilchrist headlines "Atypical" as Sam, a teenager on the spectrum.

Full disclosure: I am not objective.

Generally, a reviewer would attempt an unbiased look at how a piece of entertainment could appeal to the masses.  We all know this is not the case in reality.  Everyone comes in with their own experiences and assumptions, which we base our opinions on.  I want you all to know that I did not review Netflix’s new series Atypical without my own preconceived notions.

My son has autism.  I have been wavering on whether I wanted to give Atypical a chance.  It could go the This is Us route and over-sentimentalize everything, or it could go down the I Am Sam road and make everything offensively “special”.  There is a delicate balance with shows that deal with disabilities.  On top of that, I know a whole lot about autism that a casual viewer doesn’t...

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Review: Wind River

by Lynn Lee

It should come as no surprise that writer-director Taylor Sheridan, currently hot in Hollywood after his Oscar screenplay nomination for Hell or High Water, is an actual, bona fide cowboy.  Perhaps that’s why his work feels like such a throwback—to an era in which quietly capable men, silently toting unspoken burdens, took on the joyless task of meting out frontier justice.  At the same time, he’s shown a canny gift for placing such old-school archetypes in a distinctly modern, of-this-moment social and political context, making their struggles feel unexpectedly timely or, rather, timeless.  That gift is on ample display in his new film, Wind River, which is now in wide release after nabbing the best directing prize in the Un Certain Regard category at Cannes earlier this year.

Set on a remote, wintry Indian reservation in Montana, the film marks the third installment in a loose trilogy of Westerns penned by Sheridan (the first two being Sicario and Hell or High Water), though Wind River is the first one he directed...

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Review: The Glass Castle

This article was originally published in Nathaniel's column at Towleroad

‘This would be easier to take on the page.’

That thought kept striking me from odd angles all during the new movie THE GLASS CASTLE  now playing nationwide. In 2005 the writer Jeanette Walls turned the rags of her childhood into adult riches with her memoir “The Glass Castle.”  The book won several awards and sold millions of copies. It was translated into dozens of languages. The big screen, however, has a tricky vocabulary and grammar all its own.

The Glass Castle flashes back-and-forth between adult Jeanette Walls (Brie Larson), a gossip columnist ashamed of her oft-homeless parents (Woody Harrelson and Naomi Watts), and her memories of her difficult nomadic childhood...

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Review: "The Dark Tower"

by Chris Feil

The Stephen King resurgence continues with his epic genre mashup series The Dark Tower finally coming to the screen from director Nikolaj Arcel, and with the powerful Idris Elba in tow as the enigmatic gunslinger Roland Deschain. But this one isn’t likely to come ahead of the King-idolatry of Stranger Things or the upcoming adaptation of It, as it barely resembles his creation or any of the elements that make him one of our foremost pulse-quickeners.

The Dark Tower centers on Jake Chambers, a troubled teenager with visions of otherworldly cataclysm centered around the evil Man in Black, played with nonchalance by Matthew McConaughey. Jake flees across dimensions into Roland’s world and the two pair up to stop the Man In Black from destroying the titular Dark Tower and with it all of existence. When the film immediately forces its hero Roland Deschain to the background for its first two acts (and without building a mythos to capitalize on once he emerges), it’s the first sign that something is majorly amiss in this adaptation...

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