1972: The founding fathers musical "1776"

We're looking back at the 1972 film year before the Smackdown.

by Anna

Peter H Hunt's 1776, based on the stage musical of the same name, chronicles the many woes that went into the Declaration of Independence’s creation. At the forefront of its writing are the “obnoxious and disliked” John Adams (William Daniels), the dry-witted Benjamin Franklin (Howard Da Silva), and the homesick Thomas Jefferson (Ken Howard). Amid the clash of words and egos of the other delegates of Congress, will they succeed?

Recruiting many of the names involved with the original Broadway production (Producer Jack L. Warner’s attempt to atone for casting Audrey Hepburn over Julie Andrews for My Fair Lady), 1776 had the misfortune of being released the same year as another period piece musical. 

Would 1776 have won more acclaim had it been released a different year?

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Sunset Boulevard. Should we worry or rejoice?

by Nathaniel R

As you have no doubt heard, the 1993 stage musical Sunset Blvd., Andrew Lloyd Webber's adaptation of the film noir classic Sunset Boulevard (1950) now has a green light for the movies. The stage musical premiered in London in '93 with Patti LuPone in the lead role before a legally-fraught switcheroo to Glenn Close for its Broadway debut in '94. The musical would go on to win 7 Tonys (including Best Musical and Best Actress) and roughly ever since then (we're talking 25 years now!) there's been talking of adapting it back to the screen, its original home and subject matter. This wouldn't be the first time that's happened of course. The most recent example is Hairspray which proved a hit in all three incarnations: 1988 / 2002 / 2007.

This project has been talked about for years and now a sudden green light with shooting scheduled for October. Was it Glenn Close's year long comeback of sorts as she undoubtedly came close to winning that elusive Oscar that finally did it...

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Will the Oscar Success of "If Beale Street" Spur More Adaptations of James Baldwin's Work?

by Murtada Elfadl

 

Black authors have not been adapted the same way as their white peers because financiers don’t put their money behind black authors.
-Barry Jenkins accepting Best Director at the Spirit Awards 

Regina King understood what she was representing at the Oscars. Not just her film, If Beale Street Could Talk, and all the people who worked on it but also the legacy of James Baldwin. She mentioned him on the red carpet on her way to the ceremony. Fittingly, she also started her speech with him...

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Blueprints: "Can You Ever Forgive Me?"

by Jorge Molina

Marielle Heller’s Can You Ever Forgive Me? is a subtle study of a woman clinging to relevance in a world that not only has forgotten about her, but never took her into consideration in the first place. It’s about isolation, and loneliness, and people that already live at the margins marginalizing themselves even more. But it is also a rare, realistically moving portrayal of queer friendship; of the friendship of a woman with a man that’s just as forgotten and isolated as she is.

The screenplay adaptation of Lee Israel’s memoir by Jeff Whitty (of Avenue Q fame) and Nicole Holofcener (of many great pictures fame) tackles the relationship between Lee and Jack (Melissa McCarthy and Richard E. Grant in career-best performances) with nuance and bite, and never gives in to "likeability". Whitty and Holofcener know that sometimes friends happen to just not like each other...

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Blueprints: Memorable scenes from your "Best Adapted Screenplay" nominees

by Jorge Molina

Last week we dove into the nominees for Original Screenplay. Unlike that category, which feels up in the air with a batch of uneven contenders, the adapted nominees reflect a much richer group of screenplays overall. From the pitch-perfect blending of genres and race-commentary in BlackKklansman, to the lyricism and poetry of If Beale Street Could Talk, and from the snark and melancholy in Can You Ever Forgive Me?, to the dark ironies that permeate through all the tales in The Ballad of Buster Scruggs, andthe interpersonal relationships against the backdrop of superstardom in A Star Is Born, each nominee says what it needs to say in a way only it could have. Let’s have a look at each of the nominees...

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