Noirvember / Contrarian Corner: Motherless Brooklyn

By Lynn Lee

Is Motherless Brooklyn just another high-profile Oscar hopeful turned dud-on-arrival?  The early signs for Ed Norton’s long-gestating passion project have not been encouraging, to put it mildly.  Reviews on both the festival circuit and the film’s general release and here at TFE have been tepid, the box office even more so. Its awards prospects are pretty much nil.  It’s also not the kind of movie that’s likely to find success through word of mouth or build a long-term cult following, and its chances of future critical reevaluation are uncertain at best.

All of which makes me a little sad, because I quite enjoyed the film, and think Norton deserves more credit than he’s getting for what he’s accomplished...

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Best of the "Whodunnit?" Genre (Part One)

by Eurocheese

Rian Johnson’s upcoming Knives Out is a thrill ride of a whodunnit, toying with one of the most enjoyable film genres. To celebrate, I'm sharing my all time list of favorite murder mysteries. Feel free to add your own in the comments – we could all use some good discoveries from any era or country.

Before we begin some whodunnit qualifiers to narrow down this list. The films must have: 

1. A set group of suspects, who we get to know through the film (disqualifies movies like Se7en)
2. An unknown culprit (knocks out most of Hitchcock)
3. Evidence, so the audience has some chance of guessing the final answer
4. ...And the identity of the culprit being revealed late in the film, either by a detective or the movie itself.

This should go without saying, but a whodunnit isn’t as fun when the answer is spoiled, so no spoilers in the comments (about any of these or Knives Out)!

TEN FAVOURITE WHODUNNITS...

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Oooh, "The Humans" has finished filming!

by Nathaniel R

Did you know they were making a movie of 2016's Best Play winner The Humans? Jayne Houdyshell, a brilliant stage actress (pictured center top above), actually got to reprise her Tony-winning role for the film. Imagine not being replaced by Meryl Streep in a Tony-to-Oscar hopeful transition project! Her Tony winning co-star Reed Birney (also a wonderful actor) was replaced though... 

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Posterized: Promotions to Film for TV Casts

With Downton Abbey (2019) in theaters today and already threatening a sequel let's talk movie spin-offs of TV shows. TV shows have been adapted into feature films for as long as we can recall, but up until the 21st century it was more common for feature films to be adapted into TV shows.

Examples of TV series getting their own theatrical film outing with the original cast intact dates back to, we think, Dragnet (1954) and Batman The Movie (1966), both of which had one theatrical release during their TV runs. But it was fairly rare until recently and it has usually only happened after a television series has wrapped. A large part of this becoming more common obviously has to do with the narrowing gap between how audiences experience TV and film. On a less obvious and more theoretical level we suspect its due to the even newer cultural trend of immediate / perpetual nostalgia. It used to be that there had to be a bit of distance before the populace got collectively teary-eyed with longing but... no longer! 

Batman got a movie in the summer of 1966, even though it has just premiered on television in January of that same year.

You can now be wistful for things you experienced just the year or even a few months before and demand that they come back to you in the closest approximation possible. 

Let's look at some examples of this increasingly popular trend leading up to Downton Abbey (2019). How many of these spinoffs have you seen? The posters are after the jump...

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Yes No Maybe So: Joaquin Phoenix is "Joker

by Tony Ruggio

The internet’s been aflush with grousing over Todd Phillips’ upcoming Joker, a boiling pot of loyal DC fanboys and girls versus cinephile crusaders. Stir the pot with critics and pundits who have read an early draft of the script (why do that?) and the discourse, pre-discourse, and twee little jokes about discourse have been headache-inducing. I don’t care so much for pearl-clutching over what the film’s worldview might be... judging films on such things, particularly before anyone has seen one minute of finished film, is unfair to art and the place it occupies in pop culture. It’s not a filmmaker’s responsibility to coddle a country or avoid uncomfortable points of view.

That being said, there are pre-existing mixed feelings, and the final trailer only exacerbates them…

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