Merrily We Roll... and Roll... and Roll... Along

by Nathaniel R

Real life theater friends Ben & Beanie, doing a musical theater movie adaptation together. But they won't be done with it for another 20 years

While The Film Experience was in the pro-Boyhood camp in 2014 we were never among its biggest fans. It was hard to be in that club given the massive stanning for a movie that was winning Best Picture prizes left and right in its year. But today we love it more than we ever have now that it's given the king of longform cinema, Richard Linklater, the funding and confidence to attempt the coolest or most foolish movie musical ever. As you may have heard he's now embarking on an adaptation of Stephen Sondheim's most beloved flop Merrily We Roll Along to be filmed over the next 20 (gulp!) years...

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Review: Where'd You Go, Bernadette

by Murtada Elfadl

What if that one thing that you cared about and that you built your life’s work around was gutted away from you violently? Can you recover? How do you cope in the days and years that follow? These are some of the questions that Richard Linklater is trying to answer with his adaptation of the Maria Semple novel, Where’d You Go, Bernadette?

Bernadette (Cate Blanchett) is a harried mom (to Emma Nelson’s 15 year old Bee) and wife (to Billy Crudup’s Elgie) in Seattle. She spends her days in her big semi-rundown house trying to manage the small details of her family’s life, but mostly running away from facing the minutiae and drudgery of those tasks by composing long email and text messages to her virtual assistant Manjula. But Bernadette’s life wasn’t always so banal and she wasn’t in perpetual war with everyone she meets (Kristin Wiig plays her nemesis and next door neighbor). She used to be a genius architect with lots of promise until she suffered a major career setback that she couldn’t recover from. 

If you are a fan of the novel you might not recognize what you liked about it from this adaptation...

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Review: Dora and the Lost City of Gold

by Tony Ruggio

Dora the Explorer was after my time, a cartoon for young children that came around long after my Saturday morning cartoon days were over. And yet, despite being one completely uninitiated and cynical thirtysomething, I found Dora and the Lost City of Gold to be a charming delight. Aged up from the show, Dora’s now a teenager who has spent many of her formative years in the jungle with a pair of well-meaning archeologist parents (Michael Peña, Eva Longoria). Thrust into high school in Los Angeles, she’s an odd duck and beacon of positivity amid the cynical squalor of American modernity. Suck out all pretension and she’s simply the smartest, kindest person in the room. 

Isabella Moner is a bright-eyed, exuberant presence as Dora, always ready to sing or swing into a grand adventure...

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"Four Weddings and..." this is a mistake

by Deborah Lipp

Last night I sat down to watch Hulu's new series, Four Weddings and a Funeral. First I looked in their “TV” section and couldn’t find it. Then I looked in their “Originals” section – it wasn’t there. Then I searched. “F” and “FO” did not bring it up. The only result for “FOU” was Found. I had to enter the R before the title appeared in my search results.

Folks, be warned: Even the network is hiding it...

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Stage Door: "Moulin Rouge!" on Broadway

Stage Door is our intermittent theater review column, which might seem odd for a movie site, but we're headquartered in NYC so...

by Nathaniel R

Do you remember the sensation of watching Moulin Rouge! (2001) for the first time? I remember exactly where I was (the much-missed Zeigfeld theater in NYC)  and exactly how it felt as it washed, no, exploded all over me. Twas a dizzying overwhelming sensory experience from the moment the red curtain appeared. Moulin Rouge! (the movie) eventually calms down… or you acclimate to it (I’ve never known definitively which). The moment I gave in fully, convinced it was something emotionally special and not just a flurry of exciting images, was Ewan McGregor’s spontaneous inspirational belting of “The hills are alive… with the sound of music”. The moment the movie belonged to me, and I to it, was the entrance of the Sparkling Diamond herself, Satine (Nicole Kidman) descending on a trapeze to sing “Diamond’s are a Girl’s Best Friend”. 

These moments are dutifully recreated for the new Broadway incarnation. The experience is not quite the same. Some cinematic bliss cannot be easily transferred to a different medium. Nevertheless there’s still green fairy dust sprinkled on this musical. It just takes a bit longer to lift off...

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