Months of Meryl: Into the Woods (2014)

John and Matthew are watching every single live-action film starring Meryl Streep.  

#48 —The Witch, a witch.

JOHN: In his reserved review of the original 1987 Broadway production of Into the Woods, Frank Rich summed up the plot of Stephen Sondheim and James Lapine’s beloved musical as such: “Cinderella and company travel into a dark, enchanted wilderness to discover who they are and how they might grow up and overcome the eternal, terrifying plight of being alone.” Rich noted that, “in remaking Grimm stories, Mr. Sondheim's lyrics and Mr. Lapine's book tap into the psychological mother lode from which so much of life and literature spring.” Sondheim and Lapine’s dextrous, intertwined reimagining of classic Grimm fairy tales, from Little Red Riding Hood to Cinderella, offers a subversively adult version of these hallowed childhood fables and an artistic vision that seems fundamentally at odds with family-friendly Disney, the machine behind Rob Marshall’s 2014 screen translation.

When unhappy fans pressed Sondheim upon the film’s release to defend what felt like a compromised adaptation, he admitted that concessions were in fact happily made to secure a PG rating...

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Months of Meryl: The Giver (2014)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#47 —The Chief Elder, leader of a dystopian society.

MATTHEW: In Lois Lowry’s 1993 young adult novel The Giver, a society recovering from near-ruination divides its people into communities and, in the process, mistakes sameness for equality. In the 2014 film adaptation of Lowry’s Newbery Medal-winning classic, a production team looking to make a quick buck on the under-18 set mistakes glossy superficiality for storytelling simplicity and basic filmmaking competency. Despite its undeniable following and long-held status as a formative literary staple for American adolescents, The Giver was somehow omitted from my middle school reading list. I’m positive Lowry’s tale has its merits, but whatever those may be, they are almost entirely undetectable in this version from journeyman director Phillip Noyce (Rabbit-Proof Fence, The Quiet American).

Noyce’s iteration centers around Jonas (Australian twink Brenton Thwaites), a 16-year-old who we are told possesses uncommon brilliance and “a capacity to see beyond,” assets that earn him the title of his community’s Receiver of Memory...

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Podcast: El Angel, The Front Runner, Oscar's Screenplay Race

Nathaniel R and Murtada Elfadl talk new films and the Oscar race

Index (58 minutes)
00:01 The story of Gary Hart in The Front Runner starring Hugh Jackman
16:25 El Angel starring Lorenzo Ferro and Chino Darín which is Argentina's Oscar submission
27:22 Sidebar: My Fair Lady on Broadway
34:24 Best Adapted Screenplay: Bradley Cooper, Barry Jenkins, Gillian Flynn, Nicole Holofcener, Spike Lee, Armando Iannucci, Paul Dano & Zoe Kazan could all compete here but which of them will?
45:23 Best Original Screenplay: Roma, The Favourite and Green Book and...?
54:40 Beck claims he's recording a score for Roma... which has no score.

 References / Further Reading
• The horror of Beck's Tweet about Roma
• Chris's review of The Front Runner
• Foreign Language Film Submission Chart 
• Screenplays Oscar Chart

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

El Angel and The Front Runner

Posterized: Dr. Seuss and "The Grinch"

by Nathaniel R

The children's book author Dr. Seuss (also known as Theodore S. Geisel) is such an icon part of popular culture that he's even had his own postage stamp. But did you know he was also a screenwriter? In addition to the screenplay of the fantasy family film The 5000 Fingers of Dr T (1953) he wrote the script for the Oscar winning documentary Design for Death (1947) which was a documentary about Japanese and what led to the attack on Pearl Harbor. Far outside the wheelhouse that was! But mostly when it comes to the screen when we think of Dr Seuss we think of the once-perennial TV airings of How the Grinch Stole Christmas.

 The bulk of screen adaptations of Dr Seuss's work have been in the short film format which makes sense, given the short visual books he wrote. Of the many shorts based on his work the following were all nominated for Oscars: The 500 Hats of Bartholomew Cubbins (1943), And to Think I Saw It on Mulberry Street (1944), Gerald McBoing-Boing (1950 - OSCAR WIN), and Gerald McBoing! Boing! on Planet Moo (1956). One short based on his work,  Daisy Head Mayzie (1995), was Emmy nominated.

But with the release of The Grinch (2018) today, let's look back on all the feature films (and the three most prominent TV specials) that are Dr Seuss related. How many have you seen and will you be seeing The Grinch? The posters are after the jump...

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Months of Meryl: August Osage County (2013)

John and Matthew are watching every single live-action film starring Meryl Streep.  

#45 —Violet Weston, the cancer-stricken, drug-addicted matriarch of an Oklahoma family.

MATTHEW: Tracy Letts’ high-octane, Pulitzer Prize-winning family drama August: Osage County was the toast of the 2007-2008 Broadway season, which made a cinematic adaptation all but inevitable and the star involvement of Meryl Streep an equally foregone conclusion. The vituperative, pill-popping Violet Weston is the crowning achievement of Letts’ play and arguably the meatiest dramatic role to come along for sexagenarian actresses in the past 15 years. The part has been previously interpreted on stage by the Tony-winning Deanna Dunagan (who originated the character in the initial Steppenwolf production), Estelle Parsons, and Phylicia Rashad, any one of whom could have bowled us over in an alternate film, as might have rumored candidates like Jessica Lange, Sissy Spacek, and Glenn Close. This isn’t to take away a single merit from Streep’s no-holds-barred work, but rather acknowledge that Streep herself is the rare and defiant exception who proves the rule that actresses over the age of 50 are anathema to Hollywood’s gatekeepers.

Before falling in love with the eye of the camera, Streep was first and foremost a creature of the theater...

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